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Top ten Swedish songs of the decade

Songs of the decade: The Local's editor Paul O'Mahony dips into the vaults and pulls out his ten favourite Swedish tracks of the last ten years.

Top ten Swedish songs of the decade
Håkan Hellström tells Gothenburg not to worry

One of very first phrases I learned in Swedish informed me in no uncertain terms that taste is like the buttocks – divided (Smaken är som baken – delad).

Here then, in no particular order, is a predictably divisive list of the top ten songs of the decade by Swedish artists. Listen with extreme prejudice.

Listen on Spotify: Top ten Swedish songs of the 2000s

bob hund – Tinnitus i hjärtat

Arguably the best Swedish band of the past twenty years, bob hund laid low for much of the 2000s before making a delectable return to form in 2009 with the album Folkmusik för folk som inte kan bete sig som folk. Though a calmer affair than much of their nineties output, it retains all the band’s trademark lyrical dexterity, effortless riffery and musical singularity. Flagship single Tinnitus i hjärtat has all the above and more besides.

The Plan – Mon amour

Out of the ashes of legendary Gothenburg band Broder Daniel rose the occasional phoenix. One such creature was bassist Theodor Jensen who soared to unheralded heights as the man with The Plan. Pacy debut single Mon Amour warmed up many a dancefloor in 2001 with its desperate and repeated cries of merde as it railed against the insufficiencies of love. The song is what the French might term a tour de force.

Håkan Hellström – Känn ingen sorg för mig Göteborg

Another of the Broder Daniel brigade, it’s hard to describe the enormity of this former drummer’s solo breakthrough back in 2000. Clad in a sailor’s uniform, he took to the stage with rare abandon: the critics lapped it up, teenage girls fainted, teenage boys, well… they fainted too. Känn ingen sorg för mig Göteborg gets the nod here not only because it’s still one of his very best songs but also because it was the one that made him an overnight superstar.

The Hives – Hate to say I told you so

The Hives were such a breath of fresh air when they stepped out of their home town of Fagersta and onto the global arena. While they clearly knew their musical history, they didn’t take themselves too seriously, and in Howlin’ Pelle they had themselves one of the generation’s great entertainers. And the songs weren’t half bad either, as proven by this corker first released at the dawn of the decade.

Love Is All – Busy Doing Nothing

Propelled forwards by Slits-inspired front woman Josephine Olausson, Love Is All back up their lead singer’s punky vocals with all the right noises. Though not considered one of Sweden’s bigger bands domestically, this Gothenburg group has built up a loyal fan base in the United States and beyond. They’re tight, loud and eclectic, and as a live band they’re absolutely electric.

The Tough Alliance – Koka-Kola Veins

The hits just kept on coming from Gothenburg, as homespun labels pumped out a steady stream of idiosyncratic innovators. The Tough Alliance divided opinion with the thuggish imagery of their baseball-wielding live shows but most were won over by the forward-looking dance music built on a foundation of past greats.

Peter Bjorn and John – Young Folks

Three evergreen figures on the Stockholm gig circuit, Peter Bjorn and John struck international gold with a song prefaced by the catchiest bit of whistling this side of The Dock of The Bay. They couldn’t have done it alone though: a good song was made great with the vocal assistance of former voice of The Concretes, Victoria Bergman.

José González/The Knife – Heartbeats

Brother and sister Dreijer, aka The Knife, wrote this finely crafted song, later recorded by Jose González. The Knife’s version set dancefloors alight in Sweden but canny González had the last laugh as a million coloured balls tumbled down a hill to the accompaniment of his dulcet tones in a TV ad seen worldwide. Each version is engaging, infectious and worthy of a top ten place. Let’s call it a draw and stick them both in…

Bear Quartet – Put Me Back Together

Luleå in the far north of Sweden is home to one of the country’s finest indie pop bands. In fact, at one point it seemed everything good in Swedish music was drifting down from colder latitudes, and the Bear Quartet were as prolific as they were consistently excellent songwriters. The output slowed down somewhat in the latter half of the 2000s as singer Mattias Alkberg sidled off on a series of solo ventures that were also marked by the stamp of quality. Below is the video for Ask Me Don’t Axe Me, another song from the same album, 2004’s Angry Brigade.

Robyn – With Every Heartbeat

Having shot to fame for her part in the soundtrack of Lukas Moodysson’s fantastic coming of age drama Fucking Åmål, there seemed a danger that Robyn might be destined for a career of capable but ultimately uninspiring production line pop. When her label hinted that this was in fact the path mapped out for her, the artist took a brave stance and cut the safety net, establishing Konichiwa Records and never looking back. If there were ever doubts about the move, they were swiftly dispelled in 2007 when this collaboration with production wizard Kleerup earned her the top spot in the UK charts.

Listen on Spotify: Top ten Swedish songs of the 2000s

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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