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Reader Question: Will French wine taste smoky this year after the wildfires?

After a summer marked by wildfires in France, wine fans across the world are curious whether there will be impacts on Bordeaux wines, many of which found themselves in dangerously close proximity to the flames.

Reader Question: Will French wine taste smoky this year after the wildfires?
A aerial view taken on July 29, 2022 shows burnt vegetation in forest areas after wildfires near Landiras, southwestern France. (Photo by Thibaud MORITZ / AFP)

Question: We all saw the pictures of the wildfires that hit France this summer and many of them were in wine-growing regions like Bordeaux – so will this affect how 2022 wines taste?

Wildfires in France reached record levels during the summer of 2022, with over 62,000 hectares having burned – six times the annual average 2006-2021, according to EFFIS data.  

The fires that ravaged the largest spates of land were located close to wine capital, Bordeaux. In Gironde, the major fires in La Teste-de Buch and Landiras destroyed 7000 and 21,200 hectares respectively. Of the 65 Bordeaux appellations, several exist in the South Gironde area, which was particularly affected by the fires. 

The Liber Pater estate – which produces the most expensive wine in the world – came close to being engulfed in flames during the July Landiras fire, but was saved thanks to a firewall that proved effective. 

Even though the vineyards survived the flames, oenologists and wine fans alike were worried about another threat: the possibility that 2022 vintages would carry a ‘smoky’ taste or otherwise taste different to normal. 

It is a known phenomenon that too much smoke can impact the taste of wine, as was demonstrated by 2021 vintages from California. Several had a distinct smoky taste, which many saw as ‘ruining the wine.’

Olivier Bernard, who manages, the Domaine de Chevalier estate, in Pessac-Léognan, told BFMTV that “the impact of too much smoke is not a myth.” 

So will French wine taste smoky this year?

Most likely not. While some say it is not possible to know for sure yet, the majority of wine experts believe that French wine will be spared from smoky flavouring this year. 

Vineyards got lucky – the prevailing winds came from the north, blowing the smoke away from the grapes and further toward the south. Additionally, the fires occurred while the grapes were still at the early stages of the ripening process. This means that the grapes did not have enough sugar for the molecules from the smoke to contaminate them, which would have led to a smoky taste.

If the fires had happened later in the ripening process, the results would likely have been different.

At the conference at the Institute of Vine and Wine Sciences, near Bordeaux, on August 30th, experts tested the hypothesis that Bordeaux wine would be spared. They conducted over 400 tests to see whether the known compounds that cause a ‘taste of smoke’ in wine were present.

“We winegrowers are not at all worried,” said Dominique Guignard, the president of the Graves AOC, at the conference, adding that “we have a vintage that looks exceptional” in 2022.

Vincent Renouf, the head of the Excell laboratory involved in the testing, told TF1 that the “first analytical results [were] reassuring” and that the potentially contaminating compounds remain at “levels below the threshold of theoretical perception.”

However, further analyses will need to be carried out after the wine ferments to be certain. 

Are there any other worries?

The summer of 2022 has been an unusually hot one – the second hottest summer ever recorded in France – and many wine-growers had to begin their harvests earlier than usual.

This follows the general trend of the climate crisis, which is that the south of France is getting hotter and wine-makers are having to adapt their methods.

There were many reports of grapes shrivelled by the drought and the scorching temperatures so it’s likely that the grape harvest will be smaller than usual, so although the wine might taste good, there’s likely to be less of it.

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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