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Italy finally has an official national anthem

It’s official: Italy has a national anthem, just in time for the World Cup... oh.

Italy finally has an official national anthem
It's official: Italians have a national anthem. Photo: Filippo Monteforte/AFP.

No one will be singing it on the stands in Russia, more’s the pity, but Italian footballers, fans and schoolchildren can rest assured that the next time they’re required to join in with the “Song of the Italians”, it’ll be official.

It turns out the anthem Italians have been singing for the past 71 years – also known as “Mameli’s Hymn” after its lyricist, or “Brothers of Italy” after its opening line – was only provisional.

In October 1946, Italy’s post-war government picked it as the de facto anthem of the new Italian Republic, but they never wrote it into law.

It was only on Wednesday, seven decades later, that the Italian senate’s committee for all things constitutional approved a provision stating once and for all that Il Canto degli Italiani is the national song of choice.

Mameli’s Hymn has been taught in schools since 2012, which means that young Italians at least ought to know the words to all five stanzas of the original poem. (Usually, though, only the first stanza is sung – twice – followed by the chorus.)

Italy’s Sky TG24 went out on the streets of Rome on Thursday morning to test how well Italians really know their new, old anthem and the results were… mixed.

The hymn dates back to 1847, when Goffredo Mameli of Genoa wrote a patriotic ode invoking Ancient Roman victories and an independent, unified Italy. A fellow Genoese, Michele Novaro, set his words to a rousing tune and Il Canto degli Italiani was born.

The song was popular during the period of Italian unification, but lost out to the royalist Marche Reale when the newly formed Kingdom of Italy picked an anthem in 1861.

Both fascists and partisans continued to sing Mameli’s Hymn during World War Two, and when the post-war Republic was born, the song was the obvious choice for its anthem.

Italians have been singing it before football matches and at military parades ever since, though some have suggested replacing it with the more solemn – though arguably, more tuneful – Va, Pensiero from Giuseppe Verdi’s opera Nabucco.

Notably, the regionalist Northern League objects to the parts about Rome ruling over a united Italy. The party’s members have been known to sit down or leave the room during official renditions of Mameli’s Hymn, and for a while sang Verdi’s aria at their party meetings.

Everyone else, though, will be singing Mameli’s anthem for many years to come. If you want to join in, here are the words.

CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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