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THE DANISH WAY

FILM

Why happy endings don’t make us happy

The Local's opinion columnist Jessica Alexander writes that if you really want to feel better about yourself, you should skip the sugary Hollywood films and opt for a Danish downer.

Why happy endings don’t make us happy
If you’re looking for a good Danish film to start with, try Thomas Vinterberg’s 1998 classic Festen. Photo: Nimbus Films
Have you ever left a feel-good movie without actually feeling so good? A feeling in which, despite the great ending, somewhere deep inside yourself you had the inkling that your life wasn’t that great? Your relationship, your house, your car or your clothes just weren’t as good as in the film?  
 
A large majority of Hollywood films are intended to make you feel good. But if art imitates life one wonders how realistic these syrupy-sweet endings actually are.
 
Danish films on the other hand, often have dreary, sad or tragic endings. Many times I have watched Danish films and waited to hear that soothing background music that would signal my suffering was about to end and everything would turn out all right after all. The boy would get the girl, the hero would save the day and all would be ok in the end. 
 
 
As an American, I almost felt it was my right to get a happy ending. But time and time again, the Danish films would touch on sensitive, real and painful issues without wrapping them up with a nice bow, lid closed, packaged up into the gift of a great life ahead. On the contrary, they left me with my raw emotions flapping in the wind, wondering what to do with them. How could Danes be so happy watching films like this? If art imitated life what was I to think?
 
Research shows that watching tragic or sad movies can actually make people happier because it brings attention to the more positive aspects of their own lives. It tends to make them reflect on their relationships in a ‘count your blessings’ kind of way.
 
Mary Beth Oliver, a professor of the positive psychology movement, has identified many eudaemonic rewards of watching depressing, stressful or even horrific stories. Eudaemonia is a term coined by Aristotle that defines the meaningfulness, insight and emotions that put us in touch with our own humanity. Eudaemonia can enrich us and perhaps even teach us something about ourselves. Aristotle believed that happiness was more related to the virtue of our character and striving for human good. This involves being in touch with our authentic selves and not numbing ourselves or escaping into false realities.
 
Even in the fairy tale world, it isn’t always so rosy in Denmark. Hans Christian Andersen, arguably history’s most famous Dane, has had several of his fairy tales modified to fit what some adults consider to be more acceptable for children. The original Little Mermaid for example, doesn’t get the prince in the end but rather dies from sadness and turns into sea foam.  
 
Danes believe that tragedies and upsetting events are something we should talk about too. They don’t believe they have to be glossed over for adults or for children. If you consider that we learn more about character from our suffering than our successes, it makes sense that we should examine all parts of life, also with kids.  This has been proven to build empathy and a deeper respect for humanity. It also helps us feel gratitude for the simpler things that we sometimes take for granted when we focus too much on the fairy-tale life. 
 
So the next time you are choosing a film, consider watching a Danish one. It may punch you in the face and kick you in the stomach with its bleak window into humanity. But you might just walk away afterwards and think, “Hey, my life is pretty good after all!”
 
The Danes know that how we reframe our perspective on life can make the biggest difference in how we feel about it anyway. It’s not just about getting a happy ending. It’s about being able to appreciate the journey along the way – with all its magnificent peaks and valleys.
 
Jessica AlexanderJessica Alexander is an American author who co-wrote 'The Danish Way of Parenting: A Guide to Raising the Happiest Kids in the World'. She has been married to a Dane for over 13 years and has always been fascinated by cultural differences. She speaks four languages and currently lives in Rome with her husband and two children. Her book can be purchased via Amazon and Saxo
 

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FILM

French films with English subtitles to watch in November

As days get shorter and temperatures drop, November is a great month to enjoy a warm and comforting moment at the cinema. Here’s a round up of the French movies with English subtitles to see in Paris this month.

Cinema in France
Photo: Loic Venance/AFP

The cinema group Lost in Frenchlation runs regular screenings of French films in the capital, with English subtitles to help non-native speakers follow the action. The club kicks off every screening with drinks at the cinema’s bar one hour before the movie, so it’s also a fun way to meet people if you’re new to Paris.

These are the events they have coming up in November.

Friday, November 5th

Boîte Noire – What happened on board the Dubai-Paris flight before it crashed in the Alps? In this thriller Matthieu, a young and talented black box analyst played by Pierre Niney (star of Yves Saint-Laurent among other movies) is determined to solve the reason behind this deadly crash, no matter the costs. 

The screening will take place at the Club de l’étoile cinema at 8pm. But you can arrive early for drinks at the bar from 7pm. 

Tickets are €10 full price, €8 for students and all other concessions, and can be reserved here.

Sunday, November 14th

Tralala – In the mood for music? This new delightful French musical brings you into the life of Tralala (played by Mathieu Amalric), a 48 years old, homeless and worn-out street singer, who one day gets mistaken for someone else. Tralala sees an opportunity to get a better life by taking on a new personality. He now has a brother, nephews, ex-girlfriends, and maybe even a daughter. But where is the lie? Where is the truth? And who is he, deep down?

The night will start with drinks from 6pm followed by the screening at 7pm at the Luminor Hôtel de Ville cinema. There is also a two-hour cinema-themed walk where you’ll be taken on a “musicals movie tour” in the heart of Paris, which begins at 4pm.

Tickets cost €10, or €8 for students and concessions, and can be found here. Tickets for the walking tour cost €20 and must be reserved online here.

Thursday, November 18th

Illusions Perdues – Based on the great novel series by Honoré de Balzac between 1837 and 1843, this historical drama captures the writer Lucien’s life and dilemmas who dreams about a great career of writing and moves to the city to get a job at a newspaper. As a young poet entering the field of journalism, he is constantly challenged by his desire to write dramatic and eye-catching stories for the press. But are they all true?

The evening will kick off with drinks at L’Entrepôt cinema bar at 7pm, followed by the movie screening at 8pm. Tickets are available online here, and cost €8.50 full price; €7 for students and all other concessions.

Sunday, November 21st

Eiffel – Having just finished working on the Statue of Liberty, Gustave Eiffel (played by Romain Duris) is tasked with creating a spectacular monument for the 1889 Universal Exposition in Paris. It’s ultimately his love story with Adrienne Bourgès (Emma Mackey) that will inspire him to come up with the idea for the Eiffel Tower.

After a first screening last month, Lost in Frenchlation is organising a new one at the Luminor Hôtel de Ville cinema, with pre-screening drinks at the cinema bar. 

Tickets cost €10, or €8 for students and concessions, and can be found here

Thursday, November 25th

Les Héroïques – Michel is a former junkie and overgrown child who only dreams of motorbikes and of hanging out with his 17-year-old son Léo and his friends. But at 50 years old, he now has to handle the baby he just had with his ex, and try not to make the same mistakes he has done in the past. 

The film will be followed by a Q&A with the director Maxime Roy who will discuss his very first feature. 

Tickets cost €10, or €8 for students and concessions, and can be found here.

Full details of Lost in Frenchlation’s events can be found on their website or Facebook page. In France, a health pass is required in order to go to the cinema.

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