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What stereotypes do other Europeans most associate with Germany?

A new survey of 3,000 people across 27 countries in the EU asked what stereotypes their citizens hold of Germans - and you'll never guess what it found.

What stereotypes do other Europeans most associate with Germany?
A woman sorting her garbage in Stuttgart. Photo: DPA

Not surprisingly, “love of beer” came in first place, as voted on by five countries including neighbouring Austria, in the survey conducted by Translate Media. 

The Danes and Swedes were among the countries who most strongly stereotyped Germans for their stubbornness, whereas a love of efficiency and bureaucracy was the next largest stereotype, as singled out by Bulgaria, Luxembourg and Romania.

Some countries had more unusual stereotypes of Germany. Spain, for example, associates the Teutons most strongly with garbage sorting, while the British and Finnish think of Germans for their Christmas traditions. Beyond beer and bureaucracy, Croatians associated Germany with bread baking.

When Germans themselves were surveyed about the customs they are the most proud of, over a third (37.3 percent) were quick to answer “punctuality.”

Coming in second place, 16.8 percent of Germans were most proud of privacy, followed by environmental awareness (14.5%), perfectionism (9.4%), being direct (8.8%), a love of rules and organization (7.3%) and stubbornness (5.9%).

“Germany has a great tradition of brewing very good beer, and that’s what a lot of visitors to the country enjoy, so it’s no wonder that’s the trait most identified by Europeans” said Yusuf Bhana at Translate Media in a news release. 

“But it’s also interesting that Germans themselves are proudest of their punctuality; it’s a very polite and respectful trait!”

The interactive graphic (in the German language) below shows stereotypes of Germans based on country and federal state.

Translate Media  • 

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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