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Four writers shortlisted for ‘the new Nobel Literature Prize’

Readers around the world have nominated four writers for a new award created as a reaction to a series of scandals which prompted the Swedish Academy to postpone this year's Nobel Literature Prize.

Four writers shortlisted for 'the new Nobel Literature Prize'
Clockwise from left, Neil Gaiman, Maryse Condé, Haruki Murakami, Kim Thúy. Photo: Maja Suslin/TT, Leif R Jansson/TT, Melissa Hjerrild/Polfoto/AP, Fredrik Sandberg/TT

Haruki Murakami, Japan; Vietnamese-born Canadian writer Kim Thúy; Maryse Condé, Guadeloupe; and British author Neil Gaiman, based in the US, have been nominated for what has been dubbed “the new Nobel Prize”.

Journalist Alexandra Pascalidou created the prize earlier this year after the Swedish Academy announced that it would not award a Nobel Literature Prize in 2018, following a scandal sparked by several sexual violence and harassment accusations towards well-known cultural figure Jean-Claude Arnault.

Arnault, who has close ties to the Swedish Academy, denied the allegations, but they had a domino effect that sparked a row which split the group and led to the resignation of six of its 18 members, including then permanent secretary Sara Danius, and Arnault's wife, poet Katarina Frostensson.

“While they argue and dig into their conflicts we promote literature, and all the people that love literature, fight inequality and everything else that doesn't really fit in our country and our time,” Pascalidou told The Local last month about the new prize, which has been making global headlines since its inception.

She and others involved in The New Academy invited readers around the world to vote for their favourite author based on a longlist of 46 writers selected by librarians in Sweden. More than 30,000 people voted, said the group. The final shortlist is made up of the two women and two men who received the most votes.

Describing the four authors, The New Academy wrote in its announcement on Tuesday that Gaiman's “artistic product is extensive, and with titles such as American Gods, Anansi Boys, Coraline, The Sandman: Book of Dreams, The Sandman: The Dream Hunters and Graveyard Book to name but a few, he is today a star on the fantasy sky with readers all over the world, young and old”.

“Condé is one of the most important Francophone authors whose works have had significant influence in the Caribbean and Africa. She often highlights how colonialism has changed the world – and how those who suffered are stealing back their heritage,” it continued.

“Thúy is known for her short and elegant stories about being a refugee and immigrant, and the challenges of adapting to a new culture. In her novels, we experience Vietnam's colours and tastes, the difficulties of exile but also riches, and a search for identity that we can all recognize ourselves in.”

“By combining pop culture with magic realism he has attracted much attention with his novels and short story collections and has attracted dedicated readers worldwide,” it concluded about Murakami, who has often been named as one of the favourites to receive the original Nobel Literature Prize.

An expert jury will now select the winner based on the shortlist. He or she will be announced on October 12th, and the prize will be awarded in Stockholm in mid-December, like the Nobel Prize.

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HISTORY

‘Lost’ manuscript of pro-Nazi French author published 78 years later

A book by one of France's most celebrated and controversial literary figures arrives in bookstores this week, 78 years after the manuscript disappeared

'Lost' manuscript of pro-Nazi French author published 78 years later

It is a rare thing when the story of a book’s publication is even more mysterious than the plot of the novel itself.

But that might be said of Guerre (War) by one of France’s most celebrated and controversial literary figures, Louis-Ferdinand Celine, which arrives in bookstores on Thursday, some 78 years after its manuscript disappeared.

Celine’s reputation has somehow survived the fact that he was one of France’s most eager collaborators with the Nazis.

Already a superstar thanks to his debut novel Journey to the End of the Night (1932), Celine became one of the most ardent anti-Semitic propagandists even before France’s occupation.

In June 1944, with the Allies advancing on Paris, the writer abandoned a pile of his manuscripts in his Montmartre apartment.

Celine feared rough treatment from authorities in liberated France, having spent the war carousing with the Gestapo, and giving up Jews and foreigners to the Nazi regime and publishing racist pamphlets about Jewish world conspiracies.

For decades, no one knew what happened to his papers, and he accused resistance fighters of burning them. But at some point in the 2000s, they ended up with retired journalist Jean-Pierre Thibaudat, who passed them – completely out of the blue – to Celine’s heirs last summer.

‘A miracle’
Despite the author’s history, reviews of the 150-page novel, published by Gallimard, have been unanimous in their praise.

“The end of a mystery, the discovery of a great text,” writes Le Point; a “miracle,” says Le Monde; “breathtaking,” gushes Journal du Dimanche.

Gallimard has yet to say whether the novel will be translated.

Like much of Celine’s work, Guerre is deeply autobiographical, recounting his experiences during World War I.

It opens with 20-year-old Brigadier Ferdinand finding himself miraculously alive after waking up on a Belgian battlefield, follows his treatment and hasty departure for England – all based on Celine’s real experiences.

His time across the Channel is the subject of another newly discovered novel, Londres (London), to be published this autumn.

If French reviewers seem reluctant to focus on Celine’s rampant World War II anti-Semitism, it is partly because his early writings (Guerre is thought to date from 1934) show little sign of it.

Journey to the End of the Night was a hit among progressives for its anti-war message, as well as a raw, slang-filled style that stuck two fingers up at bourgeois sensibilities.

Celine’s attitude to the Jews only revealed itself in 1937 with the publication of a pamphlet, Trifles for a Massacre, which set him on a new path of racial hatred and conspiracy-mongering.

He never back-tracked. After the war, he launched a campaign of Holocaust-denial and sought to muddy the waters around his own war-time exploits – allowing him to worm his way back into France without repercussions.

‘Divine surprise’
Many in the French literary scene seem keen to separate early and late Celine.

“These manuscripts come at the right time – they are a divine surprise – for Celine to become a writer again: the one who matters, from 1932 to 1936,” literary historian Philippe Roussin told AFP.

Other critics say the early Celine was just hiding his true feelings.

They highlight a quote that may explain the gap between his progressive novels and reactionary feelings: “Knowing what the reader wants, following fashions like a shopgirl, is the job of any writer who is very financially constrained,” Celine wrote to a friend.

Despite his descent into Nazism, he was one of the great chroniclers of the trauma of World War I and the malaise of the inter-war years.

An exhibition about the discovery of the manuscripts opens on Thursday at the Gallimard Gallery and includes the original, hand-written sheets of Guerre.

They end with a line that is typical of Celine: “I caught the war in my head. It is locked in my head.”

In the final years before his death in 1961, Celine endlessly bemoaned the loss of his manuscripts.

The exhibition has a quote from him on the wall: “They burned them, almost three manuscripts, the pest-purging vigilantes!”

This was one occasion – not the only one – where he was proved wrong.

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