Europe's news in English

COPY LINK

BOAT

Swiss solar boat finishes historic world tour

Super-yacht PlanetSolar, brainchild of a Swiss eco-adventurer, has completed the first ever round-the-world trip to be powered entirely by the sun's rays.

Published: 2 May 2012 10:00 CEST

The boat returned to the port of Monaco on Friday to much fanfare and a new world record, 586 days and 60,000 kilometres after it set off. The project had been dreamed up by former ambulance driver, Raphael Domjan, from Yverdon-les-Bains, and took nine years to come to fruition.

“PlanetSolar did not invent anything new, but by going around the world, it pushes the boundaries of what can be done even further. People will stop to wonder about the capabilities of solar technology in terms of autonomy,” Guy Wolfensberger, director of Grove Boats SA, told newspaper Tribune de Genève.

The boat is covered in 500 square metres of solar panels, which in turn connect to two electric motors, one in each of the two hulls. The boat, which can travel up to 14 knots an hour, is capable of holding up to 200 people and is the largest solar powered boat in the world.

“We will never see container ships depending 100% on the sun as the surface area of the solar panels would be too great. But with our prototype, we proved that this powerful technology has a commercial future,” Domjan told the newspaper.

Significantly, the boat docked in Cancun in 2010 during the United Nations World Climate Conference

The 31-metre-long boat will be used as a luxury yacht now that its journey is complete.

Member comments

Log in here to leave a comment.

Become a Member to leave a comment.

Meet the Spanish rapper bringing flamenco and bossa nova into hip-hop

Spanish rapper Anton Alvarez known as 'C. Tangana' poses in Madrid on April 29, 2021. Photo: Javier Soriano/AFP

The 30-year-old has emerged as one of the world’s biggest Spanish-language stars since his third album “El Madrileno” — the Madrilenian — came out in February. That ranks him alongside his superstar ex-girlfriend Rosalia, the Grammy-winning Catalan singer with whom he has co-written several hits.

C. Tangana, whose real name is Anton Alvarez Alfaro, has come a long way since a decade ago when he became known as a voice of disillusioned Spanish youth in the wake of the financial crisis.These days his rap is infused with everything from reggaeton and rumba to deeply traditional styles from Spain and Latin America, with a voice often digitised by autotune.

“It’s incredible that just when my music is at its most popular is exactly when I’m doing something a bit more complex, more experimental and less
trendy,” he told AFP in an interview.

And he is unashamed to be appealing to a wider audience than previously: his dream is now to make music “that a young person can enjoy in a club or someone older can enjoy at home while cooking”.

‘People are tired’

The rapper, who sports a severe semi-shaved haircut and a pencil moustache, has worked with Spanish flamenco greats including Nino De Elche, Antonio Carmona, Kiko Veneno, La Hungara and the Gipsy Kings.

In April he brought some of them together for a performance on NPR’s popular “Tiny Desk Concert” series, which has already drawn nearly six million
views on YouTube.

Shifting away from trap, one of rap’s most popular sub-genres, and venturing into a more traditional repertoire was a dangerous move — especially for someone with a young fanbase to whom rumba, bossa nova and bolero sound old-fashioned.

“I think people are tired. They’ve had enough of the predominant aesthetic values that have previously defined pop and urban music,” he said.

Parts of his latest album were recorded in Latin America with Cuban guitarist Eliades Ochoa of Buena Vista Social Club, Uruguayan
singer-songwriter Jorge Drexler, Mexican folk artist Ed Maverick and Brazil’s Toquinho, one of the bossa nova greats.

“What struck me most everywhere I went was the sense of tradition and the way people experienced the most popular music, and I don’t mean pop,” he said.

A new direction

C. Tangana started out in 2006 rapping under the name Crema. When the global economic crisis swept Spain a few years later, hard-hitting trap was
the perfect way to voice the angst of his generation. But after more than a decade of rapping, things changed.

“When I was heading for my 30s, I hit this crisis, I was a bit fed up with what I was doing… and decided to give voice to all these influences that I
never dared express as a rapper,” he said.

The shift began in 2018 with “Un veneno” (“A poison”) which came out a year after his big hit “Mala mujer” (“Bad woman”).

And there was a return to the sounds of his childhood when he used to listen to Spanish folk songs at home, raised by a mother who worked in
education and a journalist father who liked to play the guitar. The Latin American influences came later.

“It started when I was a teenager with reggaeton and with bachata which were played in the first clubs I went to, which were mostly Latin,” he said.

Studying philosophy at the time, he wrote his first raps between stints working in call centres or fast-food restaurants.

As to what comes next, he doesn’t know. But one thing he hopes to do is collaborate with Natalia Lafourcade, a Mexican singer who dabbles in folk, rock and pop — another jack of all musical trades.

Url copied to clipboard!