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Monet works set to sell for millions in New York

Oil paintings by the French impressionist master Claude Monet are expected to be stars of the spring auction season in New York, where Sotheby's believes they could fetch as much as $110 million.

Monet works set to sell for millions in New York
A porter carries a painting by Claude Monet entitled "L'Entree de Giverny en hiver" during the Impressionist and Modern Art Evening Sale at Sotheby's auction

One of the paintings is part of the famous "Nymphéas" (Water Lilies) series the French artist painted at Giverny. Forecast to sell for an estimated $30-45 million, this work has been held by a collector since 1955, and has not been seen in public since 1945.

The six Monet works have been in private collections; they are expected to generate a lot of enthusiasm on the auction block at evening sales.

The other works are "Le Palais Ducal" painted in 1908 in Venice; it is expected to fetch $15-20 million; "Bassin aux nymphéas, les rosiers" from $18-25 million; and "Le Chemin d'Epinay, effet de neige" (1875). It is expected to sell for $6-8 million.

In addition, "La Seine à Vétheuil" (1901), is expected to bring in $6-8 million; it has been in private hands since 1955 and has not been sold at auction.

And "Au Val Saint-Nicolas près Dieppe, matin" (1897), could fetch $3-4 million, the auction house said.

These six works by the impressionist will be shown in London April 10-14, before returning to New York where they will be on view through May 1.

Auctioneers Christie's, meanwhile, announced Monday it would sell a Monet work —  "Le parlement, soleil couchant" — for an expected $35-45 million on May 11 in New York.

The record for a single Monet was set in June 2008 when Christie's in London sold "Le bassin des Nymphéas" for $80.1 million.

"The six works by Monet that we are privileged to present this May represent exactly what buyers are seeking at this moment: several of his most famous scenes, emerging from prestigious private collections and completely fresh to the market," said Simon Shaw at Sotheby's.

"We're undeniably witnessing an exceptional moment for great works by Monet at Sotheby's. As new generations and new markets rediscover the master, the supply of strong examples remaining in private hands is shrinking fast. The result is fierce competition that leads to the results we have witnessed recently at Sotheby's."

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ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old toldĀ AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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