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Rosalía: Five things to know about Spain’s greatest musical export

Rosalía, the former flamenco prodigy who's since cemented her place at the top of the pop world, was arguably the biggest breakout star of 2022. Here are some of the most interesting facts about the evolution of Spain's most global music star.

Published: 16 December 2022 11:56 CET
Rosalía: Five things to know about Spain's greatest musical export
Spanish singer Rosalia poses with multiple awards and Album of the Year for "Motomani" during the 23rd Annual Latin Grammy awards at the Mandalay Bay's Michelob Ultra Arena in Las Vegas, Nevada, on November 17, 2022. (Photo by Ronda CHURCHILL / AFP)

Flamenco roots

Growing up on the outskirts of Barcelona, Rosalía Vila Tobella studied at the Catalonia College of Music, which accepts only one student per year into its flamenco programme.

This was the sound of her first album, 2017’s stripped-back “Los Angeles”, featuring Rosalía singing alone with a guitar.

It won many admirers for its new approach to a beloved genre — as well as some conservative detractors — but few predicted the crossover success to come.

Crossover

While studying flamenco, Rosalía was listening to reggaeton with her friends and David Bowie with her mother.

The pop influences crept into her second album, “El Mal Querer” (The Bad Loving), which included a reworking of Justin Timberlake’s “Cry Me a River”.

“You can sense the flamenco tradition, but it’s a whole new thing,” she said at the time.

It was a sensation, winning a Latin Grammy for album of the year, and the lead song “Malamente” racked up 160 million views on YouTube.

The album tracks a toxic relationship, but also makes references as varied as poet Federico García Lorca (killed during Spain’s civil war), flamenco legend Camaron de la Isla and a famous sex club in Barcelona.

Collaborations

The collision of sounds won her an eclectic set of celebrity fans, from brash rap stars like Cardi B and pop stars like Lorde to elder statesmen of indie rock like Michael Stipe and David Byrne.

Rosalía embraced the opportunities, collaborating with some of the biggest names in reggaeton and hip-hop, including Ozuna, J Balvin and The Weeknd.

Her duet with Travis Scott on “TKN” was a huge crossover hit with 218 million views on YouTube.

Reinvention

Rosalía took another bold step with “Motomami”, released in March, delving further into contemporary urban and electro.

It has catapulted her to the very top of the music game, becoming the first album by a Spanish woman artist to reach one billion streams on Spotify, and again winning album of the year at the Latin Grammys.

Its central image of the butterfly was a nod to her own transformations.

“I’m constantly seeing this phenomenon I keep being surprised by, of women and their talent in these predetermined categories: the sexy one, the crazy one, the bossy one, the diva,” she told Rolling Stone.

“But those categories don’t lead anywhere, they’re just limiting.”

Image

Rosalía has always taken extreme care over her style, which is managed by her sister Pili.

Her videos often have strong Spanish influences, from bullfighting with a motorbike in the clip for “Malamente” to the visuals for “Di Mi Nombre” which drew inspiration from 18th-century painter Goya.

The bold colours of filmmaker Pedro Almodóvar have been another frequent touchstone, and she made an appearance in his last feature “Pain and Glory” in 2019.

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DISCOVER SPAIN

A history of Madrid’s Barrio de las Letras in seven places

To mark World Book Day, Madrid-based Felicity Hughes takes us on a fascinating journey through the Spanish capital's Literary District, retracing the steps of Hemingway, Cervantes, Dumas and other iconic writers who stayed in this barrio.

Published: 23 April 2024 10:13 CEST
A history of Madrid's Barrio de las Letras in seven places

World Book Day on April 23rd marks the date of Cervantes’ death. The author of Don Quijote lived in the Huertas neighbourhood of Madrid when he published his classic, starting a literary tradition in the area that continues to this day. Also known as Barrio de las Letras, Huertas is Madrid’s equivalent to Bloomsbury.

In my new book, A Guide to Madrid’s Literary District, I explore this heritage in-depth. To celebrate the launch of this guide and to get you prepped for World Book Day, here’s a quick history of the neighbourhood told through seven places.

Teatro Español

While the current neo-classical building was constructed in 1849, Teatro Español traces its history back to 1583. Madrid’s first theatre, Corral del Príncipe was built here 16 years before London’s Globe. As in Shakespeare’s London, the theatre was extremely popular but up until this point, Madrid did not have a dedicated venue. Instead, plays were performed in the courtyards of buildings. In the Corral del Príncipe, lower-class spectators stood in a square courtyard to watch actors perform on stage, while wealthier citizens were up in balconies overlooking the action.

Comic farces involving scandalous plots in which lovers switched partners several times were particularly popular. A writer who excelled at this style of drama was Félix Lope de Vega, Shakespeare’s contemporary and one of the Siglo de Oro’s most famous figures. To this day, you can see his name etched into the facade of Teatro Español, alongside other great writers of the time.

Madrid's Teatro Español

Madrid’s Teatro Español. Photo: Felicity Hugues

Casa Museo Lope de Vega

Lope de Vega didn’t have far to walk to see his words come to life on stage. His house is just a few minutes walk away at number 11 Calle de Cervantes. Now open to the public, you can still wander into the museum’s pretty garden whenever you fancy. Better yet, book yourself in for a free guided tour and you can see the house and hear all about his exciting and slightly disreputable life. A hit with the ladies, the playwright was a prodigious talent and penned around 500 plays during his lifetime. This prompted Cervantes to call him a “monstruo de la naturaleza” (a freak of nature) in his Eight Comedies and Interludes.

Casa de Lope de Vega by Felicity Hughes

Lope de Vega’s house in Madrid. Photo: Felicity Hugues

Convento de las Trinitarias Descalzas

Miguel de Cervantes’ bones lie just one street away in the Convento de las Trinitarias Descalzas at number 18 Calle Lope de Vega. Someone in town planning must have been having a laugh at the expense of both writers when these streets were named! Cervantes’ freak-of-nature taunt came after Lope de Vega had trashed an advance copy of Don Quijote in a letter announcing: “Of poets I do not say: this is a good century! Many are in the making for the coming year. But there is none so bad as Cervantes; nor so foolish as to praise Don Quijote.”

Lope de Vega, of course, was very wrong. Don Quijote was a smash hit when it came out in 1605 and even though Cervantes was pushing 60 when he published his masterpiece, he did get to enjoy his final years in the spotlight. However, this fame didn’t prevent the destruction of his former house at number 2 Calle de Cervantes nor the misplacement of his bones, which are muddled up with other miscellaneous skeletons in a box inside the convent with the initials MC on it!

Madrid's Convento de las Trinitarias

Madrid’s Convento de las Trinitarias. Photo: John Dapolito

Lhardy

As Madrid’s theatre district, Huertas was a thoroughly disreputable place back in Cervantes’ time and a popular saying went: “Calle de Huertas, más putas que puertas” (Calle de Huertas, more whores than doors). However, in the 19th century, this didn’t deter French chef Emilio Huguenin from opening an upmarket restaurant in the area closer to Sol in 1839. A fan of fine dining, Alexandre Dumas famously dined here when he rolled into town.

However, the restaurant wasn’t affordable for many. In fact, Lhardy was considered so posh that Spain’s answer to Dickens, Benito Pérez Galdós declared that they even “put white ties on their Tahona buns.” It’s still going strong and is a great place to soak up the atmosphere of 19th-century Madrid where heated literary salons or tertulias (social gatherings) were often held in coffee shops and restaurants.

Lhardy madrid

Lhardy in Madrid’s Barrio de Las Letras. Photo: John Dapolito

Ateneo de Madrid

The best tertulias were hosted in Ateneo de Madrid, a deceptively slender building tucked away on Calle del Prado. This cultural institution had a rocky beginning during the tyrannical reign of Ferdinand VII when many of its liberal members had to flee to London. However, it was re-established in 1835 after the king died and has been going strong ever since.

The organisation aimed to promote enlightened values that would modernise Spain by fostering scholarship and lively debate and it continues to stick to this philosophy to this day. While it’s still a private member’s club, the spectacular interior of this tardis-like building can be seen by either booking a visit to the library or attending a talk in the gorgeous Salón de Actos.

Madrid’s Ateneo. Photo: John Dapolito

La Venencia

The rumour exchange during the Civil War, this bar has changed little since it was first opened in 1927. The décor, with its wooden tables and gleaming rows of bottles, is simplicity itself. To this day, music is never played, nothing but sherry is served and photos are strictly forbidden, a policy that goes back to the Civil War when Madrid was full of Nationalist spies. Ernest Hemingway would drop in to pick up information during his time as a correspondent in the city. Of course, this wasn’t enough to slake his thirst: Chicote’s on Gran Via was a firm favourite as was Villa Rosa and Cevecería Alemana, both on Plaza Santa Ana.

La Venencia. Photo: Felicity Hughes

Las Cuevas de Sésamo

Another Hemingway haunt in Barrio de las Letras was Las Cuevas de Sésamo. This underground cave was opened up after the war as a clandestine literary salon by former Republican aviator Tomás Cruz Díaz. One of the main attractions of this bar was its literary prize. Tomás launched the Sésamo Prize for theatrical works in 1952 and the scheme was such a success that a short story and painting prize was added, followed in 1956 by an award for novelists. Though the prize money was negligible, the cultural cachet for winners was huge, with many authors going on to forge illustrious careers. These included Soledad Puértolas, Juan Marsé, and Juan José Millás.

Las Cuevas de Sésamo in Madrid. Photo: Sergio de Isidro

Of course, there’s much more to discover about the history of Barrio de las Letras. If you’re interested in the subject, my book A Guide to Madrid’s Literary District from The Secret Kingdoms Press is out now. 

Felicity Hughes is the author of The Making of Madrid, a blog about the history of Madrid.

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