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Macron presents emergency plan to save France’s culture sector

French President Emmanuel Macron on Wednesday promised to help the country’s artists who have lost their jobs during the coronavirus crisis.

Macron presents emergency plan to save France’s culture sector
The dancers of the Paris Opera. Photo: AFP

While France is less than a week away from beginning to lift its strict, nationwide lockdown, much of the country’s arts and culture sector must remain closed for the time being.

Macron promised the government would not abandon the industry, and in a meeting with representatives from the French arts sector laid out the steps to support them through the crisis.

These included prolonging financial support for intermittent artists, making authors eligible for the solidarity fund for the self-employed and guaranteeing bank loans for small festivals.


One-year extension of financial help

In Wednesday's video conference, Macron promised he had heard the calls for help, especially regarding what in France is known as intermittents du spectacle – temporary show business workers.

Intermittents is a wide group spanning professionals in the culture sector whose jobs usually depend on seasonal hits such as festivals, like comedians, filmmakers, festival creators, dancers or set designers.

They benefit from a special unemployment insurance scheme where they receive a monthly stipend paid by the state providing they work 507 hours over a 12-month period.

As most of the country's cinemas, concert halls, theatres and festivals will have to remain closed in the coming months, many intermittents will not be able to fill up this required slot – meaning they lose the right to the title and the support that comes with.

The president said state help for these groups was to be extended by 12-months.

“I want us to engage to extend (the status) of intermittents until the end of August 2021,” he said.

 

Authors

Macron also said authors will be eligible for financial help from the national solidarity fund.

This fund provides up to €1,500 in monthly support for self-employed and small business owners for March, April and May respectively.

READ MORE: All you need to know about financial help in France for self-employed and business owners

 

State backed loans

“The state will be there with funding, together with the public investment bank,” Macron said.

“The goal is that small festivals can benefit from (these state backed loans), to avoid them being bought by big actors and structures,” he said.

France has rolled out billions in guarantees for banks to incentivise them to grant loans to struggling businesses.

The president said he wanted to set up a special compensation fund for festivals and cinema film shoots that needed to be canceled. 

“We will put everything in place (..) to ensure that the independent (workforce) can remain independent,” Macron said.

 

 

Art in schools 
 
“We should use this period to revolutionise the access to culture and arts,” the president said, opening up for the possibility of merging the problem of artists lacking work with schools lacking staff.
 
“We need you in schools. (..) There will be small groups of 10 children,” he said.
 
“We need the breathing space and have you help our children.”

Reopening

As for the question of when things could reopen, the president said he could not answer.

“I don't know where the epidemic will be next season,” he said.

“We need to live with the virus,” Macron said, adding that some of the country's smaller libraries, art galleries and theatres would be able to reopen in the period following May 11th – but not all.

“We need to marry common sense and innovation (to find the answers) – which is what you know to do,” he said, addressing the artists.

The dancers of the Paris opera went on strike in December, now they're facing huge revenue losses due to the coronavirus emergency. Photo: AFP

'A state of emergency'

The French government has been under growing pressure to act to help the struggling industry, after Le Monde published a open letter titled “Mister President, you have forgotten art and culture, make amends!” on April 30th, signed by a range of celebrities in like Catherine Deneuve, Omar Sy and Jeanne Balibar.

Famous French actress Isabelle Adjani wrote a letter to the president, read out loud on France Inter on May 5th, in which she asked him to declare a state of emergency to save the country's culture sector.

 

The world-famous Paris Opera is looking at losses of €40 million this year, its director warned Tuesday, and may not reopen until 2021.

The company was already hit by a catastrophic strike over pensions reform earlier this year before the coronavirus brought the curtain down again in March.

Director Stephane Lissner told French public radio that if social distancing rules in France were not lifted before September, it might make more sense for its two opera houses to stay closed for building work which had been planned for later in 2021.

France's social distancing guidelines for theatres insist on audience members being masked and seated two metres apart.

“It is just not workable,” Lissner said of the recommendations, which require two empty seats around each audience member.

 

Member comments

  1. Considering the financial help this sector of society already benefits from, I would have thought these people, including journalists, should be the last to complain.

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CULTURE

Why is the Mona Lisa so famous (and why is it even in France)?

Being lauded as either the greatest artwork in the world or the most overrated tourist attraction in France, Leonardo da Vinci's Mona Lisa does not struggle to get attention. But why is this small portrait so famous?

Why is the Mona Lisa so famous (and why is it even in France)?

Paris’ Louvre museum has recently announced that the Mona Lisa painting is to get its own room, a move that is at least partly in reaction to increasing complaints about the artwork being overrated, while tourists struggle to see it in the small, crowded space.

There aren’t many paintings that get a room of their own, so just what is it about Mona Lisa (or La Joconde as she is known in France) that attracts so many millions of tourists each year – and should you bother going to see her?

Why is it in France?

Let’s start with why the painting is in France in the first place, since both painter and subject are Italian (although Italy at that time was still a collection of city states which would not be unified into the modern country until 1861). 

In short, Mona Lisa is in France because her creator Leonardo da Vinci travelled with her, and he was in France when he died in 1519. The reason that he was in France is that he spent the last years of his life working on special commissions for king François I. He died at the Château du Clos Lucé in Amboise, in France’s Loire Valley. 

Upon his death Mona Lisa was taken into the French royal collection and various descendants of François I hung her in their palaces until the French Revolution happened in 1793.

After the Revolution, with the exception of a brief stint in Napoleon’s palace, the painting entered the collection of the newly-created Louvre gallery which – in the spirit of revolutionary equality – was opened up to the people so that they too could enjoy great art.

Various requests over the years – some polite, others less so – from Italy to return the painting have been firmly declined by the French state. 

When did it get famous?

In the 18th and 19th centuries Leonardo’s painting was a popular exhibit among museum visitors, but didn’t have any particular fame and wasn’t regarded as any more special than the numerous other artworks exhibited there.

Although some academic interest in the painting’s subject – most commonly thought to be Lisa Gherardini, wife of the Florentine merchant Francesco del Giocondo – stirred in the 19th century, her real fame didn’t arrive until 1911.

This is when the painting was stolen from the Louvre, a crime that became a sensation and a cause celèbre in France, even more so when the painting was finally found in 1913 after the thief had attempted to sell it in Italy.

The fame of the painting and the crime inspired contemporary artists such as Marcel Duchamp who created a playful reproduction of Mona Lisa (complete with beard and moustache) which in turn enhanced the painting’s recognition. The artistic trend continued with everyone from Andy Warhol to the ubiquitous student posters of Mona Lisa smoking a joint.

Former chairman of the French Communist Party Robert Hue views moustachioed Mona Lisa by dadaist painter Marcel Duchamp, lent out by his party for the first time for an exhibition in January 2002. Photo by NICOLAS ASFOURI / AFP

A tour of the painting to the US in 1963 and to Japan in 1974 further enhanced the celebrity status.

21st century

These days it’s perhaps accurate to say that the painting is simply famous because it’s famous. As the best-known piece of art in the world it’s automatically on many tourists’ ‘must see’ list when they come to Paris – and a lot of tourists come to Paris (roughly 44 million per year).

Meanwhile the Louvre is the most-visited museum in the world, attracting roughly 9 million visitors a year.

Although some visitors find the painting itself disappointing (it’s very small, just 77cm by 53cm) the most common complaint is that the room is too crowded – many people report that it’s so jammed with visitors that it’s hard to even see the picture never mind spend time contemplating the artwork.

Should I go and see it?

It really depends on what you like – if your taste in art is firmly in the more modern camp then you probably won’t find that this painting particularly speaks to you. You will, however, find a lot in Paris that is much more to your taste, running from the Musée d’Orsay (mostly art created between 1848 and 1914) to the Pompidou Centre (featuring contemporary and experimental art) and much, much more.

If, however, Renaissance art is your bag then you’ll struggle to find a finer example of it than Mona Lisa, with her beautiful brushwork, detailed and intriguing background and realistic presentation.

If you do decide to visit, then be prepared for the gallery to be crowded – the Louvre now operates on a pre-booking basis but even having a pre-booked ticket won’t save you from the crowds.

If possible try to avoid the summer and school holidays and prioritise weekdays over weekends – the early morning or late evening slots tend to be a little quieter than others, but you’re going to have to be prepared to share her with many other art-lovers.

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