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CHRISTMAS

Seven classic films to watch for an Italian Christmas

If you're just getting into the festive mood but can't face another viewing of Elf or Home Alone, here are some films to celebrate the Christmas holidays the Italian way.

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If you're struggling to get into the festive mood, a classic Christmas film may just do the trick. Photo by JESHOOTS on Unsplash

Vacanze di Natale (Christmas Holidays)

Let’s just get this out of the way, shall we: this 1983 farce is the original cinepanettone or ‘cinematic Christmas cake’, the name given to a particular genre of Italian Christmas comedy that’s every bit as sugary, festive and familiar as a loaf of panettone. 

They’re less Hallmark romcom, more Carry On film, with visual gags, double entendres and questionable attitudes aplenty. Good taste it ain’t, but they at least have the advantage of being easy to understand even if your Italian is limited.

Vacanze di Natale is the mother of all cinepanettone, a culture-clash comedy about rich Milanese colliding with a rough and ready Rome family over a ski break in the Alps.

Other classics of the genre – most of which star the same two comedians, Massimo Boldi and Christian De Sica – include Natale sul Nilo (Christmas on the Nile), Natale a New York (Christmas in New York), and Natale a Rio (Christmas in Rio). Yes, there’s a formula.

Natale in casa Cupiello (The Nativity Scene)

At the exact other end of the spectrum is this classic family drama by Neapolitan playwright Eduardo De Filippo, written in 1931, adapted for Italian TV in 1977 and now appearing in a new version this year on Rai 1.

‘Christmas in the Cupiello house’, as its original title translates, tells the story of the Cupiellos, two parents in Naples whose children’s desires threaten to pull the family apart. Things come to a head on Christmas Eve, as the father of the family attempts to demonstrate to his son the importance of the traditional presepe, or nativity scene. 

La Freccia Azzurra (The Blue Arrow)

This lovely 1996 animation, based on a fairy tale by Italian children’s author Gianni Rodari, was repackaged for American audiences as How The Toys Saved Christmas – but watch the original to find a story based around ‘Italy’s Santa’: La Befana, the witch who brings Italian children gifts the night before Epiphany (January 6th). 

La Befana (who was turned in the American version into a kindly grandma with a toyshop) falls ill the evening she is due to deliver her presents, allowing her dastardly assistant Scarafoni to step in. He secretly plans to sell off the toys – including the Blue Arrow of the title, a model train – to rich kids, but the toys have different ideas and conspire to deliver themselves to the children who deserve them most.

Set in a town based on Orbetello in Tuscany in the 1930s, it’s elegantly animated, beautifully scored and very, very charming.

Regalo di Natale (Christmas Present)

If you’re looking for something more substantial than a cinepanettone, this 1986 psychological drama is more main course than dessert.

Four old friends and one wealthy acquaintance meet for a game of poker on Christmas Eve. As the rounds unfold, we learn why each player is determined to win, and why their friendships have turned sour. 

It’s comic too, but with depth and an intriguing narrative that make it a compelling alternative to the usual festive fare. If you enjoy it, there’s a 2004 sequel: La rivincita di Natale, or Christmas Rematch. 

La Banda dei Babbi Natale (The Santa Claus Gang)

This good-natured comedy from 2010 stars comedians Aldo Baglio, Giovanni Storti and Giacomo Poretti, a well-known comic trio who have been making films together for more than 20 years.

Here they play three hapless pals from the same bocce (boules) team in Milan who end up in jail on Christmas Eve after being mistaken for a gang of burglars who, like them, are dressed in Santa suits. They find themselves recounting the various personal tribulations that have brought each of them there in order to convince the chief inspector (perennially likeable Angela Finocchiaro) that they’re innocent.

It has plenty of what Italian comedy does best: lots of silliness, self-deprecation, and a warm heart that never slides into total schmaltz. 

Parenti Serpenti (Dearest Relatives, Poisonous Relations)

Darker but possibly even funnier is Parenti Serpenti (literally ‘snake relatives’), a black comedy from 1992 that lays bare the cynical truth about many family Christmases: everyone’s terribly glad to see their relatives, so long as it’s only once a year.

The family in question have reunited at their parents’ home in Sulmona, Abruzzo, and the celebrations are going smoothly until the elderly mother announces over Christmas dinner that she and their increasingly senile father no longer want to live alone, and their four adult children must decide which one of them will take them in in exchange for a share of their pension and inheritance of the house. 

The children and their spouses end up competing among themselves to prove why they’re unsuitable to look after their ageing parents, airing long-hidden grievances and secrets in the process.

Don’t watch if you want your cockles warmed, do watch if you have a dark sense of humour – or if you want to be reminded why big family Christmases aren’t necessarily all they’re cracked up to be.

Trading Places (Una Poltrona Per Due)

Why is a Hollywood movie on this list – especially one that isn’t exactly considered a Christmas classic in English-speaking countries?

Because this 1983 identity swap comedy has wormed its way far deeper into Italian hearts than arguably anyone else’s. It became a fixture on primetime TV in Italy in the late ’90s, airing almost every Christmas Eve on Italia 1, and continues to attract millions of viewers each time, regularly beating more recent festive offerings.

Most people say it’s essentially because channel Italia 1 worked out it was cheaper to buy the rights for an older movie, and the viewing public are creatures of habit. But is there more to it?

I’d argue that Trading Places – or ‘One Armchair for Two’, as it’s known in Italy – is actually the perfect Italian Christmas film: a bit slapstick, very 1980s and deeply cynical (think A Christmas Carol but where Scrooge doesn’t abandon his money-grubbing ways, just teaches Bob Crachit to game the system too).

Our two heroes – a down-and-out hustler played by Eddie Murphy, who in a bizarre social experiment ends up stepping into the shoes of wealthy banker Dan Ackroyd – triumph by being that most Italian of qualities, furbo (‘crafty’ or ‘smart’). 

Parts of the film haven’t aged well (the N-word, blackface, jokes about sexual assault…), but if you can ignore those it remains a satisfying screwball comedy (as well as an excellent demonstration of how insider trading works, which you can’t say about too many Christmas movies). 

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CULTURE

Migrant boats make music at Milan’s La Scala

String instruments made from migrant boats met with sustained applause as they debuted at Italy's prestigious La Scala opera house in tribute to those who perish attempting the Mediterranean crossing to Europe.

Migrant boats make music at Milan's La Scala

The multicoloured “violins of the sea” were made by prisoners out of rickety boats washed up on the small Italian island of Lampedusa, a first port for many seeking to cross from North Africa.

The debut of the “Orchestra of the Sea” with the instruments, formed especially for the occasion, visibly moved the audience.

Two of the violin makers – inmates from the high security Opera prison near Milan – watched Monday’s performance of Bach and Vivaldi from the theatre’s royal box, usually reserved for state dignitaries.

“To be invited to La Scala for something we created is magic” said 42-year-old Claudio, one of the prison’s four apprentice luthiers who is serving a life sentence for two murders.

Cracked and diesel-soaked wood from the migrants’ boats, destined for the scrapyard, was transformed into the violins, violas and cellos.

An inmate collects wood on a migrant boat to make music instruments as part of the project ‘Violins of the sea’ at Opera’s prison, near Milan, on February 8, 2024. Photo by Marco Bertorello / AFP.

‘Giving waste a voice’

“We give voice to everything that is usually thrown away: the wood from boats that is shredded, the migrants who flee war and poverty and are treated like trash, and the prisoners who are not given a second chance,” says Arnoldo Mosca Mondadori, who came up with the idea.

Mosca Mondadori, president of the House of the Spirits and the Arts foundation, hopes the string instruments can be played in other concert halls in Europe, “to touch people’s souls in the face of poverty”.

READ ALSO: Italy’s Lampedusa struggles as migrant arrivals double the population

The central Mediterranean is the deadliest migratory route in the world. Nearly 2,498 people died or disappeared along it last year, some 75 percent more than in 2022.

In a courtyard at the Opera prison, dilapidated boats are strewn across the grass among broken planks of wood.

A pink and white baby shoe, a baby bottle, nappies and a tiny green T-shirt are among items recovered from their holds.

Discarded clothing stiff with salt, rusting cans of sardines, and rudimentary life jackets evoke perilous journeys at the mercy of rough seas. “You can smell the sea here,” within the grey concrete walls of the courtyard, 49-year-old prisoner Andrea said.

“It is very strong and transports you very far. It is present even in the instruments, though less so,” he says as he dismantles boats and searches for suitable wood to make the instruments.

The entrance of the lutherie of the House of the Spirits and the Arts foundation. Photo by Marco Bertorello / AFP.

‘Alive and useful’

Andrea, who is serving a life term for murder, sees the time he spends in the wood workshop as a form of “redemption”.

“Time does not pass in prison. But there, we feel alive and useful,” he said.

In the small dark room with barred windows, Nicolae, a 41-year-old Romanian behind bars since 2013, is busy sawing a piece of wood.

He takes measurements, before carefully carving a violin’s soundboard.

READ ALSO: EXPLAINED: What’s behind Italy’s soaring number of migrant arrivals?

“By building violins… I feel reborn,” he said.

Paring tools, penknives, chisels, saws and small wood planes are lined up on a wall panel, potential weapons which are scrupulously checked back in at the end of the day by the guards.

Standing in front of his workbench, master luthier Enrico Allorto says that he used a method from the 16th century when bending the wood, in order to keep the boat varnish intact.

There is no Stradivarius here. These violins have “a more muted timbre, but they have their charm and reproduce the entire range of sounds”, he says.

“They arouse emotions in the musicians, who in turn transmit them to the public”.

By AFP’s Brigitte HAGEMANN

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