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MIGRANT CRISIS

Albanians question Italy’s ‘solidarity’ amid controversial migration deal

Albania's prime minister has said the solidarity Italy showed to his country in the '90's is the reason why he agreed to sign a controversial migration pact with Rome. But is this the full story, or just an 'advertising gimmick'?

Nearly 1,000 desperate Albanians stand aboard an abandoned ship on March 17, 1997, waiting for a possible departure for Italy.
Nearly 1,000 desperate Albanians stand aboard an abandoned ship on March 17, 1997, waiting for a possible departure for Italy. Photo by ERIC CABANIS / AFP.

On February 20, 1991, demonstrators in Tirana pulled down the immense statue of Albanian dictator Enver Hoxha, marking the end of the communist regime and sparking an emigration wave towards Italy.

Three decades later, Albanian Prime Minister Edi Rama says the “solidarity” Italy showed to his compatriots at the time is why he signed up to a controversial migration deal with Rome in November.

The Albanian community in Italy today is large – the second biggest from a non-EU country – and well-integrated.

But it has not always been, and critics accuse Rama of rewriting history.

READ ALSO: Italy approves controversial Albanian migrant deal

Hajri Kurti, who emigrated to Italy to escape poverty, says “integration was very difficult”.

“You were an illegal immigrant, you had no rights, you worked illegally. Sometimes I didn’t get paid”, the 50-year-old told AFP.

A banner reads “I’m an Albanian without legal status, all the same I cheer for Italy” at the Euro 2008 Championships Group C football match France vs. Italy in Zurich. Photo by JOHN MACDOUGALL / AFP.

“You had to be invisible. I was afraid when I saw a policeman in the street,” he said.

Now a partner in a maintenance company, it took the married father-of-one years to win the right to stay.

“There are prejudices, there is racism” in Italian society, he said.

Betrayal

Italy, barely 70 kilometres (40 miles) across the Adriatic Sea from Albania, was seen as a Western country rich in opportunities.

Thousands of Albanians who arrived in March 1991 in the southern Italian port of Brindisi were welcomed warmly, said Edmond Godo, head of the Albanian cultural association Besa.

READ ALSO: How has Italy’s ‘anti-immigrant’ government changed the rules for foreigners?

The 57-year-old recalls how many locals left food for the new arrivals outside their front doors, including one young woman who opened her home to him.

“She invited me and my two friends to lunch, and after hearing the history of my country, she and her husband invited us to stay and sleep at their place,” he told AFP.

But some 20,000 other Albanians who arrived in August of the same year in Bari, a port just north of Brindisi, were not so lucky.

Albanians arrive in Brindisi on March 15, 1997 after crossing the Adriatic sea from Durres in Albania onboard the “Val Frio.” Photo by GERARD JULIEN / AFP.

The desperate migrants crowded onto their boat, the Vlora, were front-page news and the government feared more mass arrivals would follow.

After being detained for several days in a stadium in the city, the vast majority of them were repatriated.

The Albanians had been told they were being sent to another Italian city, and their forced return instead was seen as a betrayal.

By 1997, Italy had imposed a naval blockade on Albania, and Italian navy boats patrolled its waters.

The same year, more than 80 Albanians died or went missing after an Albanian ship carrying more than 120 people collided with an Italian navy vessel.

‘Advertising gimmick’

These are not memories Italian Prime Minister Giorgia Meloni or Rama want to dwell on.

Hard-right Meloni, elected in 2022 on an anti-migrant ticket, has pledged to slash the number of migrant boats arriving in Italy and needs to be seen to be tackling the issue, though these days the boats are no longer coming from Albania but mainly from North Africa.

Rama wants Rome to help speed up Albania’s entry into the European Union.

Italy’s Prime Minister, Giorgia Meloni and Albania’s Prime Minister Edi Rama sign an agreement on migration at Palazzo Chigi in Rome on November 6, 2023. Photo by Tiziana FABI / AFP.

Under the deal, Italy will open two centres in Albania to process people intercepted as they attempt to cross the central Mediterranean.

The centres will only be able to accommodate up to 3,000 people at a time while their asylum requests are being evaluated – often a lengthy process.

That is but a fraction of yearly arrivals. In 2023, over 150,000 people crossed from North Africa to Italy.

The plan has also been criticised by migrant rescue charities as likely to infringe international law.

For Albanian emigrant Kurti, the deal is little more than “an advertising gimmick”, intended to “mask the incapacity of the Italian government” to manage migrant flows.

By AFP’s Ljubomir MILASIN

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CULTURE

Migrant boats make music at Milan’s La Scala

String instruments made from migrant boats met with sustained applause as they debuted at Italy's prestigious La Scala opera house in tribute to those who perish attempting the Mediterranean crossing to Europe.

Migrant boats make music at Milan's La Scala

The multicoloured “violins of the sea” were made by prisoners out of rickety boats washed up on the small Italian island of Lampedusa, a first port for many seeking to cross from North Africa.

The debut of the “Orchestra of the Sea” with the instruments, formed especially for the occasion, visibly moved the audience.

Two of the violin makers – inmates from the high security Opera prison near Milan – watched Monday’s performance of Bach and Vivaldi from the theatre’s royal box, usually reserved for state dignitaries.

“To be invited to La Scala for something we created is magic” said 42-year-old Claudio, one of the prison’s four apprentice luthiers who is serving a life sentence for two murders.

Cracked and diesel-soaked wood from the migrants’ boats, destined for the scrapyard, was transformed into the violins, violas and cellos.

An inmate collects wood on a migrant boat to make music instruments as part of the project ‘Violins of the sea’ at Opera’s prison, near Milan, on February 8, 2024. Photo by Marco Bertorello / AFP.

‘Giving waste a voice’

“We give voice to everything that is usually thrown away: the wood from boats that is shredded, the migrants who flee war and poverty and are treated like trash, and the prisoners who are not given a second chance,” says Arnoldo Mosca Mondadori, who came up with the idea.

Mosca Mondadori, president of the House of the Spirits and the Arts foundation, hopes the string instruments can be played in other concert halls in Europe, “to touch people’s souls in the face of poverty”.

READ ALSO: Italy’s Lampedusa struggles as migrant arrivals double the population

The central Mediterranean is the deadliest migratory route in the world. Nearly 2,498 people died or disappeared along it last year, some 75 percent more than in 2022.

In a courtyard at the Opera prison, dilapidated boats are strewn across the grass among broken planks of wood.

A pink and white baby shoe, a baby bottle, nappies and a tiny green T-shirt are among items recovered from their holds.

Discarded clothing stiff with salt, rusting cans of sardines, and rudimentary life jackets evoke perilous journeys at the mercy of rough seas. “You can smell the sea here,” within the grey concrete walls of the courtyard, 49-year-old prisoner Andrea said.

“It is very strong and transports you very far. It is present even in the instruments, though less so,” he says as he dismantles boats and searches for suitable wood to make the instruments.

The entrance of the lutherie of the House of the Spirits and the Arts foundation. Photo by Marco Bertorello / AFP.

‘Alive and useful’

Andrea, who is serving a life term for murder, sees the time he spends in the wood workshop as a form of “redemption”.

“Time does not pass in prison. But there, we feel alive and useful,” he said.

In the small dark room with barred windows, Nicolae, a 41-year-old Romanian behind bars since 2013, is busy sawing a piece of wood.

He takes measurements, before carefully carving a violin’s soundboard.

READ ALSO: EXPLAINED: What’s behind Italy’s soaring number of migrant arrivals?

“By building violins… I feel reborn,” he said.

Paring tools, penknives, chisels, saws and small wood planes are lined up on a wall panel, potential weapons which are scrupulously checked back in at the end of the day by the guards.

Standing in front of his workbench, master luthier Enrico Allorto says that he used a method from the 16th century when bending the wood, in order to keep the boat varnish intact.

There is no Stradivarius here. These violins have “a more muted timbre, but they have their charm and reproduce the entire range of sounds”, he says.

“They arouse emotions in the musicians, who in turn transmit them to the public”.

By AFP’s Brigitte HAGEMANN

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