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CULTURE

Vienna State Opera cancels all shows to January 6th due to Omicron

The Vienna State Opera has cancelled all performances up to and including January 5th, 2022 due to several cases of Omicron among staff and performers and the resulting number of contacts needing to quarantine.

An usher waits for guests prior to a concert at Vienna's State Opera in Vienna, Austria
Excluding lockdowns, Vienna's State Opera has not cancelled a single performance since the pandemic began. JOE KLAMAR / AFP
 
The first affected performance is the 6.30pm show of Strauss’ Die Fledermaus on January 1st.
 
“We will do all we can to resume performances on January 6th, said State Opera director Bogdan Rošcic, Standard reported.
 
“The State Opera has been battling with Covid-19 for almost two years and outside of lockdowns, has not cancelled a single performance to date,” Rošcic said, explaining that the situation had become increasingly difficult over the last few weeks.
 
More than 85 percent of the opera company have had three vaccinations against Covid-19 and they also take PCR tests at least three times a week.
 
“But the working conditions, especially among the artists, playing, singing, dancing and playing music together, make complete protection impossible,” the director said.
 
 
The highly contagious Omicron variant had led to a dramatic increase in infection rates and the company now hoped that by having a break and toughening up safety measures, they would be able to resume performances in a few days’ time, Rošcic said, apologising to all visitors for the inconvenience.
 
All tickets would be refunded, the State Opera said.
 
People who have been in contact with someone who tests positive for Omicron are considered Category 1 (K1) contacts. This means that even vaccinated people who have been in contact with a person infected with Omicron need to self-isolate for ten days, although they can take a PCR test to end the quarantine early after five days if they test negative. 
 
Contacts of people with previous variants are considered Category 2 (K2) and do not have to self-isolate
 
On Saturday, Austria reported 3,608 new Covid-19 infections and 16 Covid-related deaths.

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CULTURE

‘Empty body’ art in tunnels dug by Austria concentration camp inmates

An exhibition of empty dresses and blood red ropes hanging inside an underground tunnel dug by concentration camp inmates in Austria during World War II seeks to bring the public closer to the "unspeakable" in memory of the victims of Nazism, its creators say.

'Empty body' art in tunnels dug by Austria concentration camp inmates

“We can bring what happened here closer to people… It is possible to perhaps make the unspeakable more tangible for people,” Wolfgang Quatember, manager of the Ebensee camp memorial and museum, told AFP.

The Ebensee concentration camp was erected as a labour camp in the picturesque mountainous region around Salzburg in Austria, the country where Adolf Hitler was born and which he annexed in 1938.

More than 27,000 men from 20 different nationalities, a third of them Jewish, were imprisoned at Ebensee between 1943 and 1945.

The inmates were forced to dig underground tunnels to be used to research and develop missiles — plans which were never carried out.

More than 8,000 people died there, with the tunnels still today “proof of forced labour,” according to Quatember, who described the exhibition, which opened last week, as a “balancing act” to respectfully honour the memory of those at the concentration camp.

Conceived by internationally renowned Japanese artist Chiharu Shiota, 280 kilometres (170 miles) of red ropes have been suspended from the tunnel ceiling.

The ropes connect immense ghostly dresses, seemingly floating in the air like “an empty body”, symbolising “absence in the existence”, according to Shiota.

Visitors walk along an installation of floating red ropes and empty dresses during the opening of Japanese artist Chiharu Shiota’s exhibition in the tunnel of the former Ebensee concentration camp in the Salzkammergut, 250 km west of Vienna, Austria, on 26 April 2024. (Photo by KERSTIN JOENSSON / AFP)

Shiota, 51, said she used red as the colour of destiny and fate in Japan and of blood, which carries “everything, like family or nationality or religion”.

Having lived in Germany for 26 years, Shiota said she was well aware of the concentration camps that Nazi Germany built but had not been to Ebensee until she was asked to exhibit there.

With Japan allied to Nazi Germany originally, Shiota told the daily Die Presse she regrets that her native country has not done more work of remembrance so far.

The show titled “Where are we now?” runs until September in the Alpine Salzkammergut lake region, which has been elected European capital of culture for this year.

Previously, the dark, cold tunnels also hosted an opera composed in the Theresienstadt ghetto, north of Prague, where Jews were detained during World War II.

“I had never dared to enter (the tunnels) before because it seemed oppressive… But this installation allowed me to take the step,” Monika Fritsch, a 60-year-old content creator who came to the inauguration of Shiota’s installation, told AFP.

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