SHARE
COPY LINK

EDVARD MUNCH

Munch’s ‘Scream’ fetches world record price

The only privately owned version of Edvard Munch's "The Scream" -- one of the most recognizable paintings in history -- set a world record Wednesday when it sold for $119.9 million at Sotheby's in New York.

Munch's 'Scream' fetches world record price

Heated competition between seven bidders took the price to the highest for a work of art at a public auction in just 12 minutes, sparking applause.

"World record," announced auctioneer Tobias Meyer after bringing down the hammer.

The previous record was held by Picasso's "Nude, Green Leaves, and Bust," which sold in 2010 for $106.5 million.

"The Scream" is one of four versions of a work whose nightmarish central figure and lurid, swirling colors symbolized the existential angst and despair of the modern age.

It was sold by Norwegian Petter Olsen, whose father was a friend and supporter of the artist. He plans to establish a new museum in Norway.

On two occasions, other versions of the painting have been stolen from museums, although both were recovered. Copies have adorned everything from student dorms to tea mugs and the work has the rare quality of being known to art experts and the general public alike.

"We're delighted to say that this magnificent picture, which is not only one of the seminal images of our history, but also one of the visual keys for modern consciousness, achieved a world record," Simon Shaw, head of the Impressionist and modern department at Sotheby's, said.

Reflecting the excitement, Sotheby's spokesman Darrell Rocha said there had been an "electric" atmosphere during the sale of a painting that had been estimated to fetch at least $80 million.

"A group of seven bidders jumped into the competition early, but it was a prolonged battle between two highly determined phone bidders that carried the final selling price to its historic level," he said.

"Scream's" success means there are just three other works that have sold for more than $100 million.

One is the Picasso nude, another is Picasso's "Boy with a Pipe" which sold for $104.1 million in 2004, and the fourth is Alberto Giacometti's "Walking Man" sculpture which fetched $104.3 million in 2010.

The version of "The Scream" sold on Wednesday was executed in 1895 and is the only one not held by Norwegian museums. It also features a poem inscribed by Munch in which he explains his inspiration for the work, which depicts "the great scream in nature."

Olsen said he was "very pleased" and said he hoped "the publicity given by this sale will increase interest in Munch's work and awareness of the important message that I feel it conveys."

"The scream shows for me the horrifying moment when man realizes his impact on nature and the irreversible changes that he has initiated, making the planet increasingly inhabitable."

The sale was the high point of the auction of Impressionist and modern works at Sotheby's. Rival Christie's held a more muted auction Tuesday.

Both houses turn to contemporary art next week, with Mark Rothko's 1961 painting "Orange, Red, Yellow" expected to sell for $35 million to $45 million at Christie's.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

ART

African-born director’s new vision for Berlin cultural magnet

One of the rare African-born figures to head a German cultural institution, Bonaventure Ndikung is aiming to highlight post-colonial multiculturalism at a Berlin arts centre with its roots in Western hegemony.

African-born director's new vision for Berlin cultural magnet

The “Haus der Kulturen der Welt” (House of World Cultures), or HKW, was built by the Americans in 1956 during the Cold War for propaganda purposes, at a time when Germany was still divided.

New director Ndikung said it had been located “strategically” so that people on the other side of the Berlin Wall, in the then-communist East, could see it.

This was “representing freedom” but “from the Western perspective”, the 46-year-old toldĀ AFP.

Now Ndikung, born in Cameroon before coming to study in Germany 26 years ago, wants to transform it into a place filled with “different cultures of the world”.

The centre, by the river Spree, is known locally as the “pregnant oyster” due to its sweeping, curved roof. It does not have its own collections but is home to exhibition rooms and a 1,000-seat auditorium.

It reopened in June after renovations, and Ndikung’s first project “Quilombismo” fits in with his aims of expanding the centre’s offerings.

The exhibition takes its name from the Brazilian term “Quilombo”, referring to the communities formed in the 17th century by African slaves, who fled to remote parts of the South American country.

Throughout the summer, there will also be performances, concerts, films, discussions and an exhibition of contemporary art from post-colonial societies across Africa, the Americas, Asia and Oceania.

‘Rethink the space’

“We have been trying to… rethink the space. We invited artists to paint walls… even the floor,” Ndikung said.

And part of the “Quilombismo” exhibition can be found glued to the floor -African braids laced together, a symbol of liberation for black people, which was created by Zimbabwean artist Nontsikelelo Mutiti.

According to Ndikung, African slaves on plantations sometimes plaited their hair in certain ways as a kind of coded message to those seeking to escape, showing them which direction to head.

READ ALSO: Germany hands back looted artefacts to Nigeria

His quest for aestheticism is reflected in his appearance: with a colourful suit and headgear, as well as huge rings on his fingers, he rarely goes unnoticed.

During his interview with AFP, Ndikung was wearing a green scarf and cap, a blue-ish jacket and big, sky-blue shoes.

With a doctorate in medical biology, he used to work as an engineer before devoting himself to art.

In 2010, he founded the Savvy Gallery in Berlin, bringing together art from the West and elsewhere, and in 2017 was one of the curators of Documenta, a prestigious contemporary art event in the German city of Kassel.

Convinced of the belief that history “has been written by a particular type of people, mostly white and men,” Ndikung has had all the rooms in the HKW renamed after women.

These are figures who have “done something important in the advancement of the world” but were “erased” from history, he added. Among them is Frenchwoman Paulette Nardal, born in Martinique in 1896.

She helped inspire the creation of the “negritude” movement, which aimed to develop black literary consciousness, and was the first black woman to study at the Sorbonne in Paris.

Reassessing history

Ndikung’s appointment at the HKW comes as awareness grows in Germany about its colonial past, which has long been overshadowed by the atrocities committed during the era of Adolf Hitler’s Nazis.

Berlin has in recent years started returning looted objects to African countries which it occupied in the early 20th century — Burundi, Rwanda, Tanzania, Namibia and Cameroon.

“It’s long overdue,” said Ndikung.

He was born in Cameroon’s capital, Yaounde, into an anglophone family.

The country is majority francophone but also home to an anglophone minority and has faced deadly unrest in English-speaking areas, where armed insurgents are fighting to establish an independent homeland.

One of his dreams is to open a museum in Cameroon “bringing together historical and contemporary objects” from different countries, he said.

He would love to locate it in Bamenda, the capital of Cameroon’s restive Northwest region.

“But there is a war in Bamenda, so I can’t,” he says.

SHOW COMMENTS