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Did Salvador Dalí father a secret love child?

Pilar Abel, the woman claiming to be Salvador Dalí's daughter, said Tuesday she wanted to recover her identity more than anything else, a day after the artist's exhumation was ordered.

Did Salvador Dalí father a secret love child?
File photo taken on December 13, 1972 shows Dali in Paris. Photo: AFP

For a decade, the 62-year-old who long worked as a psychic in the northeastern region of Catalonia where Dalí was born, has tried to prove she is the painter's child.

Her paternity claim, however, has raised scepticism, with Dalí biographer Ian Gibson writing in El Pais that he had doubts, saying the artist preferred watching rather than having sex.

But Abel is adamant her mother had a relationship with Dalí, one of the most celebrated and prolific painters of the 20th century, when she worked for his friends in Port Lligat, a tiny fishing hamlet.

The painter lived and worked there for years.

READ MORE: Six surreal facts about the life of Salvador Dalí

Abel told AFP a judge's decision on Monday to exhume Dalí's remains was “a big victory” though she acknowledged there was still a long way to go.    

The Dalí Foundation which manages the artist's estate has said it will appeal.

“At last I would know who I really am and would be recognised,” she said.    

“I don't want his heritage, if it comes so be it, but it's the last thing I want. First of all I want my identity.”


Is there a family resemblance? Pilar Abel believes so. Photo: AFP

Exchanging glances

She said her grandmother first told her she was Dalí's daughter when she was seven or eight years old, and her mother admitted it much later.  

Abel is from the city of Figueras like Dalí, and she said she would see him in the streets often.

“We wouldn't say anything, we would just look at each other. But a glance is worth a thousand words,” she said.  

Notoriously eccentric, Dalí's life was marked as much by the genius of his work than by his own extravagances.  

A question mark has always hung over his sexuality.    

Writing in El Pais, Gibson said he had once spoken to a gay Colombian gallery owner called Carlos Lozano who knew Dalí well and told him the painter was homosexual but incapable of acting on it.

He also said Dalí could not stand anyone touching him, bar his muse and long-time partner Gala.

Lozano recalled orgies at Dalí's house during which the artist would merely watch, Gibson says, adding it was “possible” that he had sex with a woman, though he doubted it “very much.”

But according to Abel's lawyer Enrique Blanquez, the affair was “known in the village, there are people who have testified before a notary.”

By Daniel Bosque /AFP

READ MORE: Salvador Dalí to be exhumed over paternity claim


Photo: AFP

ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old told AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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