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Meet ‘El Yiyo’: Spain’s new flamenco prodigy

"El Yiyo", a flamenco dancer whose real name is Miguel Fernandez, honed his skills by watching YouTube videos. Now, aged just 24, he made his debut at Spain's main opera house with a show he developed during the country's virus lockdown.

Meet 'El Yiyo': Spain's new flamenco prodigy
Photos by Pierre-Philippe Marcou.

Spain's new flamenco prodigy was born into a Roma family in Badalona, near Barcelona, who are from the southwestern region of Andalusia, the birthplace of the art form which incorporates poetry, singing, guitar playing, dance and rhythmic hand-clapping and foot-stomping.   

“El Yiyo” recalls catching the attention of flamenco dancer Manuel Jimenez, alias “Bartolo”, as a child while dancing at a family wedding.   

“He told my parents that he wanted to give me free lessons, because I was a diamond he wanted to polish,” he told AFP at Madrid's Teatro Real before his debut performance there on Friday night.

“In our family, we celebrated good news by singing. Children sang and danced, it was very normal for them, a reflex that I absorbed at a very young age without being aware of it.”

He was just seven when he first began performing for the public at a hall in Barcelona.

At the age of 11 he was already the headline act during a tour of Taiwan.   

And before Spain went into a nationwide lockdown because of the pandemic in March, he danced for four months at the legendary Corral de la Moreria flamenco venue in Madrid.

'Dance of strength'


In rehearsals at the Teatro Real in Madrid

 

“El Yiyo”, who has modelled clothes for Armani and IKKS and even featured in Vogue, used the lockdown to choreograph the show which he performed at the Teatro Real.   

He appeared on the stage alongside his brother Ricardo in a performance that displayed his ability to improvise.

While he was performing a “zapateado”, which is marked by a rapid rhythmic stomping of the floor, one of his heels broke.

“El Yiyo” swiftly took off his shoes and continued the performance in his socks to the applause of the audience.   

“My dance is a state of mind,” he said, before adding it is “a dance of strength, of intensity”.   

While he was happy to be invited to perform at the two-centuries-old Teatro Real, he said there was still “a lot of ground to cover” before flamenco has the “weight” it deserves in august institutions such as the Madrid opera house.

Slender and with shoulder-length hair, “El Yiyo” — a diminutive form of Miguelillo (little Miguel) — said he gets his inspiration from the great names of flamenco.

“I try to learn something from all of them,” he said.

Eclectic education

“El Yiyo” said he bolstered his formal dance training by watching YouTube performances of legendary flamenco stars who have passed away, such as Antonio Gades who he admires for his “elegance” and Carmen Amaya who performed in several Hollywood films at the peak of her career in the 1940s and who he called a “genius”.

The contemporaries he admires are Antonio Canales and Joaquin Cortes, who fuses various styles with flamenco, and “Farruquito”, hailed by critics for his entrancing, rapid foot-tapping turns who he is proud to have danced with.

While “El Yiyo” is more of a flamenco purist, he said he sees nothing wrong with fusing it with other genres like the blues, jazz or rock, a trend that has become more popular following the success of Grammy-winning Spanish singer Rosalia who mixes flamenco with reggaeton, trap and R&B.   

Rosalia, who is not Roma, has been accused by some of appropriating an art form with Roma origins.

“I am in favour of variety, that way there is a wide range of purists, of non-purists, and that way flamenco is always talked about,” said “El Yiyo”

By AFP's  Álvaro Villalobos  

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MUSIC

Meet the New Yorker who moved to Spain to become a flamenco dancer

Leilah Broukhim isn’t a typical flamenco dancer. For starters she was born and raised in New York City, to parents of Sephardic Persian heritage.

Meet the New Yorker who moved to Spain to become a flamenco dancer
Photo by Timo Nuñez

But after being inspired by a flamenco class while studying film at Columbia University she arrived in Seville in 2000 with plans to spend no longer than a year learning more about the art.  

Needless to say, she stayed a lot longer than that and built up a career as a dancer on the tablao circuit before launching her own projects.

“When I first started out, there really weren’t many foreign dancers at a professional level,” Broukhim explains. “It wasn’t that it was closed off to anyone outside Spain, it just wasn’t the norm.”

But since flamenco was inscribed on Unesco’s list of Intangible Cultural Heritage of Humanity in 2010, the art has seen a surge in popularity and it has become much more common to see foreigners studying flamenco here.

“It wasn’t that those in the flamenco scene weren’t welcoming, I just felt I had to work harder as it’s not part of the culture I was brought up with. I had to prove to myself as much as anyone that I deserved to be here and was as good as those who came from a flamenco tradition that goes back centuries,”explains Broukhim.

“So I studied hard, went to a lot of shows, worked with amazing people and absorbed everything I could.”

Last year, Broukhim directed and performed in the inaugural show at Madrid’s Centro Cultural Flamenco with a show inspired by Federico Garcia Lorca, a show that ran from the opening in February 2019 until it was forced to close at the start of the pandemic earlier this year.


Leilah (Left) with her “flamenco family” during a performance of Lorca Poeta Flamenco. 

“It was show inspired by the poet’s love of flamenco. He was very influenced by the music and plight of the art form at the time, it and the people who performed it were very marginalized but he championed them and in fact supported the first ever flamenco competition in 1922 in Granada.

“It was a fantastic experience, not only in getting closer to Lorca’s work but we formed our own really close flamenco family,” Broukhim reminisced.

Less than a year later and it is hard to believe that the flamenco world is in such dire straits. For the coronavirus has wreaked havoc across the entire performing arts sector not least in Spain where the industry was so reliant on tourism.

A recent report by the Unión Flamenca revealed that 42 percent of those artists professionally employed in the flamenco sector will be forced to retrain and in art that requires 100 percent dedication, many don’t have other skills to fall back on.

“It’s very hard, for many of us flamenco goes beyond a passion, we have dedicated our lives to it but right now the whole sector has been hit really hard. Most flamenco artists don't have a backup plan.”

For Broukhim though, the coronavirus crisis has provided a pause and an opportunity to pursue other passions. “It was tough all of a sudden to just stop flamenco but it also gave me a chance to take a breath and think about other things I wanted to do.”

“The lockdown gave me time to dedicate my time to yoga, meditation, to look inside myself rather than project myself to an audience and that was really valuable,” she said shyly. “It also gave me a chance to concentrate on writing my own music, playing guitar and singing.”

Lockdown saw Broukhim collaborate with guitarrist Cristian O. Gugliara and producer Fernando Vacas and launch four singles.

“It's very far removed from flamenco, more of an American psychedelic folk sound,” says Broukhim, who during lockdown released her music videos on youtube and performed live concerts on instagram and facebook.  

“The reponse was great, so I'm taking it further and have formed a band, and we're playing our first gig, in a covid-19 safe environment, in Madrid next week!” she laughed. If you told me five years ago that I'd be doing this, I'd never believe you!”.

“But we have to adapt to survive.”

Follow Leilah Broukhim, flamenco artist and singer/songwriter on Instagram and CLICK HERE for details of her next concert.

 

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