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ARCHAEOLOGY

Augustus’s rooms open for first time in Rome

Lavishly frescoed rooms in the houses of the Roman Emperor Augustus and his wife Livia are opening for the first time to the public Thursday, after years of painstaking restoration.

Augustus's rooms open for first time in Rome
Visitors stand outside the House of Augustus on the Palatine hill in Rome. Photo: Filippo Monteforte/AFP

The houses on Rome's Palatine hill where the emperor lived with his family are re-opening after a 2.5 million euro ($3.22 million) restoration to mark the 2,000 anniversary of Augustus's death — with previously off-limit chambers on show for the first time.

From garlands of flowers on Pompeian red backgrounds to majestic temples and scenes of rural bliss, the rooms are adorned with vividly coloured frescoes, many in an exceptional condition.

Restorers said their task had been a complex one, with bad weather during excavation threatening the prized relics of a golden era in the Eternal City.

SEE ALSO: Ten fascinating facts about Augustus

"We had to tackle a host of problems which were all connected, from underground grottos to sewers — and I'm talking about a sewer system stretching over 35 hectares (86 acres)," Mariarosaria Barbera, Rome's archaeological superintendent, told AFP.

To protect the site, tourists will have to book to join one of three daily groups of up to 20 people who will be taken around by a guide for a 15-minute visit.

Cinzia Conti, head restorer, said the plan was to allow people to enjoy "a more intimate, more attentive exploration of Augustus's spaces."

It will also mean "we restorers can keep an eye on and evaluate the consequences of the public walking through, for example the dust on their shoes and especially their breath," she said.

Augustus's decision to build his "domus" near a grotto where Romans worshipped Romulus — one of the twins who legend has it founded Rome — was no coincidence.

'A man of power'

The complex was intended to symbolise not only his power but that of his wife and advisor Livia, who is said to have wielded great influence over him and went on to play an important role in Roman politics after his death.

"Looking at the houses, the buildings he had built, we understand he was a man of power, of great strength, who knew what went into making a political man at the head of such a big empire," Conti said.

The frescoes in Livia's house in particular are one of the most important examples of the period's style, according to Barbera.

The founder of the Roman Empire was born Caius Octavius in 63 BC on the Palatine hill. The great-nephew of Julius Caesar, he was adopted as his son shortly before the latter was assassinated.

Caius Octavius went on to rule over Rome for 40 years, during which the Republic experienced an era of great wealth and relative peace.

Livia, the love of his life, was his third wife, whom he married when she was pregnant with her first husband's child. He adopted the baby, Tiberius, who would succeed him after his death.

Augustus died aged 75, after which the Senate raised him to the status of a god and appointed Livia his chief priestess.

As part of the 2,000 year celebrations, the Palatine Museum has dedicated a room to Augustus with objects connected to his life on show.

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ARCHAEOLOGY

Study confirms ancient cave art in southern Spain was created by Neanderthals

Neanderthals, long perceived to have been unsophisticated and brutish, really did paint stalagmites in a Spanish cave more than 60,000 years ago, according to a study published on Monday.

Study confirms ancient cave art in southern Spain was created by Neanderthals
Photo: Joao Zilhao/ICREA/AFP

The issue had roiled the paleoarchaeology community ever since the publication of a 2018 paper attributing red ocher pigment found on the stalagmitic dome of Cueva de Ardales (Malaga province) to our extinct “cousin” species.

The dating suggested the art was at least 64,800 years old, made at a time when modern humans did not inhabit the continent.

But the finding was contentious, and “a scientific article said that perhaps these pigments were a natural thing,” a result of iron oxide flow, Francesco d’Errico, co-author of a new paper in the journal PNAS told AFP.

A new analysis revealed the composition and placement of the pigments were not consistent with natural processes — instead, the pigments were applied through splattering and blowing.

(Photo by JORGE GUERRERO / AFP)

What’s more, their texture did not match natural samples taken from the caves, suggesting the pigments came from an external source.

More detailed dating showed that the pigments were applied at different points in time, separated by more than ten thousand years.This “supports the hypothesis that the Neanderthals came on several occasions, over several thousand years, to mark the cave with pigments,” said d’Errico, of the University of Bordeaux.

It is difficult to compare the Neanderthal “art” to wall paintings made by prehistoric modern humans, such as those found in the Chauvet-Pont d’Arc cave of France, more 30,000 years old.

But the new finding adds to increasing evidence that Neanderthals, whose lineage went extinct around 40,000 years ago, were not the boorish relatives of Homo sapiens they were long portrayed to be.

The cave-paintings found in three caves in Spain, one of them in Ardales, are throught to have been created between 43,000 and 65,000 years ago, 20,000 years before modern humans arrived in Europe. (Photo by JORGE GUERRERO / AFP)

The team wrote that the pigments are not “art” in the narrow sense of the word “but rather the result of graphic behaviors intent on perpetuating the symbolic significance of a space.”

The cave formations “played a fundamental role in the symbolic systems of some Neanderthal communities,” though what those symbols meant remains a mystery for now.

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