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HITLER

Germany remembers heroes in Hitler assassination bid

Germany paid tribute Saturday to Claus von Stauffenberg and others who sought to assassinate Adolf Hitler 75 years ago, a plot that was recognised only belatedly but which a resurgent far-right is now seeking to expropriate.

Germany remembers heroes in Hitler assassination bid
Photos: AFP

In the attempt on July 20, 1944, Stauffenberg and other high-ranking conspirators within the Nazi regime sought to kill Hitler at his Wolf's Lair headquarters.

The plot was to seize control of the regime and make peace with Western allies to end World War II. But Hitler survived the bombing and Stauffenberg and other key figures in Operation Valkyrie were executed the same night.

Chancellor Angela Merkel underlined the importance of remembering this anniversary, at a time when far-right forces are once again gaining ground with their nationalist line.

“This day is a reminder to us, not only of those who acted on July 20, but also of everyone who stood up against Nazi rule,” she said in her weekly podcast.

“We are likewise obliged today to oppose all tendencies that seek to destroy democracy. That includes right-wing extremism.”

'Coward' or hero? 

Stauffenberg and his Operation Valkyrie was brought to the big screen in 2008 when Tom Cruise played the former count as a hero who led an act of resistance against Hitler and his deadly regime.

But at home, the verdict on Stauffenberg is more mixed, with some critics branding him a committed Nazi who only changed sides when it was clear that Hitler was going to lose the war.

In the aftermath of World War II, some in then West Germany — where former Nazis had assumed key positions in the new democratic country — also viewed him as a traitor.

Kurt Salterberg, a soldier at Wolf's Lair when the attempt took place, recalled that “the troops' condemnation of Stauffenberg was unanimous” then.

“We thought he was a coward who didn't use a pistol but a bomb so that he could get out unscathed,” Salterberg told the Frankfurter Allgemeine Zeitung in an interview.

In fact, hundreds of resistance fighters who were executed over their involvement in the plot were also only given due recognition in 2009, when their murders were finally branded an injustice by the court, said Johannes Tuchel, who heads the German Resistance Memorial, in a commentary for TAZ daily.

With the lingering ambiguity on Stauffenberg's legacy, far-right forces, including the AfD party whose leader has downplayed the Nazi era as a “speck of birdpoo”, have claimed to be the inheritors of the heroic act.

'A better world'

The anti-immigrant Alternative for Germany, which is now the biggest opposition party in parliament, has repeatedly used the word “resistance” to characterise its battle against mainstream parties today.

“The calculation of the new right, the AfD and the(far-right movement) Identitarians is clear: to portray themselves as victims of the 'chancellor-dictator', to see a 'dictatorship' in a free country, and to gain legitimacy for their own political activities by making the reference to political activities,” said Tuchel.

That is “historically wrong and inappropriate. Resistance against Nazism stands for freedom, rule of law and tolerance,” he added.

The granddaughter of Stauffenberg himself, Sophie von Bechtolsheim, has also said it was “indecent” for a party to claim to be the rightful heirs of his legacy.

More than seven decades on, Salterberg too sounded the same warning against the right-wing extremists.

“The youth of today must not be led astray by political demagogues, and must show civil courage. That's why remembrance of the conspirators is important.

“Stauffenberg was seen then as a traitor, but today I know that he sacrificed his life for Germany and a better world.”

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OPERA

Hitler’s justly forgotten opera attempt goes on display in Austria

Adolf Hitler's admiration for German composer Richard Wagner is well-documented, but that the Nazi dictator attempted to write an opera himself will come as a surprise to many.

Hitler's justly forgotten opera attempt goes on display in Austria
A page from 'Wieland the Smith' on display at the museum. Photo: Joe Klamar/AFP
Nevertheless, a page of the work, entitled “Wieland der Schmied” (Wieland the Smith), goes on display to the public for the first time in a new exhibition on the “Young Hitler” opening in Austria this weekend.
   
A piano sketch of the first page, made by one of Hitler's few friends as a young man, August Kubizek, dates from 1908 when the future Nazi leader would have been around 20.   
 
Long speculated about, but never before seen in public, the manuscript was apparently written after Hitler had had only a few months of piano lessons, says Christian Rapp, one of the exhibition's curators.
   
And it clearly demonstrated the future dictator's “inflated sense of his own abilities”, Rapp told AFP.
   
The single sheet is believed to be the only surviving page of an ambitious project based on Germanic mythology that closely apes an unfinished work of the same name by Wagner himself.
   
The exhibition, entitled “Young Hitler: the Formative Years of a Dictator”, opens in Sankt Poelten in Lower Austria on Saturday and among the exhibits is a range of objects belonging to Hitler collected by Kubizek between 1907 and
1920.
 
Grandiose delusions
 
Kubizek initially kept them as mementos of his own youth before later realising they might be of historical importance.
   
They include letters and postcards written by Hitler to Kubizek, as well as paintings and architectural sketches by the young man — who was born on April 20, 1889 in the Austrian town of Braunau am Inn and whose artistic abilities
regularly fell short of his grandiose ambitions.
   
He sat the entrance examination for admission to Vienna's Academy of Fine Arts in both 1907 and 1908, but failed both times. Nevertheless, Hitler was always quick to find a scapegoat for his failures, said Rapp.
   
“Whenever something went wrong, it was always somebody else's fault, not his own,” the expert said.
   
Co-curator Hannes Leidinger said that even those who knew Hitler at a tender age in Austria testified to his “intransigent, aggressive” character.
 
For Rapp, the young Hitler “was already 'a bomb', if you like. World War I provided the fuse and then it was ignited in Germany — but you can make out the ingredients during his time here in Austria”.
   
In addition to tracing Hitler's personal history, the exhibition also seeks to explore the political and social context in Austria at the turn of the 20th century.
   
In particular, it tries to explain how many of the ideas that would gain such prominence in Nazi ideology — racism, anti-Semitism, militarism — had long since reached the mainstream of Austrian society, including among
sections of the left.
   
Austria has had a complex relationship with its Nazi past. For decades after World War II, successive Austrian governments insisted the country was a victim of the Nazi regime and sought to downplay the
complicity of many Austrians in the Nazis' crimes.
   
The curators said they hoped the exhibition would help shed light on Hitler's character, and also dispel the ideas that underpinned his genocidal ideology.
   
“Ways of thinking take so long to become widespread in a society, and they take as long to be dismantled… we will have work at that for decades,” Rapp said.