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NETFLIX

Why Netflix is a worse deal in Norway than in most other countries

A disparity in monthly costs of Netflix subscriptions around the world leaves Norwegian customers forking out more than almost anyone else, an analysis has found.

Why Netflix is a worse deal in Norway than in most other countries
Photo: AFP

Norwegian subscribers, on a cost per title basis, pay 80 percent more than those in Brazil who enjoy the best value Netflix worldwide.

Overall, Netflix customers in Norway get the fourth-worst deal anywhere in the world when monthly cost, library size and resultant cost per title are taken into account, according to the analysis, which was carried out by Comparitech.

People in Norway pay 89 kroner for the basic monthly package. That makes it the fourth-most expensive basic package if all prices are converted into US dollars.

With a middling library size compared to other countries of 3,744 series and films, the cost per title of Netflix in Norway is $0.00268 – the fourth-worst value in the analysis behind Denmark, Switzerland and Sweden.


Screengrab: Comparitech

It should be noted that for standard and premium plans, Norway does offer better value by these metrics. These more expensive plans offer perks including more users allowed on the account simultaneously and better streaming quality.

When considering the monthly cost of Netflix relative to the average monthly income, Norway again came in as the one of the most expensive countries. 


Screengrab: Comparitech

To gather the data, Comparitech looked at the the number of TV shows and movies available in 39 countries. The total number of titles available was divided by the monthly subscription price to establish each country’s cost per title per month.

The cost per month in each country was evaluated and compared to others based on current exchange rates at the time of writing.

Overall, customers in the United Kingdom have access to the largest number of titles with 6,122 in total while Ireland has the second-largest with 6,112 and Canada the third-largest with 5,998.

Brazil, South Africa, and India were found to be the most cost-effective countries to watch Netflix in, due to the cheap price of subscriptions there.

Do you have a Netflix subscription in Norway? Do you think it offers good value? Is there anything you think is even more overpriced in Norway compared to the cost of the same service in other countries? Let us know.

READ ALSO: Why a rune-bearing rock appeared overnight in Norwegian town

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TV

Five of the best German historical dramas to binge watch right now 

What do you do when you're trying to immerse yourself in German history, but public life is shut down due to Covid-19? Find some binge-worthy historical dramas, writes Charlotte Hall.

Five of the best German historical dramas to binge watch right now 
A scene from the Barbarians. Photo: picture alliance/DPA/Netflix/Katalin Vermes

When I moved to Berlin for my year abroad, I was meant to immerse myself in the language, the culture, the history. I was ready to soak up that German influence like a sponge, and take it home with me to England to wring out during my final year of uni. All good, in theory. In practice: well, there was this little thing called Covid-19 that kind of got in the way a bit. 

Since almost everything was shut when I arrived in the German capital at the end of August last year, I needed to get my culture-fix elsewhere. Like many, during this pandemic, I turned to streaming sites. And for reasons I can’t quite explain myself, I found myself drawn to the plethora of historical dramas that German Netflix offers. 

READ ALSO: Ten top films and TV shows to discover Germany from your couch

Historical dramas are often denigrated and belittled. They are a notorious “trash” genre and while “historical” is in the name, “accuracy” is usually not the game.

However, in recent years, the rise of series like Chernobyl – and even Bridgerton – have proven the range and variety that can be found in this genre. Rather than the factual history, history dramas offer a distanced perspective of the anxieties and preoccupations of the present, as well as a tell-all insight into the cultural psyche of a country’s perception of its past.

This, at least, is how I rationalise my “Watch it again” list.

On that note, here are the five most bingeable and/or thought-provoking historical dramas in German right now: 

Die Barbaren (2020) 

In November, the first series of Die Barbaren was so successful that Netflix immediately announced that they are working on a second one. It’s easy to see why: the series’ aesthetics are very seductive, morphing modern beard-grooming with a rough-and-ready, fur-clad fantasy of the Germanic tribes. 

The plot is based (loosely) on the story of the battle of the Teutoburg Forest, when a group of Germanic tribes resisted annexation by the Roman Empire. It’s embellished with a neat check-list of Netflix must-haves: a dynamic love triangle, an outspoken female heroine, and plenty of Game of Thrones-style gratuitous violence and sex scenes. While this might not be what the critics would call “original”, it does make the series very bingeable. 

The story of the Teutoburg Forest is a surprisingly contentious topic in Germany. For a long time, the narrative had been co-opted by nationalists and far-right. Nolting, one of the writers of the series, said he intended to reclaim the narrative from “those forces we detest”.

In a sense, the aim of Die Barbaren is to spark a reconsideration of this part of history, instead of leaving it to stagnate in the realm of alt-right propaganda. 

Das Schweigende Klassenzimmer (2018) 

This recent addition to the Netflix inventory won the 2018 peace prize of German film, Die Brücke – and for good reason. Set in the DDR during the Hungarian Revolution of 1956, it’s based on a true story and a book of the same title by Dietrich Garstka. 

READ ALSO: Why it’s time to binge Netflix’s successful German TV series

A group of students in the DDR illegally listen to West-Radio after catching wind of the Hungarian uprising. They hear of the many deaths that happened during the demonstration, including, so the report goes, the famous footballer Ferenc Puskàs – crucially, this later turns out to be untrue. Moved, the classmates decide to hold a moment of silence during class, an idea set in motion by the main character Kurt Wächter (Tom Gramenz). 

At school, all hell breaks loose. Suddenly, the naive group find themselves under investigation by the Stasi. Pressured by all the adults surrounding them, they are given a choice: scapegoat Kurt Wächter as the ring-leader, or have their life-prospects ruined by being banned from taking their Abitur (A-levels/final exams). 

The film is a tense but heartening ode to the coming-of-age genre, and a beautifully shot piece to boot.  

Nirgendwo in Afrika (2001) 

Nirgendwo in Afrika approaches themes of culture-shock, colonial trauma and exile in a delicate and refreshingly nuanced way – especially for a film made two decades ago.

It’s 1933: we follow the Jewish family Redlich as they flee Nazi-Germany to settle on a farm in Kenya. While their little daughter Regina acclimatizes quickly to the pace of life in the Kenyan countryside, her parents must learn to let go of the German life, friends and identities they left behind them. Providing a unique perspective on the Jewish experience of the Nazi regime, this film is a fascinating and at times heart-breaking cultural panorama.  

The film also touches upon the parallels and differences between the loss of land and status experienced by native Kenyan tribes under British colonial rule and that of Jewish people under the Nazis. The comparison is implicit – and makes a very interesting historical angle. 

Unsere Mütter, unsere Väter (2013)

 

Charlotte, Wilhelm, Greta, Viktor, Friedhelm: five friends, but with five very different experiences. It is Berlin in 1941: they gather, dance, drink and say goodbye. Brothers Wilhelm and Friedhelm are being sent to the Eastern Front. But not to worry, the war will soon be over, and they’ll all see each other again at Christmas…

While the two brothers are quickly embroiled in the brutal and pointless war in Russia, Charlotte, a nurse, is following close behind and witnessing the horrors of the casualties at the mobile military hospital. Viktor, a Jewish tailor, tries to flee the country last-minute, and Greta, his lover, is soon tangled in a dangerous web with a married Nazi officer. Christmas in Berlin is looking increasingly unlikely. 

While it’s more revised history than history revision (critics have pointed out chronological inconsistencies), the series has some very powerful moments. It has been praised for its depictions of the bitter war on the Eastern Front. 

Charité (2017-2019) 

In the perfect union of medical and historical drama, this series explores the personal and political conflicts surrounding the Charité Teaching Hospital of Berlin. 

The first season brings together notable historical figures such as Rudolph Virchow, the father of pathology, Paul Ehrlich and Robert Koch, as well as the scientific whirlwinds they created in the 19th century. The second season shifts into the last year of the second-world war, dealing with the traumatised soldiers returning from the front, and the horrific treatment of children with disabilities under the Nazi regime. 

What should be a relatively dry, pseudo-medical period drama has been spun into an exhilarating, and at times thought-provoking, binge-worthy series.

This article was updated on March 15th.

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