SHARE
COPY LINK

AUSTRIAN HISTORY

Austrian artist turns Hitler manifesto into cookbook

Long reviled as a manifesto of hate, Adolf Hitler's "Mein Kampf" has become the raw ingredient for an art project reconstituting the toxic text into something more savoury: a cookbook.

Austrian artist turns Hitler manifesto into cookbook
The Austrian artist Andreas Joska-Sutanto works on his project of transforming the book "Mein Kampf" by Adolf Hitler into a cookbook in Vienna on April 25, 2024. (Photo by Alex HALADA / AFP)

In a cafe in the Nazi leader’s native Austria, an artist is cutting up the book that laid the ideological foundations for Nazism — “My Struggle” — letter by letter and reforming them into recipes.

The sentences are mashed and re-served as instructions for making pizza, asparagus salad, tiramisu and egg dumplings — said to have been Hitler’s favourite dish.

Artist Andreas Joska-Sutanto has been working at it for eight years and has so far finished cutting up about a quarter of the book after almost 900 hours of painstaking work.

“I want to show… that you can turn something negative into something positive by deconstructing and rearranging it,” the 44-year-old graphic designer told AFP in the Viennese cafe, where he can be observed once a week working for a few hours.

– ‘Poisonous words’ –

First published in two tomes in 1925 and 1926, Hitler’s autobiographical “My Struggle” served as a manifesto for National Socialism and the ensuing wave of racial hatred, violence and anti-Semitism that engulfed Europe.

The book entered the public domain in 2016 when its copyright lapsed.

Once it became available, Joska-Sutanto came up with the idea of meticulously cutting out every single letter of the 800-page text — with an estimated total of 1.57 million letters — to rearrange them into cooking recipes.

He glues the pages onto adhesive film before dissecting them.

So far, his cookbook draft has 22 recipes.

The original text “no longer has any weight”, he said, displaying the remains of the gutted copy of the book.

“All the weight in the form of letters is gone.”

He left the Nazi dictator’s portrait in the book untouched, he said, to show that “without his poisonous words”, Hitler was reduced to staring at the void.

‘Irreverent’ artwork 

Reactions to the project have been mostly positive, Joska-Sutanto said, though he once apologised to a spectator who criticised his work as “extremely irreverent”.

At the cafe, owner Michael Westerkam, 33, praised the project — he said the raising of awareness of difficult topics such as a country’s historical past could be achieved “in many ways”.

Experts consulted by AFP were reluctant to speak on the record about the project. One, who asked not to be named, said there was a view that it was a “strange” initiative and of “limited” historical and artistic relevance.

Austria long cast itself as a victim after being annexed by the German Third Reich in 1938. It is only in the past three decades that it has begun to seriously examine its role in the Holocaust.

Joska-Sutanto estimates that it will take him 24 more years to finish his project.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.
For members

VIENNA

Vienna Festival director Milo Rau hits back at anti-Semitism accusations

One of the latest events in Europe to be hit with accusations of anti-Semitism, the Vienna Festival kicks off Friday, with its new director, Milo Rau, urging that places of culture be kept free of the "antagonism" of the Israel-Hamas war while still tackling difficult issues.

Vienna Festival director Milo Rau hits back at anti-Semitism accusations

As the conflict in Gaza sharply polarises opinion, “we must be inflexible” in defending the free exchange of ideas and opinions, the acclaimed Swiss director told AFP in an interview this week.

“I’m not going to take a step aside… If we let the antagonism of the war and of our society seep into our cultural and academic institutions, we will have completely lost,” said the 47-year-old, who will inaugurate the Wiener Festwochen, a festival of theatre, concerts, opera, film and lectures that runs until June 23rd in the Austrian capital and that has taken on a more political turn under his tenure.

The Swiss director has made his name as a provocateur, whether travelling to Moscow to stage a re-enactment of the trial of Russian protest punk band Pussy Riot, using children to play out the story of notorious Belgian paedophile Marc Dutroux, or trying to recruit Islamic State jihadists as actors.

Completely ridiculous 

The Vienna Festival has angered Austria’s conservative-led government — which is close to Israel — by inviting Greek former finance minister Yanis Varoufakis and French Nobel Prize winner for literature Annie Ernaux, both considered too critical of Israel.

A speech ahead of the festival on Judenplatz (Jews’ Square) by Israeli-German philosopher Omri Boehm — who has called for replacing Israel with a bi-national state for Arabs and Jews —  also made noise.

“Who will be left to invite?  Every day, there are around ten articles accusing us of being anti-Semitic, saying that our flag looks like the Palestinian flag, completely ridiculous things,” Rau said, as he worked from a giant bed which has been especially designed by art students and installed at the festival office.

Hamas’ bloody October 7th assault on southern Israel and the devastating Israeli response have stoked existing rancour over the Middle East conflict between two diametrically opposed camps in Europe.

In this climate, “listening to the other side is already treachery,” lamented the artistic director.

“Wars begin in this impossibility of listening, and I find it sad that we Europeans are repeating war at our level,” he said.

As head of also the NTGent theatre in the Belgian city of Ghent, he adds his time currently “is divided between a pro-Palestinian country and a pro-Israeli country,” or between “colonial guilt” in Belgium and “genocide guilt” in Austria, Adolf Hitler’s birthplace.

Institutional revolution

The “Free Republic of Vienna” will be proclaimed on Friday as this year’s Vienna Festival celebrates. according to Rau, “a second modernism, democratic, open to the world” in the city of the father of psychoanalysis, Sigmund Freud, and artist and symbolist master Gustav Klimt.

Some 50,000 people are expected to attend the opening ceremony on the square in front of Vienna’s majestic neo-Gothic town hall.

With Rau describing it as an “institutional revolution” and unlike any other festival in Europe, the republic has its own anthem, its own flag and a council made up of Viennese citizens, as well as honorary members, including Varoufakis and Ernaux, who will participate virtually in the debates.

The republic will also have show trials — with real lawyers, judges and politicians participating — on three weekends.

Though there won’t be any verdicts, Rau himself will be in the dock to embody “the elitist art system”, followed by the republic of Austria and finally by the anti-immigrant far-right Freedom Party (FPOe), which leads polls in the Alpine EU member ahead of September national elections.

SHOW COMMENTS