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MELODIFESTIVALEN

How Melodifestivalen became Sweden’s favourite children’s programme

One key difference from the Eurovision Song Contest to the Swedish try-outs is the amount of children present at each of the shows. But what is it that makes so many children love Melodifestivalen so much? ESC Insight's Ben Robertson investigates.

How Melodifestivalen became Sweden's favourite children's programme
The Melodifestivalen audience in Gothenburg this year. Photo: Claudio Bresciani/TT

If you go to the Eurovision Song Contest and look across the audience you see the most eclectic bunch of people from all over Europe for a huge party. Everybody is dressed up in their brightest outfits and their costumes are as loud as their cheers as they clap along to anything with a beat.

If you head to Melodifestivalen you'll see much of the same. Except people are more likely to be from Eskilstuna than Estonia. The bright outfits are possibly a touch toned down, but made up for by bright feather boas, LED lit-up hats and homemade signs supporting their favourites. This subtle party look doesn't tone down any clapping along though – nobody catches onto a beat faster and more enthusiastically than a Swedish audiences.

These are all tiny differences. The big difference comes when you look around the room. A Eurovision audience is made up mainly of adults. A Melodifestivalen audience is dominated by families with small children. What is it about Melodifestivalen that makes it such a hit with children in a way Eurovision doesn't?


Melodifestivalen is popular with families with children. Photo: Fredrik Sandberg/TT

Unlike the Eurovision Song Contest, one feature of Melodifestivalen is the control that SVT, the Swedish public broadcaster, has on the acts that enter. They aren't all chosen through a selection jury focused on choosing the best songs, half of those that enter each year are acts completely chosen by SVT. Generally speaking, these are names that diversify the competition and ensure it reaches out to all parts of Swedish society.

Among the examples in this year's competition we have Anis Don Demina and Klara Hammarström. Anis is a rapper and DJ yet is equally as famous as a YouTuber with approaching 500,000 subscribers. Klara Hammarström has released music before Melodifestivalen, but is far better known as an upcoming equestrian and reality TV star.

That's to go along with the usual list of Idol entrants and former Melodifestivalen participants that so many kids already adore. What Anis and Klara can do is bring to SVT's flagship programme their own fanbase cultivated in their separate social media bubbles.

This is clear to see with Melodifestivalen's voting system that was brought in during 2019. The majority of voting happens on the Melodifestivalen app, and voting blocs are created based on the user's age. The youngest bloc goes from 3 to 9 years old – a bloc with a taste more musically different to its neighbour bloc (the 10 to 15 year old bloc) than any other age category.


The child-friendly Melodifestivalen app. Photo: Jonas Ekströmer/TT

Finally as well, there's also the issue of timing. Melodifestivalen runs one hour earlier than the Eurovision Song Contest, starting at 8pm. This is late for children, and many will get special permission to stay up feasting on sweeties and fizzy drinks in their quest to stay up, but this time slot still makes it a slot for family entertainment.

That extra hour later of start time just puts the Eurovision Song Contest out of reach of being a competition for all. Back in the preparations for the 2016 Eurovision Song Contest, SVT proposed moving the start time for the Eurovision Song Contest one hour forward. That suggestion didn't happen – and it's just another reason why Eurovision just has such a different and smaller popularity in Sweden to Melodifestivalen.

Hooked Before They Can Even Talk

What is most fascinating though is how SVT manage to get children hooked on Melodifestivalen at these very early ages. 

Let me present to you the TV show Bolibomba, SVT's flagship programme for children under the age of five. The main character, Draken, is played by an actor in a green dinosaur costume. The show is being played out live around Sweden when towns are hosting the Welcome Party to thousands of small Swedish children.


The main character of SVT's flagship programme for young children. Photo: Anders Wiklund/TT

Part of Bolibomba's programming is directly Melodifestivalen related. For a selection of the songs in the competition, Draken taught the children how to dance along to their favourites. Each of the competing artists also had to take part and follow Draken's lead. It's somewhat jarring from an adult perspective seeing these artists in a whole new character of preschool entertainment.

It goes further. A separate series of Bolibompa Baby is aimed at children under the age of two. The available songs made into animated format include many traditional Swedish traditional songs…and a few Melodifestivalen classics like 'Det gör ont', 'Håll Om Mig' and the 1999 winner 'Tusen och en natt'. Except that last song is translated into 'I want to have a cat.'

So if you are wondering where these Swedish children pick up their love of Melodifestivalen from, it's happening before you, or they, even realise.

Ben Robertson is covering Melodifestivalen 2020 for both The Local and ESC Insight.

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INTERVIEW

‘My song is about resilience’: The Ukrainian in Sweden’s Mello song contest

Maria Sur, 17, arrived in Sweden in March after a journey of hundreds of kilometres through Ukraine and Poland from Zaporizhzhia, her home town. She tells The Local's Yuliia Kyzyk of what she hopes to gain from taking part in the Melodifestivalen song contest.

'My song is about resilience': The Ukrainian in Sweden's Mello song contest

THE LOCAL: After weeks of war, a long journey, and emigration to Sweden, you still found the strength to participate in charity concerts in your first month here in Sweden. Tell us about your journey to Melodifestivalen. 

Maria Sur: The next day after I arrived in Sweden from Ukraine, I started looking for opportunities to work. It was obvious that whining and suffering would not help anyone, so I had to do something that would give me strength and help other people.

Since my passion is singing, I decided to continue working on it. I literally wrote to a lot of popular Swedish singers to find a way of making my dream come true and eventually, one of them helped to take part in my first charity singing festival for Ukraine.

As a result, we collected €8 million to help Ukraine. A few days after the festival, I got spotted by Warner Music Sweden. After a meeting and talk about my goals and skills, we started cooperating with them, and after a few months of hard work, we decided to take part in Melodifestivalen.

Maria Sur had been a participant in Ukraine’s version of The Voice. Photo: Maria Sur
 
Before the start of the Russian invasion, I was already working on a singer career in Ukraine. I took part in national singing competitions, and I was quite successful. It seemed like the best time in my career was approaching. I lived, dreamed, and acted, and then one day someone just came and took it all away. Everything just broke down. And suddenly I found myself in a situation where I needed to start all over again.

Now I live for today. Now I know that no one in the whole world can know what awaits us all tomorrow. Of course, I continue to dream, it helps, but I can no longer plan, or live in illusions. And it’s scary that young people like me think this way. That we live one day at a time.

My first goal at Melodifestivalen is to do a really quality performance that I will be proud of. I want to feel after the performance, “I did everything I could. I did the best I could. It was honest. People felt it.”.

That is more important for me than results. 

Maria Sur on stage in Ukraine’s version of The Voice. Photo: The Voice Ukraine

THE LOCAL: Your song for Melodifestivalen is called “Never give up”. What is the message your song has for listeners?

Maria Sur: “Never give up” is a song about my way, about my personal fight. This is my motto. You have to go forward no matter what. This is about my experience before the war, when I fought for a long time to end up singing on a big stage in Ukraine. And this is about my road now, when despite the war, separation from relatives and home, I still go on. With this message, I want to encourage Ukrainians and everyone in the whole world who needs to know it, to continue fighting on his own path. I don’t want to be pitied or win sympathy. My song is about resilience. My story is sad, but it is about strength.

Maria Sur (centre), surrounded by the team backing her at the Swedish arm of Warner Brothers. Photo: Maria Sur
 

THE LOCAL: Russia’s full-scale invasion caught us Ukrainians sleeping. What were the first weeks of life in the new reality in Ukraine like? And how do you see your journey as a refugee shortly afterwards?

Maria Sur: I remember February 24th clearly. Early in the morning, I had online lessons at school, I was going to go to an English class, and in a few hours it became obvious that the war had started. It was very unexpected for me personally. We hadn’t had any conversations in our family about it before it happened. 

I remember very well how many people I saw panicking, at the same time air raid sirens were sounding continuously and everyone ran to the basement. My family could not believe that all those things were happening. We were convinced that everything would be over in a few days. That is why we didn’t want to leave Ukraine. 

My family always stick together. However, in two weeks it became clear. We must leave my city, Zaporizhzhia. For three days we could not pack for the journey. Whenever we attempted to do it, we sat down and cried. Eventually, Dad stayed at home, and Mom and me were forced to go. 

I remember the train station in my city at that time – huge queues, a lot of people and everyone crying, saying goodbye to each other. The trains were completely packed with children and women. It was impossible to cross the carriage of the train because of the hundreds of people inside.

My city is located in the southeast of Ukraine, so we were evacuated to Poland by travelling almost through the whole of Ukraine. It took a very long time. At the border with Poland, they did not want to let the train pass, because it was completely full of people.

So we were sent back to Lviv, a city in the west of Ukraine. Still, a few days later we got to Poland. Later in March we flew to Sweden to my aunt. 

Maria Sur is interviewed on stage by the Norwegian TV host Fredrik Skavlan. Photo: Zap Group
 

How you have changed in the months that have passed since the war started? 

Maria Sur: I have grown up very quickly. I started to appreciate things that I used to ignore. I started to support my parents and my friends. I look differently at things such as happiness. For instance, I was happy when I got the news that I had been selected for Melodifestivalen. But it was not the same joy as I felt before the war, especially since, five minutes previously, I had talked to my dad, who is now in Ukraine, and told me everything that is happening there now.

Despite everything, we must go on living. If we have this chance to live, we should take everything from it to the maximum. That’s what I’m trying to do, and that’s what I’m singing about.

Today, we must not stop talking about the war in Ukraine, we must continue to organise charity concerts, as well as make music to support people.

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