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LEARNING FRENCH

17 of Napoleon’s most famous quotes (in French)

Napoleon Bonaparte is one of the most important figures in French history, famed for his military prowess. But the great imperialist was also somewhat of a wordsmith. Here are some of his most profound insights and famous quotes.

French Emperor Napoleon Bonaparte was more than just a military genius. Read our selection of some of his most profound insights.
French Emperor Napoleon Bonaparte was more than just a military genius. Read our selection of some of his most profound insights. (Photo by Ludovic MARIN / AFP)

Ridley Scott’s new film, Napoleon, focuses on the meteoric rise of Napoleon Bonaparte – a ruthless military commander who rose from humble beginnings in Corsica to become Emperor of France in 1804. 

At the height of his power, Napoleon exerted power over vast swathes of territory in Europe, the Americas, Africa and Asia. 

Napoleon was a military genius and a pioneer of artillery, defying the odds to achieve victory in close to 90 percent of all his major battles. 

When his arch-nemesis, the Duke of Wellington, was asked to name the greatest general of the era, the reply came: “in this age, in past ages, in any age, Napoleon.” 

Given his military prowess, it is no surprise that Napoleon is often overlooked as a leader with an almost poetic mastery of the French language. Here is our selection of some of the most erudite phrases every to spill from the Corsican’s quill – or to be uttered in his thick provincial accent.

Love

Some of Napoleon’s most romantic lines come from letters to his wife, Josephine, invariably sent from the front-lines of far-flung battlefields. Among them:

  • Mon bonheur est que tu sois heureuse, ma joie que tu sois joyeuse – ‘My happiness is that you are happy, my joy is that you are joyful’
  • La terre n’est belle à mes yeux que parce que tu l’habites – ‘The earth is only beautiful to me because you live on it’

READ MORE: 6 myths about French emperor Napoleon 

The French Emperor eventually divorced Josephine but that didn’t stop him from philosophising more generally about love, as these lines commonly attributed to him attest. 

  • L’amour est une sottise faite à deux – ‘Love is foolishness shared between two people’ 
  • Une belle femme plaît aux yeux, une bonne femme plaît au coeur; l’une est un bijou, l’autre un trésor – ‘A beautiful woman pleases the eyes, a good woman pleases the heart; one is a gem, the other is a treasure

Power and greatness 

Napoleon was unashamedly conscious of his place in history and wasn’t afraid to say so. At just 22-years-old, he said this at a clearly self-referential speech in Lyon:

  • Les hommes de génie sont des météores destinés à brûler pour éclairer leur siècle – ‘Men of genius are meteors destined to burn bright to illuminate their century’ 

He is also credited with the following meditations on greatness and power:

  • Ce que je cherche avant tout, c’est la grandeur: ce qui est grand est toujours beau – ‘What I’m looking for above all is greatness: what is great is always beautiful’
  • C’est le succès qui fait les grands hommes – ‘Success is what makes great men’
  • On gouverne mieux les hommes par leurs vices que par leurs vertus – ‘Men are better governed by their vices than their virtues’

Life hacks 

While it might seem anachronistic to attribute life-hacks to a 18/19th century military leader, there are certainly a few relatable one-liners attributed to Napoleon that would still hold up on cheesy instagram influencer pages today:

  • Le meilleur moyen de tenir sa parole est de ne jamais la donner – ‘The best way to keep your word is never to give it [in the first place]
  • Il faut toujours se réserver le droit de rire le lendemain de ses idées de la veille – ‘You should always reserve the right to laugh the next day to laugh at ideas you had the day before’ 
  • N’interrompez jamais un ennemi qui est en train de faire un erreur – ‘Never interrupt an enemy that is making a mistake’ 

Philosophy 

We know from his writings and transcripts of his speeches that Napoleon believed in the importance of family and religion in a way that was typical of his time. 

  • L’avenir d’un enfant est l’oeuvre de sa mère – ‘The future of a child is the work of it’s mother’
  • Une société sans religion est comme un vaisseau sans boussole – ‘A society without religion is like a ship without a compass’ 

READ MORE: 5 things you didn’t know about Napoleon

He is also credited with the following line about aging:

  • Plus on est grand et moins on doit avoir de volonté ; l’on dépend des événements et des circonstances – ‘The older you get, the less you need willpower; you depend on events and circumstances’ 

The French 

When exiled by the British to the Atlantic island of Saint-Helena, Napoleon had plenty of time to write. Among the most memorable of lines is one that many foreign residents of France will identify with today:

  • Il est dans le caractère français d’exagérer, de se plaindre et de tout défigurer dès qu’on est mécontent – ‘It is in the French character to exaggerate, complain and twist everything as soon as they are discontent’ 

But as you would expect from the leader of the mighty French Empire, he didn’t spend the whole time bashing his subjects, as this line from a rousing speech given to soldiers on their way to fight in Spain:

  • Impossible n’est pas français – ‘Impossible is not French’ 

One constant in Napoleon’s life was his disdain for the British – historic enemies of the French. He is reported to have said this, while exiled on Saint-Helena. 

  • Chaque vent qui souffle d’Angleterre ne m’apporte que haine ou outrage  – ‘Every wind that blows from England brings me nothing but hatred and outrage’ 

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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