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Swiss farmers campaign against ‘meadows mess’

Switzerland, famous for being neat and tidy, is not tidy enough for Swiss farmers.

Swiss farmers campaign against 'meadows mess'
Cartoon used in farmers' campaign. Photo: SBV

The country’s farmers association, the Schweizerischer Bauernverband (SBV), launched a campaign on Thursday calling for an end to what it called the “mess in the meadows”.

Farmers say they are annoyed about the rising volume of rubbish being pitched onto their fields, particularly along heavily used roads but also in rural areas.

The problem is more than just a a matter of esthetics, the SBV says.

Farmers are having to pick up sackfuls of trash before they are able to mow fields or harvest crops.

And the discarded drink, food and cigarette packaging littering farmland also poses a risk to the health of livestock.

At a press conference in Bern  the farmer’s association and the Interest Group for a Clean Environment in Switzerland (IGSU) joined forces to launch their “together for a tidy countryside” awareness campaign.

The campaign will involve advertising on billboards next to major highways and on signs at shops selling cigarettes, drinks and food.

A brochure is also to be distributed advising residents about the littering problem and giving advice about best ways to dispose of rubbish.

Campaigners want to make littering in the countryside punishable by a federal fine.

Jacques Bourgeois, a director of the farmer’s association and Liberal-Radical MP from Fribourg, filed a parliamentary initiative on Thursday to add a new regulation in the federal law on the protection of the environment.

Fines would be instituted at the national level under the initiative.

The SBV is also participating in a round table of the federal office of the environment which aims to find new solutions to stop rubbish dumping in the countryside.

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FILM

Rimini celebrates centenary of legendary Italian director Federico Fellini

Italian resort Rimini this week marked 100 years since the birth of director Federico Fellini, whose visual dreamscapes revolutionised cinema in a career spanning almost half a century.

Rimini celebrates centenary of legendary Italian director Federico Fellini
A still from La Dolce Vita in the exhibition 'Fellini 100 : Immortal Genius'. Photo: Andreas Solaro/AFP

Dozens of events are being held around the world and in Italy this year to remember Fellini, considered one of the most influential filmmakers of all time.

The winner of a record four best foreign language film Oscars, he is famed for films set in Rome such as 'La Dolce Vita' (1960), and most of his films were shot in Cinecitta's Studio 5 outside the capital.

But he set his 1973 masterpiece 'Amarcord', a semi-autobiographical comedy about an adolescent boy growing up in 1930s fascist Italy, in the Adriatic resort of Rimini, where he was born on January 20th 1920.

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The city is marking the centenary with a special exhibition and is due to open a museum dedicated to Fellini, who died in 1993, by the end of the year.

“Rimini is everywhere in Fellini's cinema, the countryside in his films is Rimini's countryside, the sea in all Fellini's films is Rimini's sea,” said Marco Leonetti of the Rimini Cinematheque which helped put on the exhibition.

The show includes some of the more spectacular costumes from his films, as well as frequently erotic extracts from the sketchbooks of his dreams he created for his psychotherapist over a 30-year period.


Costumes on display at the 'Fellini 100 : Immortal Genius' exhibition. Photo: Andreas Solaro/AFP

'The maestro from Rimini'

Originally an artist and caricaturist, Fellini paid to watch films as a child at Rimini's Fulgor cinema by drawing caricatures, and his films remain caricatures of society.

“If you take Fellini's films, like 'Amarcord', 'La Dolce Vita', 'I Vitelloni', when you watch them all, it's as if you're flicking through a history book, you travel through the history of our country, the history of Italy, from the 1930s to the 1980s,” Leonetti told AFP.

READ ALSO: Fellini's La Strada: a vision of masculinity and femininity that still haunts us today

Fellini was initially appreciated more abroad than in Italy, where he frequently scandalised the conservative society of the 1950s.

His films embodied a sense of irony, the ability to invent, and a sense of beauty, said Leonetti. “These are the three qualities of his art, qualities which also created 'made in Italy', and that's why Fellini, besides having told the story of our country the best, is also the person who best represents it,” he said.


A photograph of Federico Fellini. Photo: Andreas Solaro/AFP

Fellini has inspired generations of directors since, including Britain's Peter Greenaway and Spain's Pedro Almodovar. US director David Lynch, who shares the same birthday as Fellini, in 1997 declared his love for the “maestro from Rimini”.

“There's something about his films… They're so magical and lyrical and surprising and inventive. The guy was unique. If you took his films away, there would be a giant chunk of cinema missing,” Lynch told filmmaker Chris Rodley.

Fellini played “a shameless game of reflections and autobiographical projections” with his actors, the exhibition said.

The exhibition 'Fellini 100. Immortal genius' ends in March but will then travel to Rome and on to cities including Los Angeles, Moscow and Berlin.

By AFP's Charles Onians

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