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Long-lost Klimt painting resurfaced in Austria

A late painting by Austrian artist Gustav Klimt has resurfaced in a private collection and will be sold in April, Viennese auction house Kinsky said Thursday.

Long-lost Klimt painting resurfaced in Austria
Works by Austrian artist Gustav Klimt are projected on June 3, 2020 in Bordeaux at the "Bassins de Lumieres" digital art center as part of one of the center's opening exhibitions entitled "Gustav Klimt: gold and colour". (Photo by GEORGES GOBET / AFP)

“Bildnis Fraeulein Lieser” (Portrait of Miss Lieser) was commissioned by a wealthy Jewish industrialist’s family and painted by Klimt in 1917 shortly before he died.

The well-preserved painting, which shows a dark-haired woman, was presented to the public in Vienna for the first time on Thursday. It is due to be auctioned off on April 24th on behalf of the current Austrian owners and the legal successors of the Lieser family on the basis of an agreement in accordance with the Washington Principles.

That 1998 international agreement set out the procedure for returning art stolen by the Nazis. The work was last seen at a Viennese exhibition in 1925, documented by a black-and-white photo cited as the only previous proof of its existence.

The photo identifies the last owner of the painting as a member of the Lieser family, who lived at Vienna’s “Argentinierstrasse 20”.

Henriette Lieser, who had remained in Vienna despite the Nazi rule, was deported in 1942 and murdered in Auschwitz in 1943.

The unfinished portrait re-emerged when the current owner sought legal advice from lawyer and art law expert Ernst Ploil before inheriting it.

Tracing its provenance

Despite extensive research, it remained unclear how the family of the current owner, who has possessed the artwork since the 1960s, obtained it, Ploil told journalists Thursday.

“We have a gap between 1925 and the 1960s,” he added. But he stressed that they had found no evidence that the work had been looted, stolen or unlawfully seized before or during the Second World War.

The back of the painting is “completely untouched” and has “no stamps, no stickers, nothing”, Ploil said.

“There are no indications of any illegal confiscation during the Nazi era, i.e. the usual stamps from the Gestapo or a shipping house where looted art was stored,” he added.

No claims have yet been made by the descendants of the Lieser family, but some of them have travelled to Vienna to see the painting.

Klimt portraits rarely come on to the open market.

The Kinsky auction house estimates its value at 30 to 50 million euros ($33-55 million), but considering recent Klimt auctions, higher sums are conceivable.

Last June, Klimt’s “Dame mit Faecher” (Lady with a Fan) was sold in London for £74 million ($94.3 million at the time), setting a new European art auction record.

The previous auction record for an artwork sold in Europe was for Alberto Giacometti’s “Walking Man I”, which went for £65 million in February 2010.

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VIENNA

Vienna Festival director Milo Rau hits back at anti-Semitism accusations

One of the latest events in Europe to be hit with accusations of anti-Semitism, the Vienna Festival kicks off Friday, with its new director, Milo Rau, urging that places of culture be kept free of the "antagonism" of the Israel-Hamas war while still tackling difficult issues.

Vienna Festival director Milo Rau hits back at anti-Semitism accusations

As the conflict in Gaza sharply polarises opinion, “we must be inflexible” in defending the free exchange of ideas and opinions, the acclaimed Swiss director told AFP in an interview this week.

“I’m not going to take a step aside… If we let the antagonism of the war and of our society seep into our cultural and academic institutions, we will have completely lost,” said the 47-year-old, who will inaugurate the Wiener Festwochen, a festival of theatre, concerts, opera, film and lectures that runs until June 23rd in the Austrian capital and that has taken on a more political turn under his tenure.

The Swiss director has made his name as a provocateur, whether travelling to Moscow to stage a re-enactment of the trial of Russian protest punk band Pussy Riot, using children to play out the story of notorious Belgian paedophile Marc Dutroux, or trying to recruit Islamic State jihadists as actors.

Completely ridiculous 

The Vienna Festival has angered Austria’s conservative-led government — which is close to Israel — by inviting Greek former finance minister Yanis Varoufakis and French Nobel Prize winner for literature Annie Ernaux, both considered too critical of Israel.

A speech ahead of the festival on Judenplatz (Jews’ Square) by Israeli-German philosopher Omri Boehm — who has called for replacing Israel with a bi-national state for Arabs and Jews —  also made noise.

“Who will be left to invite?  Every day, there are around ten articles accusing us of being anti-Semitic, saying that our flag looks like the Palestinian flag, completely ridiculous things,” Rau said, as he worked from a giant bed which has been especially designed by art students and installed at the festival office.

Hamas’ bloody October 7th assault on southern Israel and the devastating Israeli response have stoked existing rancour over the Middle East conflict between two diametrically opposed camps in Europe.

In this climate, “listening to the other side is already treachery,” lamented the artistic director.

“Wars begin in this impossibility of listening, and I find it sad that we Europeans are repeating war at our level,” he said.

As head of also the NTGent theatre in the Belgian city of Ghent, he adds his time currently “is divided between a pro-Palestinian country and a pro-Israeli country,” or between “colonial guilt” in Belgium and “genocide guilt” in Austria, Adolf Hitler’s birthplace.

Institutional revolution

The “Free Republic of Vienna” will be proclaimed on Friday as this year’s Vienna Festival celebrates. according to Rau, “a second modernism, democratic, open to the world” in the city of the father of psychoanalysis, Sigmund Freud, and artist and symbolist master Gustav Klimt.

Some 50,000 people are expected to attend the opening ceremony on the square in front of Vienna’s majestic neo-Gothic town hall.

With Rau describing it as an “institutional revolution” and unlike any other festival in Europe, the republic has its own anthem, its own flag and a council made up of Viennese citizens, as well as honorary members, including Varoufakis and Ernaux, who will participate virtually in the debates.

The republic will also have show trials — with real lawyers, judges and politicians participating — on three weekends.

Though there won’t be any verdicts, Rau himself will be in the dock to embody “the elitist art system”, followed by the republic of Austria and finally by the anti-immigrant far-right Freedom Party (FPOe), which leads polls in the Alpine EU member ahead of September national elections.

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