SHARE
COPY LINK

CULTURE

Golden rooster fitted to spire of Paris’s Notre Dame cathedral

Notre Dame is set to reopen to the public in 2024. French architect, Philippe Villneuve, has designed a new golden rooster to adorn the cathedral.

Notre Dame's new golden rooster contains relics saved from the fire.
Notre Dame's new golden rooster contains relics saved from the fire. (Photo by Thomas SAMSON / AFP)

Paris’s Notre Dame Cathedral got a new golden rooster on Saturday, part of its renaissance from the ashes of the 2019 fire that severely damaged it, and ahead of its reopening next year.

The artefact was blessed by the archbishop of Paris Laurent Ulrich before being lifted into place on the cathedral spire 96 metres (104 yards) high, in blue skies and winter sunshine.

The new rooster, designed by Philippe Villeneuve, one of the architects leading the restoration of the cathedral, replaces the original, which was too damaged by the fire to be saved.

Villeneuve said the new rooster’s “wings of fire” were a reminder that “the cathedral can be reborn from the ashes, like a phoenix”.

In the Christian faith, the rooster symbolises the return of light after night-time. It is also one of the symbols of France, found on the strips of the national football and rugby teams, among others.

The new rooster also contains relics saved from the April 15, 2019 cathedral fire, and a sealed document with the names of those who worked on its reconstruction.

The restoration and rebuilding project has been “an unparalleled human adventure”, said Philippe Jost, president of the Rebuilding Notre-Dame de Paris public body.

French President Emmanuel Macron visited the cathedral on December 8, a year to the day before its planned reopening, to which he intends to invite Pope Francis.

Macron had initially promised to have Notre Dame restored within five years, in time for the Paris Olympics next summer.

But after early setbacks in the rebuilding effort, he set a new deadline.

Cause of fire still unknown 

But after early setbacks in the rebuilding effort, he set a new deadline.

This month has seen key developments in the restoration efforts.

On December 6, the cathedral regained its great cross, affixed to the top of its spire, the silhouette of which can be seen behind the scaffolding.

The next stage is to cover the spire in lead, a material that has given rise to much debate, but Jost recently sought to reassure the French parliament’s cultural affairs committee over the plan.

He explained that “the lead cloud which appeared in the sky following the fire, which gave rise to much controversy and complaints from local residents, “did not cause any visible contamination”.

Jost has also promised an innovative fire-fighting system for the cathedral.

Four and a half years after the disaster, the cause of the fire is still being investigated.

Restoration of the UNESCO-listed building, which had 12 million visitors a year, has hit several snags since people around the world watched aghast as its steeple crashed down in the blaze on April 15, 2019.

Since then, more than 848 million euros has been raised from donations towards its restoration.

The plan is that, once reopened, the cathedral will be able to receive 14 million visitors a year.

That would be two million more than were able to visit before the fire happened.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

SHOW COMMENTS