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ITALY EXPLAINED

Italy’s fascinating All Souls’ Day traditions

In Sicily, children hunt for treats left by loving relatives no longer around. In northern Italy some people leave their homes empty in case the dead want to visit. And many Italians set an empty place at the table for people who no longer sit there.

Italy's fascinating All Souls' Day traditions
A man visits Rome's Verano cemetery. Photo: Filippo Monteforte/AFP.

They’re all part of Italy’s centuries-old tradition of taking November 2nd to remember the dead. In Italy as in many other Christian countries, the day after All Saints’ Day is All Souls’ Day – and here it’s celebrated with prayers, flowers and, of course, food. 

For many Italians, the most important act of remembrance is visiting loved ones’ graves. Cemeteries see an influx of visitors on or around November 2nd, when it’s time to tidy up the family plot and decorate tombs with candles and fresh flowers.

READ ALSO: Why Italy’s All Saints and All Souls days have nothing to do with Halloween

The traditional choice of bloom is brightly coloured chrysanthemums: the autumnal flowers are at their peak around All Souls’ Day and Italians associate them with mourning.

For many people the graveside vigil is an occasion to thank their ancestors, a celebration of their lives and a chance for adults and children alike to chat to them as if they were still here.

In Rome there was even a custom to eat a picnic at the graveside, a way of sharing a meal with dead loved ones. 


Visitors to Rome’s Verano cemetery. Photo: Filippo Monteforte/AFP.

If the living get closer to the dead on All Souls’ Day, it’s also the time for the dead to get closer to the living.

Some believe that the spirits of those departed return to earth on this day. To welcome them, one common Italian tradition was to set an extra place at the table or even put out a tray of food for invisible visitors.

READ ALSO: Unlucky for some: Thirteen strange Italian superstitions

In parts of Piedmont, families traditionally go to the cemetery in the evening without clearing the dinner table, so that spirits can come and help themselves without being disturbed.

In other regions people leave lanterns lit and fires burning overnight, while in Cremona in Lombardy it was customary to get up early on All Souls’ Day and make the bed to allow wandering souls to find rest. 

Of course, not every family follows the same traditions, and more devout Catholics don’t tend to believe that the spirits of the dead visit on this date at all.


Visitors to Rome’s Verano cemetery. Photo: Filippo Monteforte/AFP.

In Sicily, those who return bring something with them. Children who’ve been good and remembered dead relatives in their prayers all year long are rewarded with gifts of toys and sweets, sometimes hidden around the house on the morning of November 2nd.

Elsewhere it’s customary for the living to give gifts. In Sardinia children go from house to house on All Souls’ Day collecting treats of cakes, nuts and dried fruit in exchange for a prayer for the deceased. And in Emilia Romagna the poor are entitled to “carità di murt”: charity in the name of the dead, in the form of donated food or money.


Fave dei morti from Perugia. Photo: Cantalamessa via Wikimedia Commons.

Italy doesn’t celebrate anything without food, and All Souls’ Day is no exception.

Each region has its own variation on dolci dei morti, sweets of the dead, treats meant to sweeten the bitterness of death. Usually simple white biscuits, they’re typically baked in the form of a bone as an edible memento mori.

Another variation is fave dei morti, beans of the dead, small ground almond cakes in the shape of a bean. They’re sometimes given as gifts between lovers on All Souls’ Day – either as a comfort or a pledge to be faithful “’til death do us part”.

A more savoury tradition is a special stuffed bread seasoned with chilli, which some southern Italians would take to be blessed at All Souls’ Day mass before eating it. The spicy filling was supposed to allow whoever ate it to take on burning punishment on behalf of souls suffering in purgatory, thereby offering them some relief. 

This article was originally published in 2017

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CULTURE

Italian fashion designer Roberto Cavalli dies at 83

Roberto Cavalli, whose penchant for python and flamboyant animal prints made him the darling of the international jet set for decades, died Friday at 83, the luxury company said.

Italian fashion designer Roberto Cavalli dies at 83

“It is with deep regret and a great sadness the Roberto Cavalli Maison participates in the passing of its founder Roberto Cavalli,” wrote the company in a statement sent to AFP.

“From humble beginnings in Florence Mr. Cavalli succeeded in becoming a globally recognised name loved and respected by all,” said the company.

First seen in the 1970s on stars such as Sophia Loren and Brigitte Bardot, Cavalli’s skin-baring, eye-popping styles were still favoured years on by later generations of celebrities, from Kim Kardashian to Jennifer Lopez.

With a taste for Ferraris, thoroughbred horses, fat cigars and tailored shirts unbuttoned to expose his tanned chest, the designer’s private life also appeared the stuff of fantasy.

He married a Miss Universe runner-up, owned a purple helicopter and a Tuscan vineyard, and was on a first-name basis with A-listers like Sharon Stone and Cindy Crawford.

But the designer also weathered challenges, including a dry spell in the 1980s when minimalism took hold on runways and his form-fitting, feathered creations looked out of step.

A years-long trial in Italy on tax evasion charges ultimately ended in Cavalli’s acquittal, but after his eponymous fashion house began posting losses, a majority stake was sold to private equity in 2015.

Best known for his use of printed leather and stretchy, sand-blasted jeans, Cavalli always embraced the wow factor in his designs, never encountering an animal print he did not like.

The designer was tapped in 2005 to update the Playboy Bunnies’ scanty uniform — true to form, he introduced one version in leopard print.

Party crasher

Born on November 15, 1940 in Florence, Italy’s premier leatherworking centre, Cavalli began painting on T-shirts to earn money while at art school.

He recalled in his blog in 2012 how he gate-crashed a party in 1970, and, seeking to save face when he met the host, who was a designer, told him that he printed on leather.

When the designer asked to see some of his work the next day, Cavalli hurried to find samples of thin, supple leather onto which he printed a flower design.

The designer was impressed, and Cavalli was hooked.

Taking his inspiration from glove design, Cavalli began working with calfskin, patenting a new way to print leather with patterns that soon caught the eye of French luxury goods maker Hermes and the late designer Pierre Cardin.

In the 1970s, he opened a shop in Saint Tropez, playground of the world’s glitterati, and debuted his collection in Paris.

He went on to present for the first time in Italy at Florence’s opulent Palazzo Pitti, grabbing attention with his boho-chic patchwork designs on denim that married the unpretentious fabric with expert tailoring.

‘I’m copying God’

Of his ubiquitous use of prints, the animal lover — whose menagerie once included a monkey — told Vogue in 2011: “I like everything that is of nature.”

“I started to appreciate that even fish have a fantastic coloured ‘dress’, so does the snake, and the tiger. I start(ed) to understand that God is really the best designer, so I started to copy God,” he told the magazine.

In the 1980s Cavalli’s instantly recognisable, exotic designs were out of sync with the minimalist look that was all the rage, but the designer came back with a bang a decade later with distressed-looking jeans that proved a hit.

His fashion empire expanded to home furnishings, wine, shoes, jewellery and even a line of vodka, its bottle sheathed in snakeskin.

Taking his style to the high street, he designed a fast-fashion line for Swedish retail giant H&M and tour outfits for Beyonce, among others.

But the label began to suffer financial difficulties amid increased competition from well-funded brands owned by fashion conglomerates LVMH and Kering, and Cavalli stepped down as creative director in 2013.

Two years later, Milan-based private equity group Clessidra bought a 90-percent stake in the company, but a restructuring failed to reverse losses.

After filing for administration and closing its US stores, the fashion group was bought in November 2019 by Vision Investments, the private investment company of Dubai real-estate billionaire Hussain Sajwani.

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