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The US artist who went from prison cell to Paris show

Halim Flowers was 16 when he was arrested in the United States, tried as an adult then jailed for murder in 1998. Now aged 42, he is a prolific artist, poet and writer exhibiting in Paris.

The US artist who went from prison cell to Paris show
US artist, writer, activist, and ambassador for Represent Justice Halim A. Flowers. (Photo by JOEL SAGET / AFP)

Flowers was released in 2019 after a change in US law allowed for under-18s who had been tried as adults to be “re-sentenced”.

Then a year later, when Covid-19 pushed much of the world into lockdown, his wife – also an artist – suggested he should give painting a go.

“I just took the brush. I had no idea about colour, how mixing red and white made pink. She told me how to do that, how to take care of my brushes,” he told AFP.

Visiting AFP’s photo studio in Paris, Flowers sketched a graffiti-style drawing on a white background and explained that art was his “only drug”.

“I don’t smoke drugs, I don’t drink alcohol, I don’t party. All I do is art,” he said.

Colourful and rich in symbolism, his work highlights the experiences of people on the margins – prisoners, the homeless, those with mental health issues.

The Washington native, who is displaying his paintings until Sunday at the Champop gallery in the French capital, told the United States’ National Public Radio in 2021 he had already sold art worth more than $1 million.

His life now is a far cry from that of the skinny teenager who featured in a 1998 documentary for HBO titled “Thug Life in DC”.

A disconsolate Flowers told the documentary he had no hope, and that his mother would probably be dead by the time he was freed.

Kardashian collaboration
Flowers was raised in a poor neighbourhood of the US capital and grew up during the crack epidemic.

He fell into drug dealing and eventually got caught up in a robbery that resulted in someone being shot dead.

Despite not holding the gun, he was tried and convicted of murder under the principle of “aiding and abetting”.

He said his generation of jailed children were regarded as “super predators” but he knew he was innocent and had enough faith in himself to struggle to show his humanity.

“Those who are considered as beasts and super predators today can become those who visit the museums tomorrow,” he said.

After years of campaigning, he was finally freed in early 2019 – his mother greeting him with open arms.

Already with a track record as an author and poet, he worked with reality TV star Kim Kardashian on a documentary called The Justice Project, which helped to secure the release of one of his childhood friends.

He met both Kardashian and her then husband, musician Kanye West, although he credits West’s fellow rapper Jay-Z with sparking his interest in visual art.

‘Lack of love’
“I was introduced to visual art through listening to Jay-Z rap about Jean-Michel Basquiat,” he said, referring to the US artist who shot to fame in the 1980s before dying of a heroin overdose at 27 in 1988.

For Flowers, seeing that a black person had been “received and revered in the art world” was a revelation and inspired him to begin studying the arts while in jail.

The similarity between his work and that of Basquiat has led to accusations he is copying his forebear but Flowers flatly denies the charge.

“To show my reverence to my ancestors through my work is an honour,” he said. “Anything that I do that resembles them is because we share the same spirit.”

Now he wants to use his art to change perceptions, particularly about notions of justice.

“I think people are surprised that I came home from prison and I wasn’t being bitter or angry,” he said.

There’s nothing that necessarily links being in jail to being angry and bitter, he stressed.

He sees the issue as a wider one – society in general, he said, has been infected by a “pandemic of lack of love”.

His mission is to create a “new visual language” that will vaccinate against this pandemic and transform our image of justice.

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CULTURE

French art group uses brainwaves and AI to recreate landscapes

The hyper colour image of a dark hill and lava flow is pretty enough -- but its high-tech artificial intelligence origins make it special.

French art group uses brainwaves and AI to recreate landscapes

It is the product of the brainwaves of one member of French art collective Obvious, collected in an MRI machine at the Brain Institute of the Pitie Salpetriere hospital in Paris.

“I was thinking very hard about a volcano,” said Pierre Fautrel, one of the trio.

He admits the resulting work was not exactly what he had in mind, “but it has kept the basic elements: a flaming mountain with flowing lava and a landscape on a light background”.

The trio of thirty-somethings, Fautrel, Hugo Caselles-Dupre and Gauthier Vernier, already gained international attention in 2018 by selling an AI-generated artwork at Christie’s in New York for more than €400,000.

For the latest project, “Mind to Image”, they used an open-source programme, MindEye, which is able to retrieve and reconstruct viewed images from brain activity, combining it with their own AI programme to create artworks.

They tried two different versions — one in which they looked at pictures and tried to replicate them simply through their brainwaves captured in the MRI.

They also tried recreating their invented images based on written descriptions.

For each, they repeated the process many times over 10 hours to create a database for their AI.

Reconstructing ‘imagined’ images

“We’ve known for around 10 years that it’s possible to reconstruct a viewed image from the activity of the visual cortex,” said Alizee Lopez-Persem, a researcher at the Brain Institute.

“But not an ‘imagined’ image — that’s a real challenge.”

It took the team many hours to sort through the data collected in the MRI, before Obvious fed it into their own AI programme, which gives it a specific vibe influenced in part by Surrealism.

“Two years ago, I would never have believed that this could exist,” said Charles Mellerio, a neuro-radiologist who assisted the project.

He credits huge advances in the quality of medical imaging, as well as the sudden emergence of generative AI, which can create images from written prompts.

“There are very real links between art and science,” said Caselles-Dupre, while acknowledging that this technology “can be very scary if used in the wrong way”.

The results of their project will be on display at the Danysz gallery in Paris in October and the group says they want to expand the project to sound and video.

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