SHARE
COPY LINK

CHINA

Ai Weiwei in Germany as UK slammed over visa

Chinese dissident artist Ai Weiwei arrived in Munich on Thursday on his first overseas trip since he was arrested nearly four years ago, after Britain denied him a six-month visa because he did not declare a supposed "criminal conviction" on his application.

Ai Weiwei in Germany as UK slammed over visa
Chinese artist and dissident Ai Weiwei arrived at Munich airport on Thursday, greeted by his son and son's mother, filmmaker Wang Fen. Photo: DPA.

China's best known contemporary artist received a new passport a week ago after it was taken away following his 81-day detention without charge in 2011 amid a crackdown on government critics.

Ai and human rights groups insist the artist has no convictions, and was never charged with a crime.

The artist arrived on a Lufthansa flight to the southern city of Munich, Stephan Urbaschek of his Berlin gallery, Galerie Neugerriemschneider, told AFP.

“We are overjoyed,” Urbaschek said, adding that it was extraordinary news that “the incomprehensible travel restriction” against Ai had been lifted.

In the coming days, 57-year-old Ai — who said last week that Germany had granted him a four-year multiple entry visa — is expected to travel on to the German capital Berlin where his six-year-old son lives, said Urbaschek.

Earlier Thursday, Ai said Britain had denied him a six-month visa and restricted him to a three-week trip because he did not declare a “criminal conviction” in his application.

Britain's decision prompted outrage online and condemnation from rights groups.

Ai posted a letter on Instagram apparently from the visa section of the British Embassy in Beijing saying it was “a matter of public record that you have previously received a criminal conviction in China, and you have not declared this,” adding he had “exceptionally” been granted a visa for a 20-day period in September.

Any future application he made should be completed “as accurately as possible”, the letter said, warning him that he faced a 10-year ban if he did not comply.

'Never charged'

Ai said in a separate Instagram post he had “never been charged or convicted of a crime”.

The artist added he had attempted to clarify the situation with British authorities “but the representatives insisted on the accuracy of their sources and refused to admit any misjudgment.”

“This decision is a denial of Ai Weiwei's rights as an ordinary citizen,” he added.

The visa he was granted will ensure that Ai can attend a show of his work at London's Royal Academy of Arts in September, when his absence would have generated negative headlines.

But it means he will not be in Britain when China's President Xi Jinping pays a high-profile state visit in October.

Maya Wang, China researcher for US-based campaign group Human Rights Watch, said the British government “appears not to have done its homework”.

Ai had never been formally charged or convicted, she said, adding that his detention and a tax case involving the artist had been “politically-motivated” by “the Chinese government's worldview, which considers rights activists as criminals worthy of punishment”.

A company run by his wife and listing him as an employee was fined $2.4 million in 2012 after losing a civil legal battle against tax authorities, proceedings widely seen as a reprisal for Ai's outspoken criticism of the ruling Communist party.

Britain 'kowtows'

Prominent Chinese Internet freedom advocate Michael Anti was among many condemning the move, writing on Twitter “Shame for UK Government!”

Britain's Home Office said in a statement that visa applications were considered “on their individual merits and in line with the relevant legislation”, adding: “Mr Ai has been granted a visa for the full duration of
his requested dates of travel.”

Authorities confiscated Ai's passport after his 2011 detention, apparently attempting to limit his international influence, but police returned the document earlier this month.

Lawyer Liu Xiaoyuan, a close friend of the artist, posted a picture of Ai boarding a Lufthansa flight apparently en route to Germany on Thursday.

Britain's governing Conservative party has sought to improve relations with China after its leader David Cameron angered Beijing by meeting with the Dalai Lama.

Since then London has made a number of moves which have bought it back into Beijing's good graces, including joining the Chinese-led Asian Infrastructure Investment Bank, reportedly against Washington's wishes.

Jigme Ugen, head of a US-based Tibetan rights group, described the Ai visa decision as “purely a kowtow to Xi Jinping's London visit”.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old told AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

SHOW COMMENTS