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VENICE FILM FESTIVAL

Spain’s film queen Penelope Cruz wins best actress in Venice

Penelope Cruz took home the best actress award at the Venice Film Festival, the latest success for the all-conquering queen of Spanish cinema.

Spain's film queen Penelope Cruz wins best actress in Venice
Spanish actress Penelope Cruz poses with the Coppa Volpi she received for Best Actress in "Madres Paralelas" (Parallel Mothers) at the 78th Venice Film Festival. Photo: Filippo MONTEFORTE / AFP

Cruz won for her starring role in “Parallel Mothers”, her latest collaboration with legendary Spanish director Pedro Almodovar.

It was a surprisingly political turn for the flamboyant filmmaker, exploring the trauma of the 1930s Spanish civil war alongside the tale of two mothers sharing a maternity ward.

It marks a departure into dark historical territory for the director, while still focusing on the themes of motherhood and female relationships that have been central to many of his films.

Cruz described Almodovar as “my safety net” in a press conference ahead of their red carpet appearance in Venice.

“He can ask me to do something that can really scare me but I know he will be there waiting to sustain me,” she said, adding that she was grateful to the director for giving her “so many different, challenging characters”.

Cruz has appeared in seven of Almodovar’s movies, including “All About My Mother” and “Volver”.

She had a busy fortnight in Venice, also starring in the well-received “Official Competition”, a comedy about ego-maniacs in the film business that saw her in a rare appearance alongside her Spanish megastar Antonio Banderas.

Young talent

Born in Madrid in 1974, she appeared destined for a career in the entertainment, initially studying ballet at Spain’s National Conservatory before winning an acting competition that led to roles on TV and in music videos.

Her break into film came in Spanish director Bigas Luna’s “Jamon, Jamon” in 1992, which received critical acclaim and was notable for its erotic scenes featuring a 16-year-old Cruz and Javier Bardem, who would much later become her husband.

That was followed soon afterwards by “Belle Epoque”, which won the Oscar for best foreign film, and featured Cruz as one of four sisters vying for the love of an army deserter.

The next milestone came in 1997, when she was cast in her first film by Pedro Almodovar.

“Live Flesh” marked the beginning of a decade-long collaboration between Almodovar and the actress which has included roles in another foreign language Oscar-winner, 1999’s “All About My Mother”.

Hollywood struggles

Cruz struggled to establish herself in mainstream Hollywood.

She achieved a rare but unwanted feat in 2001 when she received three nominations in the “Golden Raspberries” Oscars spoof for “Captain Corelli’s Mandolin,” “Blow” and “Vanilla Sky”.

The latter cast her alongside Tom Cruise, whom she ended up dating for three years.

Other flops followed including “Gothika” and “Sahara”.

But she bounced back, picking up an Oscar nomination for the 2006 Almodovar film “Volver”.

And she made history by becoming the first Spanish actress to win an Oscar in 2009 for her part in the Woody Allen comedy “Vicky Cristina Barcelona”.

She was again paired with Bardem in that film, triggering a romance that led to their marriage in 2010.

The fiercely independent Cruz is also wary of being type-cast simply for her striking physical beauty.

“The most difficult thing in the world is to start a career known only for your looks, and then to try to become a serious actress,” she has said. “No one will take you seriously once you are known as the pretty woman.”

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VENICE FILM FESTIVAL

French abortion film wins female-focused Venice Film Festival

A timely film about illegal abortions in 1960s France won the Venice Film Festival's Golden Lion on Saturday, capping a festival featuring numerous female-focused themes.

French abortion film wins female-focused Venice Film Festival
French director Audrey Diwan poses with the Golden Lion for Best Film she received for "L'Evenement" (Happening) at the 78th Venice Film Festival. Photo: Filippo MONTEFORTE / AFP

Audrey Diwan’s “Happening” arrives just as the abortion debate is raging again after new restrictions in Texas, and with the ‘Me Too’ movement starting to make its mark in the film industry.

“I did this movie with anger, with desire, with my belly, my guts, my heart and my head,” said Diwan, accepting the top prize for her delicately rendered, yet gut-punching drama.

In a strong night for women filmmakers, best director went to iconic New Zealand auteur Jane Campion for her emotionally complex Western “The Power of the Dog”, starring Benedict Cumberbatch.

And the best screenplay award went to Maggie Gyllenhaal for her directorial debut “The Lost Daughter”, an unflinching look at the difficulties of balancing career and motherhood starring British Oscar-winner Olivia Colman.

It was a strong finish for the glitzy festival on Venice’s beachfront Lido, which roared back to life this year after a low-key event in 2020 due to the pandemic, with stars back in force and a strong line-up of international films.

The second-place Silver Lion went to beloved Italian director Paolo Sorrentino for his strikingly personal “The Hand of God” about his youth in the gritty southern city of Naples, which also earned the newcomer award for young star Filippo Scotti.

But it was hard to ignore the gender theme across many films.

The festival closed with “The Last Duel”, playing out of competition, a medieval jousting drama starring Matt Damon and Ben Affleck that went heavy on its message of historical injustice towards women.

“I think any reasonable humane, empathetic, conscionable person would have to be a feminist,” Affleck told AFP in an interview.

Edgar Wright’s “Last Night in Soho”, meanwhile, turned the misogyny of Swinging Sixties London into a slasher horror flick.

One woman who seems destined to grab the headlines in the coming months is Kristen Stewart, who wowed critics with her turn as Princess Diana in “Spencer”.

But it was Spanish megastar Penelope Cruz who took home the best actress award in Venice for her latest collaboration with veteran auteur Pedro Almodovar.

“Parallel Mothers” is a surprisingly political turn for the flamboyant filmmaker, exploring the trauma of the 1930s Spanish civil war alongside the tale of two mothers sharing a maternity ward.

Cruz had a busy festival, also starring alongside Antonio Banderas as egomaniacal filmmakers in “Official Competition”, which mercilessly ripped into their own profession.

The best actor award was less expected, going to Philippines star John Arcilla for crime thriller “On the Job: The Missing 8”.

The Golden Lion was selected by a jury led by “Parasite” director Bong Joon-Ho and presented at the Saturday night closing ceremony.

Success at Venice has become a key launchpad for Academy Award campaigns in recent years.

The last four winners — “Nomadland”, “Joker”, “Roma” and “The Shape of Water” — have all gone on to Oscar success.

The glamour was certainly back this year, with a dazzling Hollywood guest list capped by the appearance of Affleck with his old/new girlfriend Jennifer Lopez to the delight of gossip mags everywhere.

Pandemic precautions including mandatory masks, vaccine passes and 50-percent capacity in the cinemas,, continued to dull some of the shine at this year’s festival.

Timothee Chalamet — in town to promote mega-blockbuster “Dune” – had to leap up the new Covid-security wall separating the public from the red carpet to give his adoring teen fans a bit of face time.

But with “Dune” bringing an army of stars to the Lido island — including Zendaya, Oscar Isaac and Javier Bardem — it seemed to confirm that the festival circuit was back on glitzy form.

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