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MUSIC

From Netherlands to Norway, Klangstof on dark rock journey

When Koen Van Der Wardt was 14, his parents moved with him from their native Netherlands to rural Norway, longing for nature. His musical awakening was an unintended consequence.

From Netherlands to Norway, Klangstof on dark rock journey
Klangstof frontman Koen Van Der Wardt. Photo: Rich Fury/AFP

As the frontman and principal songwriter of the band Klangstof, Van Der Wardt conjures up the dark atmospherics of rural Norway in guitar rock that breaks free from traditional song structure.

He was kicking off Coachella on Friday, becoming the first Dutch act to play the leading music festival that takes place in the desert of southern California.

Now 24, Van Der Wardt recalls growing up in The Netherlands listening to electronic dance music like other Dutch preteens. In Norway, he said, he spent his first year engrossed in only one album – Radiohead's “OK Computer,” the English rockers' seminal 1997 transformation into digital experimentation.

He first picked up a guitar in Norway simply out of boredom. But he gradually came to appreciate his parents' decision to move.

“It was very inspirational to have no pressure from the outside world that you usually have when you live in a city or live in a country with a lot of people,” Van Der Wardt told AFP before a pre-Coachella rehearsal at a Los Angeles studio.

“Norway just makes you feel that you don't have to care about anything around you,” he said, “because there isn't much around other than beautiful nature.”

Mood, not words

Although the music bears the clear influence of Radiohead, Van Der Wardt's high-pitched, melody-resistant vocals and Klangstof's Nordic sensibility also bring to mind the Icelandic post-rockers Sigur Ros and, to a lesser extent, the earlier era of progressive rock.

Klangstof – the name, so evocative of the band's sound, is a portmanteau between the Norwegian word for “echo” and Dutch for “dust” – had its break when it uploaded “Hostage,” a bleak song about personal confinement.

The song was spotted by David Dann, founder of label Mind of a Genius, who quickly signed the band. “Hostage” became the starting point for Klangstof's debut album “Close Eyes to Exit,” released last year.

Van Der Wardt said he focused on creating an ambience on the album – reinforced by vaguely futuristic cover art — and sang only where he thought the voice built the mood.

“I got kind of fed up with sitting down and writing verses and choruses. I thought that was a bit boring,” he said.

“For me it was always about having a lot of cool sounds instead of having a catchy hook.”

Dark music, happy life

If Coachella's sunshine and scanty outfits seem a disconcerting match for Klangstof, Van Der Wardt is hardly gloomy as a person, with an easygoing smile and constant laugh.

“I always felt like I put all of the bad emotions into the music, and as soon as I'm done writing music and I'm on the road or living life, I actually feel like a pretty happy person,” he said.

“People always expect to have very depressed musicians on stage and when they come to me after the show, they're like, 'Huh? What was going on there? You were dancing, you were happy, you were screaming.'”

Van Der Wardt expressed pride at being the first Dutch act at Coachella, but said he was barely thinking about it.

“Music isn't a nationalist thing. Music is for everyone and it doesn't know any borders. In any case, I don't feel like I'm 'the hippest export product from The Netherlands' or anything,” he quipped with a laugh.

After Coachella, Klangstof will play more festival dates and open on US tours for The Flaming Lips and Miike Snow.

In a fitting sign of the band's origins, the headliner Friday at Coachella is Radiohead.

“I'm definitely going to try to see if I can get a little high-five going backstage,” Van Der Wardt said.

By Shaun Tandon

CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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