SHARE
COPY LINK

OPERA

Spanish opera star Montserrat Caballé dies aged 85

Spain's world-famous opera singer Montserrat Caballé, known for her velvet-edged voice and radical rock duet with Queen singer Freddie Mercury, died in Barcelona on Saturday at the age of 85.

Spanish opera star Montserrat Caballé dies aged 85
In this file photo taken on January 27, 2005 Spanish opera singer Montserrat Caballe performing at the Palais des Festivals in Cannes. Photo: PASCAL GUYOT / AFP
Hailed as one of the world's greatest singers for her vocal virtuosity and dramatic powers, Caballé charmed audiences for half a century with a huge repertoire that saw her perform across the globe. 
 
The Spanish soprano was already considered an opera great when her duet with Mercury, a boundary-busting combination of opera and rock, became the anthem for the 1992 Olympic Games and propelled her into the mainstream.
 
Retired for several years because of health problems, the soprano was hospitalised in mid-September due to a gall bladder problem, local media reported.
 
“She died overnight at the Sant Pau hospital,” a hospital source told AFP.
 
A service for the singer will be held on Sunday at 2pm local time, with a funeral the following day, Barcelona authorities said.
 
“Montserrat Caballé, her voice and her tenderness, will always stay with us,” said Spanish leader Pedro Sanchez on Twitter. 
 
He said the country had lost “a great ambassador of our country, a soprano recognised internationally”. 
 
Vocal virtuoso
 
Born in April 1933 to a humble family in Barcelona, Maria de Montserrat Viviana Concepcion Caballé i Folch studied music at the Liceu Conservatory in the Catalan capital.
 
But her families financial troubles almost derailed her budding career, forcing her to briefly abandon her studies until a patron stepped in to help her.   
 
After making her debut in Basel in Giacomo Puccini's “La Boheme” in 1956, she first performed at Barcelona's Gran Teatre del Liceu in 1962, beginning a decades-long love affair with fans in her home city.  Caballé's big break came in 1965 when she stepped in for American soprano Marilyn Horne in the notoriously difficult role of Lucrezia Borgia in Donizetti's opera in New York. Her spectacular performance went down in opera history as one of the greatest overnight successes.
 
She went on to tour the world in a career spanning 50 years, garnering international acclaim for her creamy voice and gregarious stage presence.
 
Her vast repertoire, vocal versatility and mastery of the art of “pianissimo” meant she was as much at home with Rossini and Donizetti as Mozart and Dvorak. She sang on some of the world's most prestigious stages, including New York's Metropolitan Opera House, Milan's La Scala and the Royal Opera House in London. Career highlights included a triumphant performance in Bellini's “Norma” at La Scala in 1972.
 
Rock 'revolution'
 
Caballé performed with other opera greats like Luciano Pavarotti and Placido Domingo. But it was with Freddie Mercury that she was able to display her talents to a global mainstream audience, recording an album “Barcelona” with the rock star in the late 1980s. 
 
“For the world of opera it was a revolution, a genuine revolution,” she said, according to a 2003 documentary about her music. 
 
The title duet became the anthem for the 1992 Olympic Games in Barcelona and her performance of the song, without Mercury who had died the previous year, was an electrifying highlight of the opening ceremony.  
 
Caballé was afflicted by a series of health problems during the latter part of her career that made her drastically reduce her performance schedule. After a long break from the stage she made a rare appearance at the Barcelona opera in 2002 to mark 40 years since her debut at the Gran Teatre del Liceu. Her first entrance was greeted with a rapturous ovation lasting more than ten minutes.   
 
Caballé suffered a minor stroke in 2012 and recent years were also notable for a tax evasion investigation that saw her being given a six-month suspended jail term and a fine in 2015.
 
Caballé's daughter with her husband Spanish tenor Bernabe Marti whom she married in 1964 is also a soprano.
 
By AFP's Alvaro Villalobos   

CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

SHOW COMMENTS