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ARCHAEOLOGY

Sweden’s ‘Pompeii’ massacre baffles experts

Archaeologists who unearthed five ancient and brutally-murdered bodies last week on a Swedish island say they've discovered an inexplicable massacre, with one expert expecting to find hundreds more bodies in a scene she compared to Italy's Pompeii.

Sweden's 'Pompeii' massacre baffles experts

"We have a massacre and everyone is still there," archaeologist and project manager Helena Victor told The Local.

A small team of archaeologists at Kalmar County museum, in collobaration with Lund University, has been digging at the site for the past three years. The team is studying the Migration Period in Scandinavian history, from about 400 to 550 A.D., 400 years before the Viking Age.

The custom of the time was to burn the dead, and so archaeologists were shocked when they unearthed intact remains from 1,600 years ago at the otherwise peaceful Sandby Borg fort.

"In the way they’ve been killed it's clear it's not a domestic fight," Victor said. "These people were just in their houses. Slaughtered in their houses."

IN PICTURES: See photos from the ancient island crime scene

Öland, an island just off the south east coast of Sweden, is a popular destination for Swedes soaking up summer sun, as well as the location of the Swedish royal family's summer palace. But it seems the island has a violent past. Five bodies were discovered in one hut alone last week, and as the dig continues the numbers keep climbing.

"We have just opened very small trenches, about one percent of the site, and already found ten people in different places," Victor told The Local. "I’m expecting a couple of hundred."

The archaeologists uncovered the feet of the first body last year and decided to follow the trail. When the skeleton was uncovered they discovered its skull had been split, apparently by a sword, and Victor said the person had "obviously been killed". The next skeleton was found lying flat on its stomach, also with brutal damage.

"I think they were ambushed in some way and people were running into the house trying to kill them," said Helene Wilhelmson, a Lund PhD student who specializes in the study of bones. "And they didn't have a chance."

None of the archaeologists were expecting a murder mystery at work. The excavation began in 2010 when researchers discovered jewellery boxes and gilded brooches at the site, along with dozens of valuable pearls. Such baubles from the fallen Roman Empire and the Byzantine kingdom have been found on Öland and Gotland before, and the team was hoping to discover more about Öland's role in trade of the period.

But the vast caches of jewellery were untouched, leading researchers to believe the violent raid had nothing to do with wealth – and the attackers may even have been known to the victims. But whoever they were, they didn't leave any hints.

"We have no trace of the attackers," Victor told The Local. "We're not sure if they attacked during the day or night or how it came to be. We don't know if they came by water or land. We don't know if they were Swedes or Finns or Danes or anything else. That's the big question."

The crime scene remained untouched for over one thousand years, transforming the fort into a gruesome graveyard.

"It was such a terrible massacre that it totally destroyed the fort," Wilhelmson said. "I don't think anyone dared to go near it for a very long time."

Whatever the reason, the site has been remarkably well-preserved, giving archaeologists a rare, detailed glimpse into the past.

"It was really just a day in the life in the Migration Period, and that's completely unique," Wilhelmson remarked. "We don't have anything to compare it to."

The news of "Swedish Pompeii", so-called because of the rare glimpse it offers into ancient every-day life, took world media by storm last week when Lund University published a video and press release about the finding. Victor said the team was totally unprepared for the media onslaught.

"The press release Lund put out was a mistake," she told The Local. "This is really just the beginning of the project. We had a plan for how to publish this and they misunderstood us and didn't ask clearly."

The team of five is set to have their first project meeting next week, Victor said, where they will discuss their theories and the future of the project – and how to handle the sudden interest.

"We can't stop now. When the cat is out you can't stop it," Victor told The Local.

"We've launched a website to give glimpses, and we plan to expand the website and continuously update. We will release the finds little by little, apply for more money… and keep digging."

Update: The team has discovered a rare ancient gold coin which may explain the massacre. Read more here.

Solveig Rundquist

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ARCHAEOLOGY

Study confirms ancient cave art in southern Spain was created by Neanderthals

Neanderthals, long perceived to have been unsophisticated and brutish, really did paint stalagmites in a Spanish cave more than 60,000 years ago, according to a study published on Monday.

Study confirms ancient cave art in southern Spain was created by Neanderthals
Photo: Joao Zilhao/ICREA/AFP

The issue had roiled the paleoarchaeology community ever since the publication of a 2018 paper attributing red ocher pigment found on the stalagmitic dome of Cueva de Ardales (Malaga province) to our extinct “cousin” species.

The dating suggested the art was at least 64,800 years old, made at a time when modern humans did not inhabit the continent.

But the finding was contentious, and “a scientific article said that perhaps these pigments were a natural thing,” a result of iron oxide flow, Francesco d’Errico, co-author of a new paper in the journal PNAS told AFP.

A new analysis revealed the composition and placement of the pigments were not consistent with natural processes — instead, the pigments were applied through splattering and blowing.

(Photo by JORGE GUERRERO / AFP)

What’s more, their texture did not match natural samples taken from the caves, suggesting the pigments came from an external source.

More detailed dating showed that the pigments were applied at different points in time, separated by more than ten thousand years.This “supports the hypothesis that the Neanderthals came on several occasions, over several thousand years, to mark the cave with pigments,” said d’Errico, of the University of Bordeaux.

It is difficult to compare the Neanderthal “art” to wall paintings made by prehistoric modern humans, such as those found in the Chauvet-Pont d’Arc cave of France, more 30,000 years old.

But the new finding adds to increasing evidence that Neanderthals, whose lineage went extinct around 40,000 years ago, were not the boorish relatives of Homo sapiens they were long portrayed to be.

The cave-paintings found in three caves in Spain, one of them in Ardales, are throught to have been created between 43,000 and 65,000 years ago, 20,000 years before modern humans arrived in Europe. (Photo by JORGE GUERRERO / AFP)

The team wrote that the pigments are not “art” in the narrow sense of the word “but rather the result of graphic behaviors intent on perpetuating the symbolic significance of a space.”

The cave formations “played a fundamental role in the symbolic systems of some Neanderthal communities,” though what those symbols meant remains a mystery for now.

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