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Dancing like there’s no Covid: first German nightclub reopens in Leipzig

For techno enthusiast Philipp Koegler, it almost felt like a normal Saturday night again as he joined 200 fellow revellers at "Distillery", the first German nightclub to reopen since the start of the pandemic.

Dancing like there's no Covid: first German nightclub reopens in Leipzig
A file photo of a disco ball in a night club. Photo: dpa-Zentralbild | Britta Pedersen

“Tonight, there are no rules,” the almost 30-year-old told AFP, whipping off his mask on his way to the dance floor.

Despite more than a year of closures forced by the coronavirus, it didn’t take long for the thumping beats, low lights and buzzing crowds to reawaken the much-missed club atmosphere.

“It feels like I’ve come back after being away on vacation for a week,” Koegler beamed.

But of course there are some rules to restarting the party, even in Germany where coronavirus infections have declined steadily in recent weeks as the pace of vaccinations has picked up.

The Distillery club in the eastern city of Leipzig, which bills itself as the oldest techno venue in Germany’s former Communist east, is taking part in a pilot project supported by scientists from the Max Planck institute and the local university hospital.

Just 200 club-goers are allowed in instead of the usual 600 and each person must take two different kinds of coronavirus tests earlier in the day, with entry granted only if they test negative both times.

Once inside, the masks can come off and revellers don’t have to socially distance.

Each participant also agrees to being re-tested a week later, to uncover potential infections despite the precautions taken.

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Organisers hope the project can serve as a blueprint for further club re-openings to help the hard-hit sector back on its feet after a devastating year.

Although several venues in Germany experimented with open-air parties, club-goer Konny said it “just isn’t the same”.

“In the club, you’re in a different world,” she said.

Growing influence

Distillery manager Steffen Kache expressed pride at being the first club in the country to reopen indoors.

“Everyone is jealous,” he told AFP.

Kache said that if there has been an upside to the pandemic closures, it was that politicians had woken up to the social and economic importance of Germany’s vibrant club culture.

Lawmakers last month agreed to reclassify nightclubs as cultural institutions rather than entertainment venues, putting them on a par with
theatres and museums to provide more protection and tax benefits.

Germany’s nightlife capital Berlin alone – home to iconic clubs Berghain, KitKat and Tresor – usually attracts tens of thousands of foreign visitors each year who generate over a billion euros in revenues.   

Many observers fear that when the pandemic dust has settled, not all of Germany’s clubs will have survived the lengthy shutdowns.

The collaboration with local authorities that made Distillery’s pilot project possible was “unthinkable before the crisis”, Kache said, and evidence of a “reconciliation” between underground club culture and the political establishment.

He said he hoped the next step would be “the nationwide reopening of cultural spots and clubs, without Covid restrictions”.

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CULTURE

New songs mark sixth anniversary of French star Johnny Hallyday’s death

Fans of the late Johnny Hallyday, "the French Elvis Presley", will be able to commemorate the sixth anniversary of his death with two songs never released before.

New songs mark sixth anniversary of French star Johnny Hallyday's death

Hallyday, blessed with a powerful husky voice and seemingly boundless energy, died in December 2017, aged 74, of lung cancer after a long music and acting career.

After an estimated 110 million records sold during his lifetime – making him one of the world’s best-selling singers -Hallyday’s success has continued unabated beyond his death.

Almost half of his current listeners on Spotify are under the age of 35, according to the streaming service, and a posthumous greatest hits collection of “France’s favourite rock’n’roller”, whose real name was Jean-Philippe Leo
Smet, sold more than half a million copies.

The two new songs, Un cri (A cry) and Grave-moi le coeur (Engrave my heart), are featured on two albums published by different labels which also contain already-known hits in remastered or symphonic versions.

Un cri was written in 2017 by guitarist and producer Maxim Nucci – better known as Yodelice – who worked with Hallyday during the singer’s final years.

At the time Hallyday had just learned that his cancer had returned, and he “felt the need to make music outside the framework of an album,” Yodelice told reporters this week.

Hallyday recorded a demo version of the song, accompanied only by an acoustic blues guitar, but never brought it to full production.

Sensing the fans’ unbroken love for Hallyday, Yodelice decided to finish the job.

He separated the voice track from the guitar which he felt was too tame, and arranged a rockier, full-band accompaniment.

“It felt like I was playing with my buddy,” he said.

The second song, Grave-moi le coeur, is to be published in December under the artistic responsibility of another of the singer’s close collaborators, the arranger Yvan Cassar.

Hallyday recorded the song – a French version of Elvis’s Love Me Tender – with a view to performing it at a 1996 show in Las Vegas.

But in the end he did not play it live, opting instead for the original English-language version, and did not include it in any album.

“This may sound crazy, but the song was on a rehearsal tape that had never been digitalised,” Cassar told AFP.

The new songs are unlikely to be the last of new Hallyday tunes to delight fans, a source with knowledge of his work said. “There’s still a huge mass of recordings out there spanning his whole career,” the source said.

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