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LITERATURE

Five things to know about the Nobel Literature Prize

The Swedish Academy, which awards the Nobel Literature Prize, has been in turmoil ever since an influential cultural figure – the husband of one of its 18 members – was accused of sex crimes during last year's #MeToo campaign.

Five things to know about the Nobel Literature Prize
Mo Yan, the 2012 winner of the Nobel Prize for Literature collects his prize. Photo: Henrik Montgomery/AP/Scanpix
The institution said on Friday it was postponing this year's prize due to reduced public confidence in the academy after several members resigned over the scandal. 
   
Here are five things to know about the Nobel Literature Prize.
 
Most prestigious award
 
Each year, the Swedish Academy awards 16 prizes, the most famous and prestigious being the Nobel Literature Prize. 
   
In his 1895 last will and testament, Swedish scientist and philanthropist Alfred Nobel tasked the institution with awarding the Nobel Literature Prize each year. 
   
Since 1901, four or five of the Academy's 18 members have been elected to serve on its Nobel Committee for a three-year term, designated to sort through the nominations and provide the rest of the Academy with a shortlist of possible winners.
   
The nominees' bodies of work are then studied and discussed by the entire Academy. The members hold a vote in October to choose the winner – the laureate must obtain more than half of the votes cast.  
 
350 nominees a year
 
The Academy's archives are bursting with letters from the world's most renowned literary figures nominating candidates. Each year, the institution receives around 350 nominations submitted by those eligible to do so: former Nobel literature laureates, members of other countries' equivalent academies, literature professors, and the heads of national writers' associations.
   
Each one vaunts the talents of their candidate, some going so far as to slip in a little gift for Academy members … a gesture they typically frown upon.
   
To be valid, nominations must be presented or renewed each year, and must be received by the Academy by January 31 at the latest.   
 
To qualify, nominees must still be alive, and, according to the strict rules laid out by Alfred Nobel, must have published a piece of work within the past year, though the Academy has occasionally strayed from that requirement. 
 
Seven reserved years, two refusals
 
A total of 114 people have won the Nobel Literature Prize. The prize has been awarded on 110 occasions, with two people sharing the prize on four occasions. It has also been declined twice: In 1958 Russian author Boris Pasternak accepted the prize but was later forced by Soviet authorities to decline it, and in 1964, French philosopher Jean-Paul Sartre turned it down.
   
The institution, founded in 1786, has on seven previous occasions chosen to reserve the prize: in 1915, 1919, 1925, 1926, 1927, 1936 and 1949. On five of those occasions, the prize was delayed then awarded at the same time as the following year's prize. The most recent such case was when William Faulkner was awarded the 1949 prize in 1950, the same year Bertrand Russell was honoured.
 
 
France tops list of laureates
 
France takes the gold medal for the most Nobel Literature Prizes with 15 laureates, including the first one ever awarded, to Sully Prudhomme in 1901. Tied in second place are the United States and Britain with 12 laureates each, including last year's winner, Japanese-born British author Kazuo Ishiguro, author of “Remains of the Day” and “Never Let Me Go”.
 
In terms of languages, however, laureates writing in Molière's tongue find themselves outnumbered by those writing in Shakespeare's, with 29 anglophone authors honoured since 1901.
 
The Salman Rushdie affair
 
In the name of the “independence of literature”, the Swedish Academy refused to condemn a 1989 fatwa against British author Salman Rushdie following the publication of his novel, “The Satanic Verses”. Academy members were divided about whether to stand as neutral guarantors of the arts, or as supporters of their fellow author. 
   
Three members angered by the Academy's chosen path of silence left their seats, though technically they were appointed for life and could not resign. It was not until 27 years later – in 2016 – that the Academy finally condemned the fatwa against Rushdie.

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HISTORY

‘Lost’ manuscript of pro-Nazi French author published 78 years later

A book by one of France's most celebrated and controversial literary figures arrives in bookstores this week, 78 years after the manuscript disappeared

'Lost' manuscript of pro-Nazi French author published 78 years later

It is a rare thing when the story of a book’s publication is even more mysterious than the plot of the novel itself.

But that might be said of Guerre (War) by one of France’s most celebrated and controversial literary figures, Louis-Ferdinand Celine, which arrives in bookstores on Thursday, some 78 years after its manuscript disappeared.

Celine’s reputation has somehow survived the fact that he was one of France’s most eager collaborators with the Nazis.

Already a superstar thanks to his debut novel Journey to the End of the Night (1932), Celine became one of the most ardent anti-Semitic propagandists even before France’s occupation.

In June 1944, with the Allies advancing on Paris, the writer abandoned a pile of his manuscripts in his Montmartre apartment.

Celine feared rough treatment from authorities in liberated France, having spent the war carousing with the Gestapo, and giving up Jews and foreigners to the Nazi regime and publishing racist pamphlets about Jewish world conspiracies.

For decades, no one knew what happened to his papers, and he accused resistance fighters of burning them. But at some point in the 2000s, they ended up with retired journalist Jean-Pierre Thibaudat, who passed them – completely out of the blue – to Celine’s heirs last summer.

‘A miracle’
Despite the author’s history, reviews of the 150-page novel, published by Gallimard, have been unanimous in their praise.

“The end of a mystery, the discovery of a great text,” writes Le Point; a “miracle,” says Le Monde; “breathtaking,” gushes Journal du Dimanche.

Gallimard has yet to say whether the novel will be translated.

Like much of Celine’s work, Guerre is deeply autobiographical, recounting his experiences during World War I.

It opens with 20-year-old Brigadier Ferdinand finding himself miraculously alive after waking up on a Belgian battlefield, follows his treatment and hasty departure for England – all based on Celine’s real experiences.

His time across the Channel is the subject of another newly discovered novel, Londres (London), to be published this autumn.

If French reviewers seem reluctant to focus on Celine’s rampant World War II anti-Semitism, it is partly because his early writings (Guerre is thought to date from 1934) show little sign of it.

Journey to the End of the Night was a hit among progressives for its anti-war message, as well as a raw, slang-filled style that stuck two fingers up at bourgeois sensibilities.

Celine’s attitude to the Jews only revealed itself in 1937 with the publication of a pamphlet, Trifles for a Massacre, which set him on a new path of racial hatred and conspiracy-mongering.

He never back-tracked. After the war, he launched a campaign of Holocaust-denial and sought to muddy the waters around his own war-time exploits – allowing him to worm his way back into France without repercussions.

‘Divine surprise’
Many in the French literary scene seem keen to separate early and late Celine.

“These manuscripts come at the right time – they are a divine surprise – for Celine to become a writer again: the one who matters, from 1932 to 1936,” literary historian Philippe Roussin told AFP.

Other critics say the early Celine was just hiding his true feelings.

They highlight a quote that may explain the gap between his progressive novels and reactionary feelings: “Knowing what the reader wants, following fashions like a shopgirl, is the job of any writer who is very financially constrained,” Celine wrote to a friend.

Despite his descent into Nazism, he was one of the great chroniclers of the trauma of World War I and the malaise of the inter-war years.

An exhibition about the discovery of the manuscripts opens on Thursday at the Gallimard Gallery and includes the original, hand-written sheets of Guerre.

They end with a line that is typical of Celine: “I caught the war in my head. It is locked in my head.”

In the final years before his death in 1961, Celine endlessly bemoaned the loss of his manuscripts.

The exhibition has a quote from him on the wall: “They burned them, almost three manuscripts, the pest-purging vigilantes!”

This was one occasion – not the only one – where he was proved wrong.

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