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CULTURE

Why Italy’s All Saints and All Souls days have nothing to do with Halloween

Spooky traditions haven’t really caught on in Italy where strong Catholic beliefs mean the country has its own way of honoring the dead, says Silvia Marchetti.

Why Italy’s All Saints and All Souls days have nothing to do with Halloween
All Saints' Day mass in Italy. Photo: Alberto PIZZOLI / AFP

Many Italians gathered last night to celebrate Halloween dressed as ghosts, witches, skeletons and zombies. Hotels, restaurants and pubs organised Halloween-themed events with spooky decor and music.

Each year I’m shocked by how Halloween penetrates Italian culture even though it’s a foreign import from Anglo-Saxon countries.

The real Italian festivities this week are All Saints’ Day (Ognissanti) celebrated on November 1st to remember all saints and martyrs during Christian history, and Il Giorno dei Morti o dei Defunti on November 2nd (the Day of the Dead, known elsewhere as All Souls’ Day) to commemorate the beloved deceased ones, mainly family members but also close friends.

While November 1st is a public holiday (and many Italians exploit it as an excuse for a ponte, a long weekend), November 2nd is a working day.

The entire week preceding All Saints’ Day sees cars queuing up to go to the cemetery, people rush to bring flowers and a few prayers to the tombs of deceased loved ones, and streets are often jammed.

For many Catholic Italians, it’s actually the only time of the year they remember to honor their dead, as if ‘imposed’ by their religion. A bit like going to mass on Sundays; if they fail to do so, they might feel guilty or even fear punishment from above. 

After spending an hour or so at the graveyards – places Italians usually tend to avoid – on All Saints Day, after the spiritual duties are accomplished, they might gather for lunch, bringing cakes and pastries.

People in Italy bring flowers to their loved ones’ graves on All Saints’ Day. Photo: JORGE GUERRERO / AFP

In some southern regions so-called ossa di morto (bones of the dead) pumpkin-filled biscuits and raisin pan dei morti (bread of the dead) are bought, while in the north chestnut pies are baked. 

Ognissanti is a very private event that usually involves little or restricted get-togethers, brothers and close relatives share the graveyard trip but then each goes back home, with little feasting on fine food. 

Catholics don’t have any macabre ritual involving leaving an empty place at the table for a spirit to join us. It is a moment of sadness but also of joy because our dead loved ones have ascended to heaven and are all there waiting for us. It’s the celebration of love, rebirth over doom, and the promise of a future reunion with them in heaven. 

That is why November 1st and November 2nd in Italy really have nothing to do with Halloween, which I call the ‘culture of the grave’ and the celebration of ‘scary death as an end to itself’. 

Even though they may partake in Halloween as a mere consumeristic party, Italians are mainly Catholic and believers do not believe in the darkness of the night, in the damnation of the grave, in being haunted by wicked spirits who long to take vengeance on us, in witches flying on broomsticks and terrifying zombies coming out of tombs. 

Pumpkin is something we occasionally eat as a pasta filling; it’s certainly not a decorative spooky element.

Halloween, which in my view is imbued with paganism and the Protestant belief in an evil superior being and naughty spirits ready to strike down on sinners instead of forgiving them, is celebrated in Italy but lacks a religious or spiritual nature. It’s like the Chinese celebrating Christmas for the sake of buying gifts and acting western. 

Halloween deeply affected my childhood. I’m Roman Catholic and I attended Anglo-American schools abroad where Catholics were a minority and each year I drove my mom crazy by forcing her to sew me a ghost or witch dress. She’d take a bed blanket and cut open three holes for the eyes and nose, annoyed that I should be influenced by a celebration that was not part of my tradition. 

In elementary and middle school my foreign teachers would make us decorate classrooms with spooky drawings, bake skeleton-themed biscuits for trick-or-treating, and tell us ghost stories in the dark to create an eerie vibe. 

Once we were also taken to visit a cemetery and when I told my dad about it he got annoyed and did all sorts of superstitious gestures to ward off evil. 

Halloween has always freaked me out but I did not want to miss out on the ‘fun’ for fear of being looked down upon by other kids. And so I too started believing in vampires, zombies, and ghosts, particularly at night when I was alone in my bed and had to turn on the light. Still today, and I am much, much older, I have a recurring nightmare of an ugly evil witch who torments me and chases me up the staircase.

I soon learned that if for Anglo-Saxons a trip to the graveyard is a jolly event, like a stroll in the park, and ‘graveyard tourism’ is on the rise, for Catholic Italians it is a place accessible only during funerals, moments of prayer, or during the week of All Saints and All Souls days. 

Last time I visited Ireland the guide took us to a monumental graveyard with tombs as high as cars, and lavishly decorated. A few of my Italian male friends refused to enter and spent the whole day scratching their genitals to ward off jinx.

Halloween night is said to be when the barrier between the worlds of ghosts and humans comes down. But Italians don’t usually like to ‘party’ and mingle with the dead or other spirits. We instead honor the deceased with our prayers but the boundary remains firm in place: in fact, this is why our graveyards are placed outside of city centres. 

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TOURISM

Falling Christmas decorations cause ‘irreversible damage’ to Italy’s Verona Arena

The Verona Arena, one of Italy’s most iconic landmarks, was closed to the public after a giant steel Christmas decoration collapsed while being taken down on Monday.

Falling Christmas decorations cause 'irreversible damage' to Italy's Verona Arena

The accident happened in the late morning of Monday, January 24th but was only revealed to national media late in the evening. 

Verona’s Archaeology and Fine Arts Superintendent, Vincenzo Tinè, told Ansa that the steel comet fell to the ground as it was being lifted out of the amphitheatre.

The structure – 82 metres in length and weighing around 78 tons – reportedly defaced a section of the arena’s stands, with Tinè describing the damage to the venue as “irreversible” earlier on Tuesday. 

Local police sealed off the area immediately after the accident, and prosecutor Alberto Sergi was reportedly set to launch an official inquiry into the collapse.

Repair works were expected to take weeks, and it wasn’t known how long the arena would remain closed to the public.

Well-known figures from Italy’s art world commented on the accident, with controversial art critic Vittorio Sgarbi saying the steel comet, which has been used as part of the building’s Christmas decorations since 1984, should “never be let into the arena again”.

A Roman amphitheatre dating back to around 30 AD, the Verona Arena is widely regarded as one of the best-preserved ancient buildings of its kind.

To this day, the building is used as a venue for some of the most important large-scale opera performances in the world.

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