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NORDIC NOIR

‘Lisbeth Salander will live on’: What to expect from the fifth Millennium book

In a new interview, author David Lagercrantz reveals some of the secretive details about the fifth Millennium book.

'Lisbeth Salander will live on': What to expect from the fifth Millennium book
The Swedish cover of the new book "The Girl Who Takes an Eye for an Eye". Photo: Norstedts

In the cult Millennium crime fiction series, Stieg Larsson created Lisbeth Salander as a tattooed hacker out to get revenge on her persecutors. But in the latest book, author David Lagercrantz appears to have put his own stamp on the invincible character, throwing her into prison.

“The Girl Who Takes an Eye for an Eye”, the fifth Millennium novel, is due to hit bookstores on September 7th in 26 countries, including the United States, France, Germany and the UK.

“I'm waiting for the storm,” Lagercrantz told AFP with a nervous laugh during a recent interview at his fashionable Stockholm apartment.

Swedish publishing house Norstedts has gone to great lengths to keep details of the latest instalment shrouded in secrecy, given what's at stake: the previous book, “The Girl in the Spider's Web” from 2015, also written by Lagercrantz, sold six million copies in 47 countries.

The first three books, penned by the late Stieg Larsson, sold 80 million copies in 50 countries.

READ ALSO: Fifth Millennium book is finished

Emotional and high-strung, Lagercrantz, 54, is full of contradictions: he at once fascinates, annoys and elicits sympathy, he's fond of superlatives and gesticulates wildly when speaking.

With the book's release date looming, he admits to having mixed feelings. He's relieved at having finished the manuscript, but also terrified by critics, some of whom won't forgive him for taking over the series from compatriot Larsson, who died suddenly of a heart attack at age 50 in 2004 before the series gained global fame.

“There are a lot of translators who have just received it via an encrypted link, it's all very secretive. Now we're beginning to get some feedback about the book and, fingers crossed and touch wood, it seems promising.”

A heroine with 'problems'

Very little has been revealed about the plot of the fifth book. As with the preceding tome, details are trickling out, drop by drop.

“All I can say is that I started out by putting her in prison, in the worst kind of women's prison, where she immediately encounters quite a few problems,” Lagercrantz says without divulging any more.

In addition to Salander, readers will also reacquaint themselves with investigative journalist Mikael Blomkvist. Lagercrantz says bringing Salander to life, with her troubled past, is a challenge for him — he would have written an entirely different leading character.

“I would have created a softer heroine, someone nicer, more delicate and sensitive than Stieg Larsson did,” he admits.

But he acknowledges she makes for a good read. “Lisbeth's personality, her iconic personality, needs problems. So of course I have to give her tonnes of problems. And in some ways she's also suited to being an underdog.”

And that, he says, is what readers will see in the fifth instalment, the second of three he's signed on to write.

Millennium was the brainchild of Larsson, a left-wing activist from a working-class family in Sweden's far north — a sharp contrast to Lagercrantz's upbringing in Stockholm's intelligentsia.

Lagercrantz, meanwhile, rose to fame in Sweden in 2011 after penning football star Zlatan Ibrahimovic's official biography.

Kill Lisbeth Salander?

After Larsson's death and the ensuing wild success of his trilogy, Norstedts decided — with the agreement of his only heirs, his father and brother — to continue the series with a new author.

Lagercrantz was recruited and the fourth book was generally well-received. With the fifth one, he wants to win over those unconvinced about his worthiness.

One of them is Eva Gabrielsson, Larsson's partner of 32 years until his death. The couple were not married and Larsson left no will, so his estate went to his brother and father. Gabrielsson lost a bitter battle with them to manage his work.

She has from the beginning been critical of the decision to continue the trilogy, slamming it as a purely money-making project and blasting the choice of Lagercrantz as author.

“That's the only shadow over this project, which has otherwise been so enjoyable,” Lagercrantz said.

“If you think of Stieg Larsson's books, I know now, in hindsight, that it was good for his body of work” to continue the series. “A whole new generation has discovered his books… and his characters,” he said.

READ ALSO: Who will be the next Lisbeth Salander in new Millennium movies?

And rest assured, Lisbeth Salander will live on.

“She'll continue to live on in one way or another. Lisbeth Salander is not going to be killed off right away, because she's a person who somehow reaches into our hearts and souls.”

As for Lagercrantz, what will he do after he's written book six?

“I'll move on and find a new challenge.”

Article by AFP's Camille Bas-Wohlert.

TELEVISION

Danish shows take TV world by storm

With original boundary-breaking content, thrilling plots and charismatic actors, Danish television series have captivated audiences worldwide in recent years.

Danish shows take TV world by storm
Danish actor Lars Mikkelsen plays the lead role in Ride Upon The Storm (Herrens Veje). Photo: Mads Joakim Rimer Rasmussen/Ritzau Scanpix

The latest show to hit the small screen is “Ride Upon the Storm” (Danish title: Herrens Veje), which is being distributed in almost 80 countries with a debut later this month in Britain, where it will be broadcast on Channel 4 by the station’s foreign language arm Walter Presents from January 28th.

The new drama was created by Adam Price, the BAFTA winner behind the acclaimed drama “Borgen”, which followed the political and personal tribulations of a Danish woman prime minister.

Danish shows, with both exoticism and gritty realism, have quickly soared in popularity beyond their initial local Scandinavian viewership, Pia Jensen, an Aarhus University communications associate professor specialising in television series, told AFP.

Long known for the Nordic noir crime genre, the big international breakthrough for Danish shows came with “The Killing”, a hard-hitting series following a Copenhagen female cop's investigations.

Then came crime thriller “The Bridge” in 2011.

The Nordic noir genre has proven so popular that its aesthetic and themes are now being replicated beyond Scandinavia's borders, with shows such as “Shetland” and “Broadchurch” made in Britain, Jensen said.

For foreign audiences, Denmark as it is shown on television is “an exotic society, something to aspire to because of the welfare state and the strong women characters”, she said, referring also to the 2010 hit “Borgen”.

She added, clearly amused, that it's “as if Denmark is the fantasy land of gender equality”.

Paradoxically, in this almost utopian world, the characters are “normal” people with whom audiences can identify, according to Jensen.

But now Danish TV series have moved beyond Nordic noir.

“Ride Upon the Storm” is a character-led drama about faith and a family of Danish priests, dominated by Johannes Krogh, a tempestuous God-like father battling numerous demons.

Actor Lars Mikkelsen, known from “The Killing” and his role as the Russian president in Netflix's “House of Cards”, plays Johannes, a role for which he won an International Emmy in November.

Mikkelsen “has set new standards for the portrayal of a main character in a TV series”, the show's creator Adam Price told AFP.

Johannes “is the 10th generation of priests, it's a huge burden that haunts him and he lets it haunt his sons too”.

His eldest son Christian is lost and at odds with the family and society, while younger son August is married and following in his father's priesthood footsteps before becoming a chaplain for troops stationed in Afghanistan.

“In the Bible, you have lots of stories of fathers and sons and brothers. That was the perfect ground to tell (a story) about masculine relationships, the competitive gene between men in a family,” Price said.

Elements from “Borgen” can be seen in Price's new venture: the efficient prime minister Birgitte Nyborg and Johannes Krogh, who is headed for the top as Bishop of Copenhagen, are both characters passionate about their work.

“But Johannes reacts differently than Birgitte (does) because his ambition is not within the world of politics, but with a more supernatural power,” Price said.

Thoughts on faith, religion and spirituality are mixed with a complex study of family.

“Religion is sometimes something imposed, as authority can be imposed on our children in a family. And both are dealt with in 'Ride Upon the Storm',” he said.

Price is currently working on “Ragnarok” for Netflix, a six-part Norwegian coming-of-age drama based on Norse mythology but set in a modern-day high school.

The second season of “Ride Upon the Storm” just wrapped up on Danish public television DR, which produced the series, and had around 500,000 viewers.

“Danish producers are mainly thinking of a Danish audience. It has to stay relevant to the Danish public and that's why DR keeps experimenting,” Jensen said.

“Some of the shows will travel and some won't.”

READ ALSO: The Bridge's Porsche 911 to be auctioned for charity