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FRENCH HISTORY

‘Taboo’: French women speak out on rapes by US soldiers during WWII

Aimee Dupre had always kept silent about the rape of her mother by two American soldiers after the Normandy landings in June 1944. But 80 years after the brutal assault, she finally felt it was time to speak out.

'Taboo': French women speak out on rapes by US soldiers during WWII
Jeanne Tournellec looks at a wedding of her sister Catherine Tournellec, who was raped by US soldier William Mack in 1944. (Photo by Fred TANNEAU / AFP)

Nearly a million US, British, Canadian and French soldiers landed on the Normandy coast in the weeks after D-Day in an operation that was to herald the end of Nazi Germany’s grip on Europe.

Aimee was 19, living in Montours, a village in Brittany, and delighted to see the “liberators” arrive, as was everybody around her.

But then her joy evaporated. On the evening of August 10, two US soldiers — often called GIs — arrived at the family’s farm.

“They were drunk and they wanted a woman,” Aimee, now 99, told AFP, producing a letter that her mother, also called Aimee, wrote “so nothing is forgotten”.

In her neat handwriting, Aimee Helaudais Honore described the events of that night. How the soldiers fired their guns in the direction of her husband, ripping holes in his cap, and how they menacingly approached her daughter Aimee.

To protect her daughter, she agreed to leave the house with the GIs, she wrote. “They took me to a field and took turns raping me, four times each.”

Aimee’s voice broke as she read from the letter. “Oh mother, how you suffered, and me too, I think about this every day,” she said.

“My mother sacrificed herself to protect me,” she said. “While they raped her in the night, we waited, not knowing whether she would come back alive or whether they would shoot her dead.”

The events of that night were not isolated. In October 1944, after the battle for Normandy was won, US military authorities put 152 soldiers on trial for raping French women.

In truth, hundreds or even thousands of rapes between 1944 and the departure of the GIs in 1946 went unreported, said American historian Mary Louise Roberts, one of only a handful to research what she called “a taboo” of World War II.

“Many women decided to remain silent,” she said. “There was the shame, as often with rape.”

She said the stark contrast of their experience with the joy felt everywhere over the American victory made it especially hard to speak up.

‘Easy to get’

Roberts also blames the army leadership who, she said, promised soldiers a country with women that were “easy to get” to add to their motivation to fight.

The US Army newspaper Stars and Stripes was full of pictures showing French women kissing victorious Americans.

“Here’s What We’re Fighting For,” read a headline on September 9, 1944, alongside a picture of cheering French women and the caption: “The French are nuts about the Yanks.”

The incentive of sex “was to motivate American soldiers”, Roberts said.

“Sex, and I mean prostitution and rape, was a way for Americans to show domination over France, dominating French men, as they had been unable to protect their country and their women from the Germans,” she added.

In Plabennec, near Brest on the westernmost tip of Britanny, Jeanne Pengam, nee Tournellec, remembers “as if it was yesterday” how her sister Catherine was raped and their father murdered by a GI.

“The black American wanted to rape my older sister. My father stood in his way and he shot him dead. The guy managed to break down the door and enter the house,” 89-year-old Jeanne told AFP.

Nine at the time, she ran to a nearby US garrison to alert them.

“I told them he was German, but I was wrong. When they examined the bullets the next day, they immediately understood that he was American,” she said.

Her sister Catherine kept the terrible secret “that poisoned her whole life” until shortly before her death, said one of her daughters, Jeannine Plassard.

“Lying on her hospital bed she told me, ‘I was raped during the war, during the Liberation,'” Plassard told AFP.

Asked whether she ever told anybody, her mother replied: “Tell anybody? It was the Liberation, everybody was happy, I was not going to talk about something like this, that would have been cruel,” she said.

French writer Louis Guilloux worked as a translator for US troops after the landings, an experience he described in his 1976 novel “OK Joe!”, including the trials of GIs for rape in military courts.

“Those sentenced to death were almost all black,” said Philippe Baron, who made a documentary about the book.

‘Shameful secret’

Those found guilty, including the rapists of Aimee Helaudais Honore and Catherine Tournellec, were hanged publicly in French villages.

“Behind the taboo surrounding rapes by the liberators, there was the shameful secret of a segregationist American army,” said Baron.

“Once a black soldier was brought to trial, he had practically no chance of acquittal,” he said.

This, said Roberts, allowed the military hierarchy to protect the reputation of white Americans by “scapegoating many African-American soldiers”.

Of the 29 soldiers sentenced to death for rape in 1944 and 1945, 25 were black GIs, she said.

Racial stereotypes on sexuality facilitated the condemnation of blacks for rape. White soldiers, meanwhile, often belonged to mobile units, making them harder to track down than their black comrades who were mostly stationary.

“If a French woman accused a white American soldier of rape, he could easily get away with it because he never stayed near the rape scene. The next morning, he was gone,” Roberts said.

After her book “What Soldiers Do: Sex and the American GI in World War II France” appeared in 2013, Roberts said the reaction in the US was so hostile that the police would have to regularly check on her.

“People were angry at my book because they didn’t want to lose this ideal of the good war, of the good GI,” she said. “Even if it means we have to keep on lying.”

AFP was unable to obtain any official comment from the US Department of Defense on the subject.

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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