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French ravers vow to resist Coronavirus crackdown

Summer time is rave time in France but this year battle lines have been drawn between authorities alarmed at the risk of coronavirus and serious party-goers determined to dance on.

French ravers vow to resist Coronavirus crackdown
Gendarmes blocked access to this free party in the Cevennes National Park in August. Photo: Pascal Guyot/AFP
Ravers, called “teufeurs” in French back slang, speak of “resistance” against a crackdown by security forces encouraged by locals to restore order.
   
“The more they stop us from partying, the more we party,” said teufeur and activist Gregoire aka Pontu, who uses an alias to protect himself against the authorities.
   
France's “free party” movement has since the 1990s brought together techno music lovers who follow a nomadic lifestyle, often living in small communities with a libertarian or anarchist ideology.
   
“Because of the pandemic there have been fewer events this year than previous years,” free party organiser Robin told AFP, asking not to use his full name.
 
   
“But a lot of attention has been focused on those events and the crackdown has been much tougher.”
   
He works for the Sound Fund, an association that offers legal support for rave organisers who face fines or have equipment confiscated by the police.
 
The association has been called on to help in 22 confiscation cases this year, including four over the August 15 bank holiday weekend. The number is twice as high as in 2019, Robin noted.
   
The national gendarmerie police force said it would not respond to AFP's questions on the situation.
   
However one regional official said that the latest national strategy was to try to restrict the size of gatherings once they get started by blocking all access roads. The official added that site evacuations remained a rarity.
 
'Noise aggression”
 
“We cannot allow 5,000, 6,000 people to get together, without shirts, masks or any respect for virus rules,” said junior interior minister Marlene Schiappa in July at the site of a rave that drew 4,000 people to the Nievre department in central France.
   
Police in the southern Lozere region blocked off a plateau in the Cevennes national park where 7,000 people, including small children, attended an illegal three-day festival in mid-August.
   
Lozere, France's least populated department, has been spared the worst of the COVID-19 pandemic, which has so far claimed more than 30,000 lives nationwide.
   
With infection rates rising again,  locals were furious about the risks posed by the event.
 
   
About 200 gendarmes blocked off the mountainous site before slowly filtering out ravers and seizing material such as speakers and electricity generators.
 
Through the confiscations the authorities can sometimes track down the event organisers who risk fines of up to 3,500 euros for illegal parties.
   
If the fine includes “noise aggression”, the punishment can climb to a year in prison and 15,000 euros.
 
'The people who dance'
 
For local councillors, the arrival of crowds of ravers can be a major shock.
 
Patricia Bergdolt is mayor of the quiet  village of Boutigny-sur-Essonne, near Paris, whose population is mostly elderly.
   
She said she felt “powerless” when hundreds flooded into the area late at night for two days of hard partying before they were kicked out.
   
“With so many people pouring into the place, boozing and stoned, who are no longer in a fit state to follow virus rules, how can you reassure people living here?” she asked.
   
For now, no virus outbreak has been linked to a free party by any of France's regional health authorities.
   
“We are outside, back to nature, not stuck together like in a bar,” said “teufeur” Gregoire.
 
Like many ravers he wants to see a stepping up of what they call “the resistance of the people who dance”.
   
“Free parties will adapt if the crackdown gets worse, either events will become smaller or very much bigger,” said legal fund operative Robin.   
 
“And when 20,000 people turn up at some place, it's a lot more difficult to make them leave.”

Member comments

  1. Weren’t very quick off the mark were they. Perhaps someone should explain to them that this scene started in the late 60’s early 70’s.

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MUSIC

Meet the New Yorker who moved to Spain to become a flamenco dancer

Leilah Broukhim isn’t a typical flamenco dancer. For starters she was born and raised in New York City, to parents of Sephardic Persian heritage.

Meet the New Yorker who moved to Spain to become a flamenco dancer
Photo by Timo Nuñez

But after being inspired by a flamenco class while studying film at Columbia University she arrived in Seville in 2000 with plans to spend no longer than a year learning more about the art.  

Needless to say, she stayed a lot longer than that and built up a career as a dancer on the tablao circuit before launching her own projects.

“When I first started out, there really weren’t many foreign dancers at a professional level,” Broukhim explains. “It wasn’t that it was closed off to anyone outside Spain, it just wasn’t the norm.”

But since flamenco was inscribed on Unesco’s list of Intangible Cultural Heritage of Humanity in 2010, the art has seen a surge in popularity and it has become much more common to see foreigners studying flamenco here.

“It wasn’t that those in the flamenco scene weren’t welcoming, I just felt I had to work harder as it’s not part of the culture I was brought up with. I had to prove to myself as much as anyone that I deserved to be here and was as good as those who came from a flamenco tradition that goes back centuries,”explains Broukhim.

“So I studied hard, went to a lot of shows, worked with amazing people and absorbed everything I could.”

Last year, Broukhim directed and performed in the inaugural show at Madrid’s Centro Cultural Flamenco with a show inspired by Federico Garcia Lorca, a show that ran from the opening in February 2019 until it was forced to close at the start of the pandemic earlier this year.


Leilah (Left) with her “flamenco family” during a performance of Lorca Poeta Flamenco. 

“It was show inspired by the poet’s love of flamenco. He was very influenced by the music and plight of the art form at the time, it and the people who performed it were very marginalized but he championed them and in fact supported the first ever flamenco competition in 1922 in Granada.

“It was a fantastic experience, not only in getting closer to Lorca’s work but we formed our own really close flamenco family,” Broukhim reminisced.

Less than a year later and it is hard to believe that the flamenco world is in such dire straits. For the coronavirus has wreaked havoc across the entire performing arts sector not least in Spain where the industry was so reliant on tourism.

A recent report by the Unión Flamenca revealed that 42 percent of those artists professionally employed in the flamenco sector will be forced to retrain and in art that requires 100 percent dedication, many don’t have other skills to fall back on.

“It’s very hard, for many of us flamenco goes beyond a passion, we have dedicated our lives to it but right now the whole sector has been hit really hard. Most flamenco artists don't have a backup plan.”

For Broukhim though, the coronavirus crisis has provided a pause and an opportunity to pursue other passions. “It was tough all of a sudden to just stop flamenco but it also gave me a chance to take a breath and think about other things I wanted to do.”

“The lockdown gave me time to dedicate my time to yoga, meditation, to look inside myself rather than project myself to an audience and that was really valuable,” she said shyly. “It also gave me a chance to concentrate on writing my own music, playing guitar and singing.”

Lockdown saw Broukhim collaborate with guitarrist Cristian O. Gugliara and producer Fernando Vacas and launch four singles.

“It's very far removed from flamenco, more of an American psychedelic folk sound,” says Broukhim, who during lockdown released her music videos on youtube and performed live concerts on instagram and facebook.  

“The reponse was great, so I'm taking it further and have formed a band, and we're playing our first gig, in a covid-19 safe environment, in Madrid next week!” she laughed. If you told me five years ago that I'd be doing this, I'd never believe you!”.

“But we have to adapt to survive.”

Follow Leilah Broukhim, flamenco artist and singer/songwriter on Instagram and CLICK HERE for details of her next concert.

 

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