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Secret Michelangelo room in Florence to open to public

For the first time, visitors will be able to enter a hidden cell in the Medici Chapels where Michelangelo is thought to have covered the walls with sketches.

Secret Michelangelo room in Florence to open to public
Drawings believed to be by Michelangelo in the Medici Chapels' secret room. Photo: Claudio Giovannini/AFP.

Until some 40 years ago, no one realized that it existed. And when curators discovered a secret room beneath the Medici Chapels in the Basilico di San Lorenzo in Florence, its walls covered in what appeared to be unknown sketches by the Renaissance master Michelangelo, they ordered it sealed to the public for conservation.

But the secret Michelangelo room could soon be permanently opened to visitors for the first time in history.

Florence’s Bargello museum, which also runs the Medici Chapels, wants to open the long-lost chamber to the public by 2020, Ansa reports.

Until now, only a few art experts – and the occasional lucky guest – have been permitted to enter the narrow cell, where historians believe that Michelangelo hid out in 1530 after he betrayed his patrons, the Medicis, by joining a revolt against their rule of Florence.

He resurfaced around two months later, when he was permitted to resume work on the Medici family’s monuments in the same chapel beneath which he had been hiding.

The artist, then 55, is thought to have spent the time doodling. The chamber’s walls are covered with sketches in charcoal and chalk, several of which resemble figures from Michelangelo’s other known works.


Photo: Claudio Giovannini/AFP.

Scholars disagree on whether, which and how many of the drawings are by Michelangelo. Some don’t seem good enough to have come from the master’s hand, while others echo such masterpieces as the statue of David, a drawing of Leda and the Swan, or parts of the Sistine Chapel.

The sketches were rediscovered in November 1975, when the director of the Medici Chapels museum at the time, Paolo Dal Poggetto, was trying to find a new route for visitors to exit. He found a trapdoor hidden beneath a wardrobe in the Medicis’ tomb room, which led down to a rectangular room that at the time was used to store coal.

Dal Poggetto had the chamber cleared, the walls – by then covered in coal dust, mould and mud – cleaned and the plaster removed fraction by fraction with scalpels. Gradually not only drawings but calculations, words and graffiti began to emerge.

Considered too fragile to open to visitors, the room remained sealed. In 2014, to mark the 450th anniversary of Michelangelo’s death, the museum created a virtual tour of the hidden chamber so that the public could at least admire it on a screen.

Opening the Michelangelo room comes as part of a plan by the Bargello’s director, Paola D’Agostino, to carry out renovations, reopen closed galleries and extend opening hours. 


Photo: Claudio Giovannini/AFP.

ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old told AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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