SHARE
COPY LINK

CULTURE

Asterix: Five things to know about France’s favourite character

Asterix is hitting the box offices again, so to celebrate here's a look at France's most treasured hero.

Asterix: Five things to know about France's favourite character
(Photo by DERRICK CEYRAC / AFP)

If you have walked past a bus stop anywhere in France in recent weeks, then you have likely run into film posters advertising Asterix and Obelix: The Middle Kingdom.

Starring high-profile French actors Marion Cotillard and Vincent Cassel, France’s film industry is hoping that this film, capitalising on France’s nostalgic relationship with the comic series “Asterix” will bring box office success.

The Asterix comic book series was first published in 1959, and tells the story of a small Gallic village on the coast of France that is attempting to defend itself from invaders, namely the Romans. Asterix, the hero of the series, manages to always save the day, helping his fellow Gauls keep the conquerors at bay.

As the beloved Gaulish hero makes his way back onto the big screen, here are five things you should know about France’s cherished series:

Asterix is seen as the ‘every day’ Frenchman

“Asterix brings together all of the identity-based clichés that form the basis of French culture”, Nicolas Rouvière, researcher at the University of Grenoble-Alps and expert in French comics, told AFP in an interview in 2015.

READ MORE: Bande dessinée: Why do the French love comic books so much?

The expert wrote in his 2014 book “Obelix Complex” that “the French like to look at themselves in this mirror [of the Asterix series], which reflects their qualities and shortcomings in a caricatured and complacent way”.

Oftentimes, the French will invoke Asterix – the man who protected France from the Roman invaders – when expressing their resistance toward something, whether that is imported, American fast food or an unpopular government reform.

The front page of French leftwing newspaper Libération shows President Emmanuel Macron as a Roman while Asterix and his team are the French people protesting against pension reform.

The figure of ‘a Gaul’ is a popular mascot for French sports teams, and you’ll even see people dressed up as Asterix on demos. 

A man dressed as Asterix the Gaul with a placard reading “Gaul, Borne breaks our balls” during a protest over the government’s proposed pension reform, in Paris on January 31, 2023. (Photo by JULIEN DE ROSA / AFP)

Asterix is the second best-selling comic series

The series has had great success in France since it was first launched in 1959, originally as Astérix le Gaulois. It has also been popular across much of Europe, as the series often traffics in tongue-in-cheek stereotypes of other European nations – for example, caricaturing the English as fans of lukewarm beer and tasteless foods.

Over the years, Asterix has been translated into more than 100 languages, with at least 375 million copies sold worldwide.

It remains the second best-selling comic series in the world, after the popular manga “One Piece”.

There is an Asterix theme park 

The French love Asterix so much that they created a theme park, located just 22 miles north of Paris, in the comic series’ honour in 1989.

The park receives up to two million visitors a year, making it the second most visited theme park in France, after Disneyland Paris. With over 40 attractions and six themed sections, inspired by the comic books, the park brings both young and old visitors each year. 

READ MORE: Six French ‘bandes dessinées’ to start with

The first French satellite was named after Asterix

As Asterix comes from the Greek word for ‘little star’, the French though it would be apt to name their first satellite, launched in 1965 after the Gaulish warrior.

As of 2023, the satellite was still orbiting the earth and will likely continue to do so for centuries to come.

Asterix’ co-authors were from immigrant backgrounds

Here’s become the ‘ultimate Frenchman’, but both creators of the Asterix series were second-generation French nationals, born in France in the 1920s to immigrant parents.

René Goscinny created the Asterix comic series alongside illustrator Albert Uderzo. Goscinny’s parents were Jewish immigrants from Poland. Born in Paris, René’s family moved to Argentina when he was young and he was raised there for the majority of his childhood. As for Albert Uderzo, his parents were Italian immigrants who settled in the Paris region.

Goscinny unexpectedly died at the age of 51, while writing Asterix in Belgium. From then on, Uderzo took over both writing and illustrating the series on his own, marking Goscinny’s death in the comic by illustrating dark skies for the remainder of the book.

In 1985, Uderzo received one of the highest distinctions in France – the Legion of Honour. Uderzo retired in 2011, but briefly came out of retirement in 2015 to commemorate the Charlie Hebdo cartoonists who were murdered in a terror attack by drawing two Asterix pictures honouring their memories.

Member comments

Log in here to leave a comment.
Become a Member to leave a comment.

CULTURE

Bat hat, wooden leg, coffin bed: Sarah Bernhardt’s wild life offstage

French 19th-century stage legend Sarah Bernhardt, who died 100 years ago, was an institution in her country, who achieved superstardom playing tragic heroines in productions that toured the world.

Bat hat, wooden leg, coffin bed: Sarah Bernhardt's wild life offstage

As the centenary of her death on March 26, 1923, approaches, AFP recalls some of the most astonishing details of the life of an extravagant and talented performer and style icon, who was also known for her eccentric life offstage.

First global superstar

“She was the first global star…To match her today, you would have to combine Madonna, Lady Gaga, Rihanna, Beyonce and Michael Jackson,” historian and private collector Pierre-Andre Helene told AFP.

As the face of France overseas, she became a living myth, captivating audiences from Europe, North and South America, Russia and Australia as Cleopatra, Cordelia or a cross-dressing Hamlet.

Men in New York would throw their coats to the ground in the hope she would walk on them, while in Australia, “there were scenes of hysteria with tens of thousands of women who wanted to see her, to touch  her,” Helene said. 

READ MORE: Out of the shadows: Women in the French Resistance

A coffin for a bed

Bernhardt, famous as an actress for her death scenes, sometimes slept in a coffin in her bedroom, which she also took on tour.

A widely circulated photograph shows her lying in the satin coffin looking peaceful, eyes closed, draped with flowers.

A zoo for a home

She wore a stuffed bat on her hat, kept cheetahs, a tiger, lion cubs, a monkey and an alligator called Ali-Gaga that died of a milk and champagne overdose. She also owned a boa constrictor, which choked on a cushion.

Bubbly balloon ride

She got into trouble in 1878 for taking a hot-air balloon ride over Paris
during the Exposition Universelle, sipping champagne as she sailed over the
fairgrounds, the Eiffel Tower and the Louvre.

Muse and lover to many

Bernhardt was the muse of several authors and playwrights, including Victor Hugo and Edmond de Rostand, who wrote “Cyrano de Bergerac”.

Her many reported dalliances included Napoleon III, Edward Prince of Wales, who became King Edward VIII, and the Czech artist Alfons Mucha, behind the famous Art Nouveau poster for Bernhardt’s production of “Gismonda”.

Turned theatre into hospital

During the siege of Paris in 1870 duing the Franco-German war, the deeply patriotic Bernhardt turned the Left Bank theatre, the Odeon, into a military hospital and personally tended to the wounded.

Incurable fabulist

Whether it was about her date or place of birth, the identity of her father, or the man who was the father of her son, Bernhardt was known for “obfuscations, avoidances, lapses of memory, disingenuous revelations, and just plain lies”, according to biographer Robert Gottlieb.

“Dull accuracy wasn’t Bernhardt’s strong point: She was a complete realist when dealing with her life but a relentless fabulist when recounting it. Why settle for anything else than the best story? ” he wrote in “Sarah” (2010).

One leg 

In 1915, aged 71, Bernhardt had her right leg amputated above the knee, following a fall onstage after jumping off a parapet while playing Tosca.

After surgery she was carried about by two porters in a Louis XV-style sedan chair. Undaunted, she insisted on performing for French soldiers on the frontlines during World War I and in 1916 toured the United States for the last time, performing with a wooden leg.

SHOW COMMENTS