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FRENCH HISTORY

France’s Macron to mark 80th anniversary of WWII round-up of Jews

French President Emmanuel Macron will on Sunday mark the 80th anniversary of the wartime round-up of Jews in France at a former railway station used to deport them to Auschwitz.

photo taken in May, 1941 shows Jewish deportees getting off the train in Pithiviers
This file photo taken in May, 1941 shows Jewish deportees getting off the train in Pithiviers. Photo: AFP

With him at Pithiviers station, 100 kilometres (60 miles) south of Paris, will be some of the handful of the survivors of those deported on the eight convoys sent to the Nazi camp.

Macron’s speech will express his concern over the enduring threat of anti-semitism, which “still lurks and sometimes in an insidious way”, said an official from his office.

He will denounce “historical revisionism” — in particular over the role of France’s war-time leader Philippe Petain, who collaborated with the Nazi regime, the official added.

Also at ceremony will be historian and renowned Nazi hunter Serge Klarsfeld, as well as a survivor of the camps, Ginette Kolinka.

The head of France’s rail network, Jean-Pierre Farandou, will also attend.

Macron is expected at the former station of Pithiviers at around 3:00 pm (1300 GMT).

The building, which has not served passengers since the end of the 1960, has been converted into a memorial to the Holocaust which opened earlier this month.

This picture shows the Pithiviers station memory centre after its rehabilitation as a new Shoah memorial site during a press visit, ahead of its inauguration on July 17, 2022. (Photo by Geoffroy Van der Hasselt / AFP)

“This station is the place where the French event becomes European genocide,” said Jacques Fredj, the director of the Shoah Memorial, which commemorates the French deportations.

“It is a place of memory unique in France.”

The new 400 meter squared centre is mainly intended for scholars, said Fredj.

“It’s a priority, in the face of the rise in anti-semitism, racism and conspiracy theories.”

Some of the 13,000 Jews arrested in Paris and its suburbs by French officials on the orders of the Nazi occupiers passed through the station. 4,115 were children.

The incident has become known as the Vel d’Hiv round-ups because the French police took 8,160 of the Jews, including the old and sick, to the Velodrome d’Hiver, a cycle racing track in Paris’s 15th arrondissement.

From there, they were taken to camps at Pithiviers and other locations and onto the Nazi concentration camps. Only a few dozen ever returned.

France ‘not finished with’ anti-semitism
Sunday’s speech will acknowledge that “French society is not finished with anti-semitism”, said Macron’s office.

The comments come just a few months after failed presidential candidate, the far-right journalist and polemicist Eric Zemmour, argued that Petain had in fact saved French Jews during the war years.

The claim is contested by most historians, who point to the wartime leader’s well-documented anti-Semitism.

Macron was himself criticised for saying in 2018 that Petain had been a “great soldier” during World War I, even if he had subsequently made “fatal choices”.

The French president’s speech on Sunday is expected to continue the work of his predecessor Jacques Chirac who in 1995, 50 years after the Vel d’Hiv round-ups, acknowledged France’s responsibility for what had happened.

“France, on that day, committed the irreparable,” said Chirac, in what is now considered a landmark speech.

After Chirac, Francois Hollande went further during his presidency, speaking in a 2012 speech of a crime “committed in France, by France”.

Then in 2017 Macron, newly elected as president, reaffirmed France’s responsibility for the round-up in a speech marking its 75th anniversary and in the presence of then Israeli premier Benjamin Netanyahu.

READ ALSO: Vel d’Hiv: France marks 80 years since notorious round-up of Jews in Paris

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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