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FRENCH HISTORY

Cave in France reveals evidence of first use of bows and arrows in Europe

A cave in southern France has revealed evidence of the first use of bows and arrows in Europe by modern humans some 54,000 years ago, far earlier than previously known.

Cave in France reveals evidence of first use of bows and arrows in Europe
A replica of the famous Lascaux cave paintings, also in southern France. Photo by MEHDI FEDOUACH / AFP

The research, published on Wednesday in the journal Science Advances, pushes back the age of archery in Europe by more than 40,000 years.

The use of the bow-and-arrow in Africa has been documented to date back some 70,000 years.

But the oldest previous evidence of archery in Europe was the discovery of bows and arrows in peat bogs of Northern Europe, notably Stellmoor in Germany, dating back 10,000 to 12,000 years.

The new research comes from the Mandrin rock shelter overlooking the middle valley of the Rhone River in southern France.

The Grotte Mandrin site, which was first excavated in 1990, includes layer upon layer of archaeological remains dating back over 80,000 years.

The researchers who conducted the latest study have documented previously that Neanderthals and their modern “cousins” – Homo sapiens – alternated in inhabiting the Mandrin cave.

A level known as the “Layer E” has been attributed to the presence of Homo sapiens some 54,000 years ago and is interposed between layers of numerous Neanderthal occupations.

The researchers conducted a functional analysis of flint artifacts found in Layer E that were more finely executed than the points and blades in the layers above and below.

Tiny flint points were the key because other elements of archery technology such as wood, fibers, leather, resins and sinew are perishable and rarely preserved in European Paleolithic sites.

For the study, the researchers reproduced the tiny flint points found in the cave, some of which are smaller than a US penny, and fired them as arrowheads with a replica bow at dead animals.

“We couldn’t throw them at the animals any other way than with a bow because they were too tiny and too light to be efficient,” said Laure Metz of Aix Marseille University, a co-author of the study along with Ludovic Slimak of the University of Toulouse.

“We had to use this kind of propulsion,” Metz told AFP. “The only way that it was working was with a bow.”

Fractures on the flint points were compared with scars found on the artifacts found in the cave, proving undoubtedly that they were used as arrowheads, the researchers said.

“Fractures for a lot of them, not all, were fractures of impact,” Metz said. “And they are coming at the end of the point.”

Metz said the evidence suggests that the Neanderthals and the Homo sapiens who used in the cave likely met at some point although “we don’t know the nature of the meeting, whether it was nicely or not.”

The Neanderthals who inhabited the Mandrin site continued to use traditional weapons, however, such as thrusted or hand-thrown spears and did not develop mechanically propelled weapons, she said.

“The traditions and technologies mastered by these two populations were thus profoundly distinct, illustrating a remarkable objective technological advantage to modern populations during their expansion into the European continent,” the researchers said.

Metz said the occupants of the cave would have typically hunted horses, bison and deer and animal bones have been found inside.

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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