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FRANCE EXPLAINED

Building citizens: Why philosophy is compulsory in French schools

In France, anyone looking to graduate with a secondary school diploma must pass an hours-long philosophy exam, in addition to more prosaic subjects like maths and languages.

Building citizens: Why philosophy is compulsory in French schools
A teacher writes on a blackboard ahead of the philosophy baccalaureat exam in 2022. (Photo by OLIVIER CHASSIGNOLE / AFP)

In many countries, philosophy is an optional course in secondary school, if it is even offered to begin with.

But in France, philosophy is compulsory for all lycée (high school) students – including those at technical schools – who must take the course for at least one year.

When they take the notorious baccalauréat, or just bac for short, exam at the end of their school career, philosophy is one of the exams they must sit.

Regardless of whether the student plans to apply to university or not, they must take the bac de philo – the philosophy exam – where they spend several hours responding to questions like “Are we responsible for the future?” or “Does work divide men?”

Philosophy in schools

The first lycées were created in France in 1802 and 1803, under the rule of Napoleon, and at the time they were male only and not open to all groups. But it was in these schools where the study philosophy courses was standardised, a few years after their creation in 1808.

In the same year, the end of studies examination – the baccalauréat – was introduced.

READ MORE: French word of the day: Le bac

Simon Perrier, the former head of the Association for public school philosophy teachers, told Slate in a 2010 article titled Why France philophises that in the 19th century, “the ambition was for philosophy, in the final year of school, to be the culmination, the closure, the unification of knowledge”. 

Eventually, France would make primary school education free and public in 1881, and later, in 1933, that was extended to secondary education. 

But in the meantime, the study of philosophy increased in symbolic importance for the French state – largely spearheaded by philosopher and educator Victor Cousin who pushed for its instruction – and now it is seen as crucial for building an educated and enlightened citizenry with critical thinking skills. 

In September 1922, a bulletin, which continues to be quoted to this day, was sent out to French teachers on the topic of philosophy and its teaching.

It defined philosophy as “learning freedom through the exercise of reflection” and that it is the “meaning and purpose of public instruction, which is designed to prepare ‘enlightened’ citizens”. 

So why the emphasis on philosophy?

Likely due to generations of children studying it, philosophy take on a big role in French life.

It’s far from unusual to hear a politician quote a philosopher, such as when French president Emmanuel Macron concluded an open letter to the UK’s Financial Times newspaper on the topic of Islamist Separatism by quoting the 12th century philosopher Averroes who wrote “Ignorance leads to fear, fear leads to hatred, and hatred leads to violence”.

From 1953-1968, the French television show called Lectures pour Tous aired during prime time on Channel 1 each Wednesday evening, broadcasting the works of important philosophers like Sartre, Camus, and Bachelard.

Today, cafés philos – or philosophy discussion groups held in cafés continue to attract members, and according to France Télévisions 2022 list of France’s 50 favourite books, Albert Camus’ ‘The Stranger’ is still popular, coming in 12th place.

Philosophers in France played a big role in creating the republic, and perhaps for this reason their legacy endures.

Sudhir Hazareesingh, a professor in politics and a tutorial fellow in politics at Balliol College at the University of Oxford, wrote that in the mid-18th century, France was home to a “remarkable group of thinkers, the philosophes” who represented the French version of rationalism that would go on to challenge the ancien régime and “give a particularly radical edge to the French Revolution”.

Their viewpoints were anti-clerical and egalitarian, and they expressed them in salons, private meetings where people debated, discussed and circulated philosophical and artistic ideas. After the French revolution and the fall of the First Republic, the import of philosophy did not die.

So what do French schoolchildren actually learn?

France’s ministry of education describes one of its missions as to “embody, bring to life and pass on to students the principles and values of the Republic”.

Meanwhile, Éducation Nationale writes on their website that “without education, the values of the Republic cannot be transmitted”. 

READ MORE: EXPLAINED: What does laïcité (secularism) really mean in France?

And for many, philosophy is the foundation to being able to prepare future citizens of the Republic.

Delphine Antoine-Mahut, a professor of the history of modern philosophy at ENS Lyon, told France Radio in defence of the bac de philo, that the subject is important for “taking on an active role in the life of a city, becoming involved as a citizen, and guarding against various forms of sophistry, fanaticism, exclusivity and conspiracy”.

Perrier told France 24 that one key difference between France and other nations is the way philosophy is instructed.

“In most other countries, philosophy is taught as a chronological and historical examination of philosophies”, he said.

In contrast, in France, students learn about concepts such as freedom, reason, and morality, as teachers push students to think critically, deconstructing different theories through essay writing and analysing each point and counterpoint.

Nicolas Franck, a philosophy teacher at Lycée la Folie Saint James told 20 Minutes that teaching philosophy is important simply because it teaches you how to think.

“We believe that we know how to think naturally, but in fact, it’s like walking, swimming or any other activity, you have to learn,” he told 20 Minutes

“Philosophy not only opens up the mind, it also leads to genuine intellectual emancipation. It’s about being able to structure things, to have a form of autonomy, not to owe your opinions to others, but to know why you adhere to a particular idea.

“By developing critical thinking skills, future voters can do their real work as citizens, which is not simply adhering to ideas and values but knowing why to believe in them”, Franck said.

Member comments

  1. The study of Philosophy should be compulsory in all schools not just in France.
    The only issue being that all nations have their own philosophy which rarely agrees with others. Reasoned argument us one thing but you cannot reason with a fool.
    All opinions should be heard but not necessarily acted out for the benefit of mankind as a whole. This is the main “flaw” in democracies!
    For me Voltaire is faultless!

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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