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Sculpture of Algerian hero vandalised in France

Vandals in central France damaged a sculpture of an Algerian military hero who resisted France's colonisation of the North African country, just hours before it was inaugurated Saturday, AFP journalists reported.

Amboise Castle
Amboise Castle, where Emir Abdelkader was held under guard in the 19th century. The statue of the Algerian military hero in Amboise was vandalised before its inauguration on Saturday. (Photo by LUDOVIC MARIN / AFP)

The lower part of the steel sculpture in the town of Amboise, where Emir Abdelkader was imprisoned from 1848 to 1852, was badly damaged in the attack which comes in the midst of an election campaign dominated by harsh rhetoric on immigration and Islam.

Amboise mayor Thierry Boutard said he was “ashamed” of those responsible and decided to proceed with the inauguration ceremony regardless.

“I was ashamed that someone would treat an artwork and an artist in this way,” he told AFP.

“My second sentiment is of course one of indignation. This is a day of harmony and unity and this kind of behaviour is unspeakable,” he said.

The sculpture was commissioned to coincide with the 60th anniversary of Algeria’s independence from France, won after a brutal eight-year liberation war that continues to poison relations between the two countries.

It was proposed by historian Benjamin Stora, who was tasked by President Emmanuel Macron with coming up with ways to heal the memories of the war and 132 years of French rule in Algeria.

The silhouette of the Islamic-scholar-turned-military-leader, who resisted French rule but was later feted as a hero in France for his defence of Christians in the Middle East, looks across the Loire river at the castle where he was imprisoned.

Amboise police said they were investigating the incident, which comes two months ahead of a presidential election in which an upstart far-right candidate, Eric Zemmour, has repeatedly grabbed headlines with a campaign bashing Islam and immigration from Africa, including Algeria.

‘Nauseating atmosphere’ 
Algeria’s ambassador to France Mohamed Antar Daoud, who attended the inauguration, condemned the attack as an act of “unspeakable baseness”.

“We have to get beyond that,” he said, assuring that attempts to mend fences between France and Algeria would continue because “there is momentum and a desire on both sides to move forward.”

Ouassila Soum, a 37-year-old French woman of Algerian background who attended the inauguration, said the vandalism left her “with a knot in my stomach.”

“It’s a shame and yet it’s not surprising with the rhetoric of hate and the nauseating current atmosphere,” said Soum, hailing the sculpture as “a symbol of the reconciliation between peoples and civilisations.”

Dubbed “France’s worst enemy” in the late 19th century, Emir Abdelkader is considered one of the founders of modern-day Algeria for his role in mobilising resistance to French rule.

The rebellion he led failed however and he surrendered to French forces who shipped him to France, where he and his family spent four years under guard in Amboise castle.

He later moved to Syria where he won international acclaim for defending Christians during sectarian attacks.

He was awarded the Legion of Honour, France’s highest award for his role in trying to end the persecution.

Stora, the historian behind the idea of the sculpture of Abdelkader, slammed the “ignorance” of those who vandalised it.

“Emir Abdelkader had several lives. He fought France but he was also a friend of France. Those who committed this act know nothing about French history,” he told AFP.

Member comments

  1. It is dreadful this act of vandalism occurred, French authorities should take a harsh approach to such anti social behaviour.

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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