SHARE
COPY LINK

CULTURE

French booksellers angered by call to remove them from capital for Olympics

'Bouquinistes', or booksellers, working on the banks of the Seine river will have their stalls removed from the French capital for the Olympic Games. The police say they pose a security risk.

Parisian
Parisian "bouquinistes", or booksellers, are frustrated by plans to remove them from the French capital for the Olympics. (Photo by Miguel MEDINA / AFP)

Paris booksellers, who have operated from little dark green kiosks on the banks of the Seine for some 150 years, are incensed by plans to remove them for the opening ceremony of the 2024 Olympics.

In a test run on Friday, four of the stands were lifted by a crane three metres above the ground — drawing consternation and anger from a small group of booksellers gathered nearby.

“It’s like a tooth extraction!” Michel Bouetard, general secretary of the Cultural Association of Booksellers of Paris, told AFP.

“All this for a four-hour ceremony! The Olympic Games have achieved what the wars (World Wars I and II) have not been able to do — to make us disappear,” he fumed.

Paris’s city hall is planning a spectacular opening ceremony on July 26 next year — the first time the event is being held outdoors — on a stretch of the Seine river along the city’s most touristy parts.

The Paris police has ordered the removal of some 600 of the 900 kiosks before the ceremony over security concerns with fears they could be used to conceal explosive devices during the grand opening with a parade of nearly 11,000 athletes along the river.

The booksellers use the green boxes to house some 300,000 old books and a great number of journals, stamps and trading cards.

They are part of the Paris landscape and a huge tourist attraction.

“All this is over the top, we aren’t sure that they will return,” said Jerome Callais, the president of the booksellers’ association.

‘It’s a historic moment’

It is the sole livelihood for many of the 230-odd booksellers whose stalls flank the city’s famous Left and Right banks.

“What will they do if they cannot work for several weeks?” said Callais.

Some elected officials have backed them.

“We are against this, all this has been decided to make space for advertising along the banks,” said Corine Faugeron, head of the Greens group in the Paris City Council.

Others have appealed to President Emmanuel Macron to halt the initiative.

Francis Robert, a bookseller for 43 years, said he had met with Macron in October, when the French leader passed by the river bank.

“He told us ‘I am aware, I will defend you, you are part of Paris’,” Robert said.

“But he is above the prefect of Paris, he can just tell them to let us remain.”

Another bookseller added: “Why do we need to remove when the security barriers will be put up one-and-a-half metres from the quays?”

Friday’s test run ended shortly after midnight, with the four boxes being planted back to where they have stood for decades.

“It’s a historic moment,” said a teary-eyed bookseller.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

SHOW COMMENTS