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Celebrated Swiss artist Erni dies at age 106

Tributes flowed for Hans Erni on Sunday when the family of the celebrated Swiss artist announced that he had died at the age of 106.

Celebrated Swiss artist Erni dies at age 106
Hans Erni in his studio in 2010. Photo: Barbara Hess

Erni, who just celebrated his birthday last month, died peacefully on Saturday at a clinic in Lucerne, his daughter, Simone Fornara-Erni, announced on her Facebook page.

The painter and sculptor was creating art in his workshop up until quite recently.

Known for his figurative paintings and doves symbolizing peace, Erni worked for clients that included the federal government, the Red Cross and the chemical industry in Basel.

During his long career he produced murals, tapestries, mosaics, sculptures, ceramic art and medals, as well as designing stamps, hundreds of posters and illustrations for books.

In 2009, at the age of 100, he completed a 60-metre-long ceramic fresco that decorates the entrance to the United Nations in Geneva.

Doves feature prominently in the fresco and Erni told journalists he hoped it would inspire people working at the UN “to think about peace” very time they passed it.

Erni's mural at the entrance to the UN in Geneva. Photo: Flickr/Leo Soares

He was born in Lucerne on February 21st 1909 to a poor family with seven brothers and sisters and a father who worked as a mechanic on steamboats plying Lake Lucerne, according to a report from the ATS news agency.

After a training in architecture and surveying, Erni pursued studies in art in Paris in the 1920s, then in Berlin.

In the early 1930s, he became an exponent of abstract art in Paris, where he met the likes of Picasso, Braque, Arp, Brancusi, Kandinsky, Henry Moore and Calder.

But in 1939, he repudiated abstract art with a figurative mural 100 metres long commissioned for the Swiss national exposition in Zurich.

The mural, called “Die Schweiz, das Ferienland der Völker” (Switzerland, vacationland for the people), raised his profile to that of a national figure in Switzerland.

However, when he became a Marxist after the Second World War, Erni said his political affiliation cost him many commissions.

He changed his beliefs after the crushing of the Hungarian Uprising of 1956.

Erni received many awards and honours during his later career and was made an honorary citizen of Lucerne in 2005.

The following year, he received a medal for his life’s work in Saint Paul de Vence, in the south of France, where he had a secondary residence.

Erni was a “an intelligent and endearing personality who lived by and for his art,” Swiss Culture Minister said in a comment reported by ATS.

“I had the opportunity to meet Hans Erni and his wife at their home in Lucerne in 2013,” Berset said.

“It was a moving encounter.”

Berset tweeted a tribute to an “artist of multiple talents” and a “significant and endearing figure of our time”.

Lucerne Mayor Stefan Roth said he was “incredibly touched” by Erni’s passing, national broadcaster RTS reported.

During his meetings with the artist, Roth said he was impressed by the “immense creative force” of his fellow citizen, who was also Lucerne's oldest man. 

For a look at selected works of the artist, check out this YouTube video:

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ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old toldĀ AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

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