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TOURISM

Do you qualify for free entry to French museums?

When the Louvre upped its entry fee by €5, it pointed out that 40 percent of visitors can enter for free – but who is eligible to get into French museums without charge?

Do you qualify for free entry to French museums?
The Louvre Pyramid, designed by Chinese architect Ieoh Ming Pei at the Louvre museum in Paris. (Photo by MIGUEL MEDINA / AFP)

Under-26s, the low-paid and unemployed, disabled people, teachers and journalists all qualify for free entry to French museums, while for everyone else there is ‘free museum Sunday’.

The below rules apply to museums and galleries run or partly funded by the French state, which includes most of France’s most famous museums. Those run by private individuals or trusts may have different rules. 

For the best-known museums it’s a good idea to book online in advance in order to avoid queues. Some museums allow booking online for free tickets – when you book you will be given options to buy discounted or free tickets, and you will need to show proof of your eligibility when you arrive at the museum. 

Children 

Under 18s get free museum access, teenagers may need some form of photo ID to prove their age.

Young people 

Since April, 2009, free access to the permanent collections of national museums has been granted to young EU nationals under the age of 26, and non-EU nationals who are resident in France or another EU country.

Eligible visitors have to present proof of nationality (passport or ID card) or of residency (long-stay visa or residency card) at the ticket desk.

Students 

Students who are older than 25 can also qualify for free entry if they are studying at a French university.

Older visitors

People benefiting from the Allocation de Solidarité aux Personnes Agées (ASPA – the allowance paid to low-income seniors over 65 years old) have free access to exhibitions and national monuments throughout France. 

Refugees

Refugees and asylum seekers also get free museum entry on production of documents showing their status.

Disabled entry

Free entry to permanent collections and temporary exhibitions for people with disabilities and an accompanying person, upon presentation of a disability or priority card) issued by the Maison départementale des personnes handicapées (MDPH).

Education

Teachers or teaching assistants working in French schools, colleges or high schools, public and private under contract (including AEFE) are eligible for an Education Pass, which entitles them to free access to the permanent collections of more than 160 museums and national monuments.

It is intended to allow teachers to prepare educational projects for their students, by offering direct access to materials and expertise and includes foreigners who are teaching in French schools as part of a study abroad or temporary residency programme.

Media

Journalists who hold a valid press card – French or international – can get into museums free of charge.

Those who wish to attend a cinema screening, theatre or musical performance will also need an additional card from the Fédération nationale de la presse française; while entry to sports events is accredited by the Union des Journalistes des Sport.

Local schemes

Many regions, departments and cities have set up their own local systems to attract visitors. This is the case, for example, of:

The Auvergne-Rhône-Alpes region has its Pass’region, Bordeaux’s Carte Jeune is worth a look; Toulouse promotes its Carte Toulouse Cultures, and so on.

Eligibility conditions vary depending on the local authorities: some favour young people, students, high school students, college students. Others will include older people.

To find out about all the cultural offers available near you what you have to do to profit from them, visit a museum or tourist office. 

Free museum Sundays

And if you don’t qualify in any of the above categories, entry to permanent exhibitions is free at many museums across France, on the first Sunday of the month. 

This extends to state-run museums which includes, for example, most of Paris’ most famous museums.

Since free museum days are naturally popular, it’s a good idea to reserve tickets online in advance and in fact for some of the biggest museums advance registration is compulsory. Some also have different ‘free’ days, so check the website before you go. 

Some museums offer this all year round, others offer it for part of the year, usually outside the main tourist periods – check in advance on the website.

And don’t forget the Nights at the Museum events, which take place across Europe. 

Member comments

  1. The Louvre has not been free on first Sunday for years. If you check their web site, it says, “All visitors – On the first Friday of the month after 6 p.m. (except in July and August)”

    This has been pointed out to The Local before when Genevieve mentioned it. She corrected it in her column.

    Please share the info . . and probably check the d’Orsay web site for their hours.

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DISCOVER FRANCE

‘They treated me like a son’ – The secrets of integrating in a Pyrenees community

They're popular with tourists for both their beauty and their wilderness - but what's it like to actually live in the Pyrenees? Author Stephen Cracknell spoke to residents on both the French and the Spanish side of the mountains about what brought them to the area and why they remain.

'They treated me like a son' - The secrets of integrating in a Pyrenees community

In the classic French novel Jean de Florette, the titular hero inherits a house in rural southern France and moves there, although an early misunderstanding convinces him that the locals have rejected him.

Jean believes he doesn’t need the village. He is strong and works hard – Gérard Depardieu played the role on screen – but finally he comes to grief because he hasn’t integrated.

Much has changed since 1963, but there are still areas where outsiders have had less influence on local life. Like the Pyrenees.

My friend, Open University professor Gordon Wilson, and I have been talking to residents there, in both France and Catalonia.

How do they live and what do they think of their neighbours? For anyone moving from a town to a rural area – and not just to the Pyrenees – what they say is worth listening to.

One outsider who has successfully integrated is Mustapha, from Morocco. He had the advantage of growing up on a farm in the Atlas Mountains so knew the kind of life awaiting him in the Pyrenees.

He was also determined: when he could not obtain a visa, he crossed to Spain in a dinghy. When he was confronted by his complete lack of Spanish and Catalan, he worked around the problem by talking Sheep. Within two days he found a job as a shepherd in Pallars Sobirà, Catalonia.

“What surprised me most was the good people,” he said. “Very good people. Very welcoming. I was living in my bosses’ house. They treated me like a son.”

Shepherd Mustafa with his dogs. Photo Stephen Cracknell

During his first summer in the high pastures, however, he had to live alone in a tent. When he brought the sheep back down in autumn, they had gained weight, but he had lost 14kg.

“One night I heard a lot of noise coming from the sheep. I was sleeping in the tent. The bear was eating a sheep fifty metres away. Eating the sheep. Argh! Well, I shut the tent up and that was it. I just let him eat it.”

After three years he obtained his residence papers. He and his wife, Fatima, now have two children. All four of them speak Catalan, Spanish, Berber and Arabic.

Another person now living in the mountains is Adeline.

Before she moved to France’s Ariège département, she only knew the Pyrenees through its footpaths.

Her mother was a nurse, her father a stonemason, she herself was a teacher. Then she fell in love with Mathias, a shepherd. Despite her origins in the south of France, moving to an isolated farm was a big leap for her.

“I decided to resign from teaching because I knew that it was no longer right for me. It was a bit like jumping off a cliff because I knew it would be difficult to earn my living.”

When she moved to Mathias’ farm, she took up management of the walkers’ hostel – which is how Gordon and I came to meet her. She grew food to feed the guests. Then, when there was a glut of fruit, she converted it into ice cream and sorbet. Now she runs the hostel, works the land, and sells produce, both fresh and frozen, on her market stall in St Girons.

Adeline now runs a walkers’ hostel at Esbintz in Ariège. Photo: Stephen Cracknell

“When I arrived, I was Mathias’ girlfriend… Now it’s the opposite effect. So, when Mathias comes on my stall, people say, ‘Oh you are the boyfriend of the girl who makes ice cream!’” Adeline has become part of the community.

But what to make of René? Unlike Mustapha and Adeline, René was born and bred in the Pyrenees, as was everyone in the family except for his Swiss wife.

He has always lived in Ariège. In my definition he is a local. But he told us: “We are foreigners”.

His grandfather, he explained, came from the Ebro delta in southern Catalonia, looking for work.

He walked across the Pyrenees, crossed the border into France and stopped at the first village. He married a woman who was living there. That was in 1920.

Yet René still feels he is an outsider despite his family roots in the area. His comments give a clue to his sense of detachment: “The locals, it’s simple. Here, it’s sheep, Saint-Girons it’s cows. Full stop. Forests? If they are a problem, they get burnt.”

Until his recent retirement, René was a school nurse: “What I see in the young locals in the sixth-form college in Foix, for example, for some, as soon as they go beyond Pamiers [20km north], it is worse than northern Europe. They’ve never been away.”

These four routes to the Pyrenees – by dinghy, by love, by walking, by birth – are as diverse as the people who followed them. As the poet Antonio Machado wrote: “Traveller, there is no path, the path is made by walking”.

Mountain People: Tales from the Pyrenees, by Gordon Wilson and Steve Cracknell, is published by Austin Macauley (London). Also published by Stephen Cracknell: The Implausible Rewilding of the Pyrenees, Lulu, 2021

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