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CULTURE

Paris and cinema: Why the French capital is the city of the silver screen

Our friends at Lost in Frenchlation, who help bring French cinema to non-French speakers in Paris, explain why Paris shouldn't just be known as the city of light and love, but also the city of cinema.

Paris and cinema: Why the French capital is the city of the silver screen
A picture taken on January 27, 2011 in Paris shows the facade of the Cinema du Pantheon movie theatre. (Photo by LOIC VENANCE / AFP)

You might recognise Paris as being the hub of light, love, fashion, and art, but have you ever stopped to think about how deeply-rooted the concept of cinema is in Parisian culture?

Paris has established itself as a city whose cinema is deeply embedded in its culture.

Home to the world’s first-ever movie screening in 1895, Paris has since continued to thrive as the global face of cinema with 398 screens across 75 venues — up eight percent on 2000 — and down just slightly from 411 in 2019, according to AFP. They showcase not only French independent and mainstream productions, but also the best cinema works from across the globe. 

By most English-speaking film buff standards, a lot of French cinema might be considered arthouse.

This is because France doesn’t just produce films to profit from the box office as many other film markets do.

The French use the phrase cinéma d’art et essai to describe films that have ambition, but whose artistic and expressive purpose outweighs profitability.

Paris caters for these special films with its strong cinema culture and the sheer amount of independent cinemas which serve as the perfect venues for screenings.

Some 39 independent cinemas were operating in Paris in 2021, according to Art et Essai, and for the most part they screen both mainstream and independent films alongside each other.

Other countries tend to separate arthouse films from blockbusters by showing them at different cinemas, but independent Parisian cinemas are bridging the gap and giving cinema-goers the unique opportunity to view the full spectrum of what’s on offer.

This highlights Paris’ open attitude towards films and the Parisian population’s appreciation for all forms of the big screen.

A 2019 Vulture article found that on average, French residents overall went to the cinema three times in 2018 – more than in any other European country, and two-thirds of the French population went to the movies at least once.

But in 2018, the National Center for Cinema (CNC) ranked the Paris region “the leading French département for cinema,” because it hosts the largest number of movie theatres in France.

Paris’ town hall reported in 2022 that each arrondissement in the city had at least one cinema, and that the 5th and 6th arrondissements alone offer a total of 27 movie theatres (or 70 screens).

While France is undoubtedly one of the world’s movie capitals, this statistic shows Paris’ heightened appreciation for the art and entertainment of cinema. 

Multiple widely-attended film events happen in Paris annually that spotlight local productions.

Among these events include the Paris Art and Movie Awards, the Paris Independent Film Festival, and the European Independent Film Festival.

These occasions are important because they bring awareness to the cinema being produced in France and Paris in particular, highlighting domestic accomplishments and drawing a wider audience to the cinema.

Finally, although Paris prides itself on creating and exporting French cinema, the city is also welcoming of films from other cultures.

The City of Paris relies on integrating foreign films into screening selections as more tourists and foreign residents make their way into the city.

This is important because film serves as a means of weakening cultural barriers; when someone is able to experience the enchantment of global cinema, they are able to easily understand foreign cultures in a way that was not open to them before. 

Parisians view cinema as uniting a community while also allowing people to have their own experience, taking in films on their own terms.

This approach to cinema is similar to the typical Parisian personality – open to coming together, but remaining an independent individual in expression.

Ultimately, what makes Paris the capital of cinema is the Parisian appreciation of and curiosity for films; the world-class cinema infrastructure that exists within Paris; and the city’s exceptional ability to keep its cinema culture thriving by encouraging and rewarding domestic production. 

Lost in Frenchlation provides the Anglophone community of France the chance to enjoy the best of French cinema with English subtitles in a friendly and international environment. 

CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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