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Mud, sun and Neil Young: The Local’s festival survival tips

Stuart Roberts traipsed through the mud at Stockholm’s ‘Where the Action is’ to compile this season’s summer festival survival guide.

Mud, sun and Neil Young: The Local's festival survival tips

The Swedish summer music festival circuit kicked off in earnest this weekend, with ‘Where the Action is’, held over two days at Stockholm’s Stora Skuggan. In fine festival tradition, the heavens opened an hour before the bubbly and tuneful Miss Li took to the stage on Friday afternoon, turning the festival area into an instant swamp, and pleasing only those who’d splashed out on brand new gummi boots.

With the financial crisis having inevitably put the squeeze on good free stuff, the press area is an overrated venue these days, but it’s still a good place to avoid long queues for the porta-loos and take cover from inclement weather. I squeezed past the predictable throng of outrageously phallic telephoto lenses and late model MacBooks, to sort myself with a warming brew while I planned my festival strategy.

After years of trying to micro-organise my festival schedules to pack in every possible act, I’d decided this year I was going to keep things simple, and stick to the acts I really needed to see. The Friday line-up was a retro dream. Evergreens the Pretenders, the Pixies and Neil Young were all lining up on the main stage, along with the unconventional and quirky Seasick Steve, with convenient hour-long breaks between gigs.

After grabbing a handful of free earplugs and cokes from the fridge for my mates, I pulled my anorak over my head and trudged back through the rain to take my position up close, left of centre, for Chrissie Hynde and the Pretenders. Chrissie is just as sultry as she was when I saw her years ago as a pubescent kid in Adelaide, on an early Australian tour. And that voice!

Then it was Mississippi bluesman (or song and dance man as he apparently prefers) Seasick Steve, who busked, jammed and tramped his way around the US backblocks for years before being ‘discovered’ just a couple of years ago. The rough diamond puts on an entertaining show, including songs about nasty tic-like bugs that lay their progeny under your skin, and the story about how he came by the beat-up electric guitar he plays in his gigs, the ‘Three-String Trance Wonder’: “We know about you Sherman!”

I finally caught up with the Pixies after years of near misses, and Neil Young wheeled out all the old favourites to take the night home. Although these days Young tends to drift into prolonged distortion-fuelled riff jams with his Electric Band, he is still, as Chrissie Hynde observed, a God.

So with the festival circus winding its way down the country over the next few weeks, here are my tips for getting the most out of whatever festivals you plan to get along to this summer:

• Bring your rain gear – rubber boots and a lightweight waterproof jacket, which can be stowed away if the sun comes out. Better still, a plain old green garbage bag has more spontaneous street cred. Oh, and sunscreen – remember, this is Swedish summer, so you need a bet each way.

• Take the time to graciously answer the questions from the market research staff who are in your face as you come through the entry gates, but feel free to give outlandishly false answers in order to mess with the sponsors’ stats.

• Don’t try to pack in too many bands. They’ll all be back next year, or in Arvika or Gothenburg or somewhere else sooner or later. Pick a few acts you really want to see and take it easy in between gigs. It’s all about the peace and love, so chill out!

• The people from Luger seem to have somewhat of a monopoly on organising these events, and they do a pretty good job with the logistics, including plenty of franchised food and drink outlets serving up a reasonably broad selection (all certified to reduce greenhouse gas emissions in accordance with Kyoto targets). But if you want to be sure of getting some decent food without lining up for an hour, get in early, or you’ll be eating cold and soggy veggie burgers.

• Don’t rely on your mobile to hook up with your friends – 20,000 people sending simultaneous text messages through the same base station really messes with the network.

• Don’t leave early to get the best seat on the train – you may as well just stay home and listen to iTunes. (Confession: your correspondent drifted away in the wee hours as Neil Young’s drawn-out rendition of Rockin’ in the Free World ticked over the twenty minute mark.)

Leave at home!

• Silly shoes.

• Umbrellas – you’d be beaten up by the mob in two minutes if you tried to put one up, even if they were allowed in.

• Any other contraband on the banned list – drink flasks, alcohol, drugs, weapons – check the festival homepages for details. (Try it by all means if you’re game – a guy next to me was swigging whisky from a pair of binoculars – but if they catch you at the gate you can go and find something else to do for the weekend.)

To find the festival coming to a venue near you this summer, check out Festival info.

See also: PHOTO GALLERY

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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