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FRENCH HISTORY

‘Close shave!’ How France’s De Gaulle escaped assassin’s bullets 60 years ago

August 22, 1962: French President Charles de Gaulle and his wife are being whisked by car through the Paris suburb of Petit-Clamart for a flight back to their country home, when a man on the side of the road waves a newspaper.

General de Gaulle with his son Philippe on a boat on the Rhine in Germany
This file photo from September 1962 shows then-President General de Gaulle (L) with his son Admiral Philippe de Gaulle on board a boat on the Rhine between Düsseldorf and Duisburg on a visit to Germany. AFP

The signal has been given.

A group of right-wing extremists spring into action and rake the presidential Citroen DS with gunfire.

Three of the bullets penetrate the bodywork and pass within inches of De Gaulle’s head but he and his wife Yvonne miraculously escape unharmed.

“They’re such bad shots!,” France’s World War II hero later jokes about the attempt on his life which shocks the country and gives De Gaulle an opportunity to boost the powers of his office.

Yvonne’s immediate concern meanwhile is for the jellied chicken she has in the boot of the car, having stocked up on the delicacy while in the capital.

Hail of bullets

Speeding along that summer evening towards a military airfield where they will board a plane taking them to their estate in the village of Colombey-les-Deux-Eglises, the presidential car is flanked by an escort vehicle and two motorcycle outriders.

Night is falling when the signal comes from the mastermind of the attack, Jean-Marie Bastien-Thiry, an engineer in the Air Ministry with the rank of lieutenant-colonel.

Bastien-Thiry is a member of the Secret Armed Organisation, known by its French acronym OAS, a far-right paramilitary group incensed by De Gaulle’s decision to grant independence to Algeria after a brutal eight-year liberation
war.

The dozen-strong hit squad is a mix of “pieds-noirs” — Europeans born in Algeria during French rule which lasted from 1830 to 1962 — as well as former soldiers and students. The youngest is just 20 years old.

They open fire first with a machine gun from a yellow van, then from a second vehicle parked further down the road.

The attack lasts just 45 seconds.

More than 150 bullets are fired and there are eight impacts on the car body. One bullet goes through to the back passenger seat, shattering the window by the president and his wife, showered in glass.

The De Gaulles owe a debt of gratitude to the sangfroid of their driver Francis Marroux, who had also been at the wheel a year earlier when the presidential car survived a first assassination attempt — later attributed to
Bastien-Thiry — in the northeastern village of Pont-sur-Seine.

police photo of colonel jean bastien-thiry

This file photo taken on September 18, 1962 by the French judicial police shows Colonel Jean Bastien-Thiry who organised the August 22, 1962 attack against General de Gaulle in Petit-Clamart, south of Paris. (Photo by AFP)

Marroux manages to keep control of the vehicle and speeds off on two flat tyres under more fire.

De Gaulle’s son-in-law Alain de Boissieu also plays a key role. Sitting in the front of the car he shouts “Get down, father!” to France’s leader.

 ‘Close shave’

The unflappable De Gaulle, aged 71 at the time, initially acts as if nothing has happened. On arrival at Villacoublay military airport he reviews the troops as usual.

But when boarding the plane with Yvonne he admits to de Boissieu: “This time, it was a close shave!”

Jean-Noel Jeanneney, French historian and author of a book on the attack, says a combination of factors explains the failure of the 1962 hit, notably that none of those involved were ready to die for the cause.

Interviewed by AFP in 2012, one survivor of the cell blamed weapons jamming and shooters not being sufficiently trained.

“They’re such bad shots,” De Gaulle tells Prime Minister Georges Pompidou in a phone call on the night of the attack.

News of the assassination attempt spreads quickly.

“Failed attack against De Gaulle” AFP writes in a first “flash” at 8.55pm.

Another follows: “Shots were fired shortly after 8.00pm against General De Gaulle’s car near Villacoublay. No one was hit”.

Later it emerges that a man driving in the opposite direction was hit on the hand by a stray bullet but only lightly injured.

Mastermind executed

The hunt for the culprits is swift and efficient, with one of the suspects spilling the beans on the whole operation after his arrest.

Nearly all those involved are caught, including Bastien-Thiry. Nine men are put on trial, three of whom are sentenced to death.

De Gaulle pardons two of them but refuses clemency for Bastien-Thiry, who is the last person to be executed by firing squad in France on March 11, 1963 at the age of 35.

Ever the strategist, De Gaulle harnesses public outrage over the attack to build support for a constitutional amendment to have the president elected by popular vote, rather than by an electoral college.

The attack he confides to one of his ministers came “at just the right time.”

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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